Spider-Man Saves CNN's Anderson Cooper From The Green Goblin In New York's Times Square

Spider-Man Saves CNN's Anderson Cooper From The Green Goblin In New York's Times Square

Couldn't make it to NYC on New Year's Eve? Well then you missed Spider-Man and Green Goblin on the JumboTron.

By MarkJulian - Jan 02, 2012 05:01 AM EST
Filed Under: Spider-Man





Here's a shorter albeit better quality version of the video courtesy of CNN.



Apparently, this was a taste of what it's like to attend the Broadway play, Spider-Man: Turn of the Dark. What do you guys think? Is it as bad as all the reviewers said it was?

Despite poor reviews and bad publicity, Spider-Man has been very successful at the Broadway box office. Ticket sales the day after the first preview on November 28, 2010, were more than one million dollars. During the first full week of 2011, Spider-Man had the highest box-office gross on Broadway, with a total of $1,588,514.




Spider-Man: Turn Off the Dark is a rock musical with music and lyrics by U2's Bono and The Edge and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character and the Greek myth of Arachne. lt tells the story of the origin of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes. At the first preview performance, these technical challenges caused several lengthy interruptions. Several actors were injured during rehearsals and previews.

Spider Man is the most expensive Broadway production and had the longest preview period (182 preview performances) in history. Although the musical began performances in November 2010, the official opening was postponed several times. After receiving feedback from preview audiences and scathing reviews from critics, previews were suspended in April 2011. Director Julie Taymor left the production, as co-director Philip William McKinley was brought in to redirect portions of the show. The musical's book was revised, and new previews began May 12, with the official opening on June 14, 2011. Critical reception of the opening was better than for the earlier version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score.





About The Author:
MarkJulian
Member Since 6/8/2011
CBM writer for a decade+.
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