Source: Collider 
Speaking to Collider, Michael Fassbender discussed the persistent rumors that he will star in Jose Padilha's reboot of Robocop.
Question: Because of all of the success that you’ve had recently, there are lots of rumors that you are attached to all sorts of great projects. Is RoboCop something that you’d like to do?
MICHAEL FASSBENDER: You know, I’m always open. I’ll take a look at the script and sit down with the director and have a conversation. It’s not definitely like, “Oh, I’ve got to play RoboCop before I retire.” I don’t have that about anything. I don’t go, “I have to play the Dane one day, or Hamlet.” I don’t really think like that. I just wait and see what comes up, and I’m always open to it. If I react to the script, then I’m up for anything.
Would you dread wearing a metal suit?
FASSBENDER: No. It could be kind of fun. It could be kind of good to have a helmet that I could hide behind, for most of the film, too. That sounds kind of appealing.
According to Padilha, who also rewrote Darren Aronofsky's earlier script alongside screenwriter Josh Zetumer, the movie will channel the same themes of the first movie. Said Padilha, "Listen, there are the constants and the variables in this world, right? Some things change and some things never change. Corporations controlling people are a constant. It’s the banks now, it’s going to be something else 30 years from now. It was something else before. This is the way economics works. So we’re not making a film about mortgage, that I can tell you. "
RoboCop is a 1987 American science fiction-action film directed by Paul Verhoeven. Set in a crime-ridden Detroit, Michigan in the near future, RoboCop centers on a police officer who is brutally murdered and subsequently re-created as a super-human cyborg known as "RoboCop". The film features Peter Weller, Dan O'Herlihy, Kurtwood Smith, Nancy Allen, Miguel Ferrer, and Ronny Cox.
In addition to being an action film, RoboCop includes larger themes regarding the media, resurrection, gentrification, corruption, privatization, capitalism, masculinity, and human nature. It received positive reviews and was cited as one of the best films of 1987, spawning merchandise, two sequels, a television series, two animated TV series, and a television mini-series, video games and two comic book adaptations. The film was produced for a relatively modest $13 million dollars.
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