LucasMend Reviews: DOCTOR WHO: "The Doctor, The Widow, And The Wardrobe"

LucasMend Reviews: DOCTOR WHO: "The Doctor, The Widow, And The Wardrobe"

In this year's Christmas Special, the show once again takes inspiration from a classic tale to tell a beautiful Christmas story, come and check out my review for the episode.

Review Opinion
By LucasMend - Dec 26, 2011 10:12 AM EST
Filed Under: Sci-Fi



It's Christmas Eve, 1938, when Madge Arwell comes to the aid of an injured Spaceman Angel as she cycles home. He promises to repay her kindness - all she has to do is make a wish. Three years later, a devastated Madge escapes war-torn London with her two children for a dilapidated house in Dorset. She is crippled with grief at the news her husband has been lost over the channel, but determined to give Lily and Cyril the best Christmas ever. The Arwells are surprised to be greeted by a madcap caretaker whose mysterious Christmas gift leads them into a magical wintry world. Here, Madge will learn how to be braver than she ever thought possible. And that wishes can come true...


This year's Doctor Who Christmas Special follows the normal tradition of how these episodes normally work, telling a one-time story which doesn't follow the current season arc, which is better because these special episodes are normally for people who don't follow a full season of the show.

We have the episode starting with some kind of alien spaceship about to attack the Earth, then we see that The Doctor is there inside it, attempting to destroy it and save our planet. This is probably one of the best scenes of the episode as the soundtrack is played perfectly and of course it also reveals the return of Matt Smith as the main character. Not to mention, the special effects for the whole scene are very well done. All in all, it was a very nice cold opening.

An interesting number of characters are presented to us in this episode, such as the Arwell family, consisting of Madge and her children. We found the family going out to a camp to celebrate Christmas,which is when they meet the Doctor. The young boy Cyril gets curious about one of his gifts underneath the tree and goes to check it during the night, just to find out that it leads to a fantastic and weird world. The Doctor then follows him into said world, accompanied by the older sister Lily; later in the episode,Madge join her children in this world as well. The way the story is told is amazing, simple, and not complicated. There are other characters too, who are part of the frozen world inside the Christmas present, like the soldiers that confront Madge. They are well placed in the story, serving as soldiers protecting that place and their suits have a stunning visual, actually resembling the Halo soldiers a tad bit. The living trees also are an incredible and beautiful visual.

Steven Moffat obviously had inspiration from C.S. Lewis Narnia when he wrote the episode, you can see that by the time in which the story is set and of course the whole other, magical fantasy world thing. Still, he managed to create an interesting and amazing world by paying tribute to the Narnia world. Just to remember, the present box served as a dimensional portal for that world.

The story itself is solid and interesting just like the characters. The way the tale ends when we see them all going through the Time Vortex to get back home, with Madge crying over the scenes of her life and the supposed death of her husband while the "I Am the Doctor" theme is running in the background is just really beautiful and thrilling. In my opinion, it is absolutely better than last year's Christmas Special, though that was also great. By the way, Amy Pond and Rory Williams made a great special cameo. Well, after all, it is Christmas night and the Doctor needed to prove to them that he was still alive.

Doctor Who: "The Doctor, The Widow, And The Wardrobe" is a well writen special episode, specially made for those who can't follow a story that takes a full season to be told, it is beautiful and has characters you can care about, not to forget the outstanding soundtrack being perfectly placed in the appropriate scenes.









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syronian
syronian - 12/26/2011, 11:12 AM
God, I loved this episode so much! "Happy crying. Humany Wumany."
imnotahero
imnotahero - 12/26/2011, 11:25 AM
I thought it was really messy and random. The story and characters were all over the place. The direction and editing were way too frenetic. The plot moved too quick and didn't make sense. But, i must say: that ending was so goddamned adorable.
goldenavenger77
goldenavenger77 - 12/26/2011, 12:25 PM
Watched few minutes of it, got bored, played Skyrim instead.
whytry2hard
whytry2hard - 12/26/2011, 12:55 PM
I miss Russell T Davies Doctor Who.
croniccris
croniccris - 12/26/2011, 3:49 PM
so is this like the doc goes to narnia?
er101
er101 - 12/26/2011, 4:22 PM
Okay episode, not the best but certainly watchable!
marvel72
marvel72 - 12/26/2011, 5:27 PM
good episode both sad than happy at the same time.

good to see tom welling getting work.....

the king that was made of wood. :D
Growler
Growler - 12/26/2011, 5:35 PM
I thought it was a good story.

Bill |Bailey wasn't in it as much as he should have been as his comic talent borders on genius, but it was a good, solid, Christmas Doctor Who tale - especially for Moffatt, who generally likes to drag things out through an entire season.

However, I have to draw comparisons with last year's offering which had the great Sir Michael Gambon as the protagonist. I preferred the allusion to Dickens from that story to this year's quite weak allusion to C.S. Lewis.

At least there were flying C.G sharks then.

And a really good mate of mine (Steve North) played the patriarch at the beginning of last year's story, so I'm going to be hard pressed to see this one as something that equals or betters that one.

And it had flying sharks.

Just saying...
Alvahnomicron
Alvahnomicron - 12/26/2011, 6:23 PM
I've gotta agree with the group consensus, here. It was fun, it had some great moments, but not as great as last year. This episode could've appeared anywhere in the season as a stand alone. Christmas seemed like a peripheral plot point to the episode, and so didn't feel like a Christmas episode. But, still fun and full of great Smith moments.
DetBullock
DetBullock - 12/27/2011, 6:40 AM
I really liked it, much better then the last year special.
loganoneil
loganoneil - 12/27/2011, 6:15 PM
Am I the ONLY one who has a problem with the new series?! Don't get me wrong, there are episodes that are TRULY 'Doctor Who' ('Dalek', 'Bad Wolf/The Parting of the Ways', 'Blink', 'School Reunion', 'Vincent and the Doctor' and 'The Doctor's Wife' immediately come to mind), but as the new series has progressed, it's grasp of reality has been slipping. My all-time favorite science fiction show is becoming a childish quasi-science FANASTY farce!

I realize the Hartnell/Troughton eras weren't THAT 'scientific' per se, but that was a sign of the times - hell, watch the original 'Star Trek' and tell me THAT was! When I say 'scientific', I'm referring to the time of Barry Letts and early JNT, when all the plots had an underlying theme of plausibility, not this "let's completely throw reality under the bus" mentality the new series seems to have. To illustrate my point, take a look at the original series story 'Logopolis' - in it the Doctor falls from a 500-foot radio telescope onto GRASS and is forced to regenerate from the impact. Yet in the new series story 'The End of Time', Tennant's Doctor takes a leap from a FLYING spaceship, CRASHES through a plate-glass ceiling and SMASHES onto a MARBLE FLOOR, yet all he sustains are a few cuts, scrapes and bruises?! Now in this latest Christmas Special, 'The Doctor, The Window and the Wardrobe', we're supposed to believe that Smith's Doctor can survive PANETARY RE-ENTRY and IMPACT with just a space suit on?!! You've GOT to be kidding me!!!

‎With the new series (especially with Moffat's run at the helm), it seems the writers are relying too heavily on the 'wibbly-wobbley, timey-whimey' plot solutions that have NO basis or grounding in reality. The latest faux paux - "We took a shortcut..." (ie. the writers are getting too lazy to think of a PROPER ending to a RIDICULOUS plot!) It's bad enough we're supposed to swallow the idea that WOOD somehow MAGICALLY enters the time vortex, but also that Reg Arwell and an entire airplane is supposed to be able to follow just by the power of good thoughts and hugs?! What kind of "There's no place like home..." BS is that?!

I UNDERSTAND 'Doctor Who' is a family show, but it seems that the new series (and ESPECIALLY Moffat and company) are pandering to little kids only (don't get me started on the Skittles-colored Daleks!). Well Mr. Moffat, I've got news for you - little kids aren't that stupid! Right now you're riding high on the nostagia of almost 50 years of fanbase, but that WILL change and we fans will demand more. The late John Nathan Turner knew all about that as he nose-dived the property during the Sylvester McCoy era...
PurplePhantom
PurplePhantom - 12/27/2011, 8:58 PM
@ loganoneil- that time of the month, huh?
loganoneil
loganoneil - 12/28/2011, 1:24 PM
PurplePhanton - Sorry there, it's my all-time favorite science FICTION show and as a fan, I have standards that were firmly established by the classic series. If you have a problem keeping up, might I recommend 'The Sarah Jane Adventures' as something more your speed…

…not that I'm slamming 'Sarah Jane' (it was a BRILLIANT series), but it WAS specifically geared towards the age-level you seem to gravitate towards.
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