Aquaman reviews are finally live, and things are sounding good for the DC Comics adaptation so far. Over the past couple of years, the importance of Rotten Tomatoes has increased considerably and while many fans don't care what score a movie ends up with, a large percentage of moviegoers do pay attention and a bad number can spell box office doom.
As of right now, Aquaman has 29 Fresh reviews and 8 Rotten ones.
With an average rating of 6.2/10, that means the DC Comics movie currently has a score of 79%. There isn't a Critics Consensus just yet but we can probably expect at least 100 more reviews to go live over the next week or two as it seems as if Warner Bros. has very carefully selected which outlets have gotten to see it early.
The lowest rated DCEU movies on the site are Batman v Superman: Dawn of Justice and Suicide Squad with 27%. Wonder Woman, meanwhile, is the highest with a mighty 93%.
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It’s a wobbly balancing act – a few spinning plates come crashing down – but it’s also an insanely fun moviegoing experience that revels in absurd decadence like few comic book adaptations can brag (things just…happen). Aquaman confirms James Wan’s adoration of cinematic vitality and free-spirited vision unknowing of boundaries. I’ll take death by Auntie Sue’s Triple German Chocolate Fudge Ripple Cake – baked with twenty cups of sugar and immeasurable love – over pre-packaged grocery store desserts any day. [3.5/5]
SOURCE: We Got This Covered
There is scarcely a scene in Aquaman that couldn't have benefited from the fun sense of wit and surprise that Momoa delivers more or less on his own. Kidman supplies short-lived warmth and gravitas as Aquaman's mum, while Yahya Abdul-Mateen II has a side role as a vengeance-minded fighter. Technically, the film is everything its fan base wants and expects, and the underwater setting imparts a sometimes enchanted feel that at least distinguishes it from most other superhero epics. Rupert Gregson-Williams efficient score seems to almost never let up.
SOURCE: The Hollywood Reporter
It’s weird though. Despite all the things Aquaman has going for it, there’s no denying the acting in the film is merely adequate. That the dialogue isn’t exactly smart. Some of the characters don’t change all that much. And yes, the film could have been better if those things were all up to the level we know the people involved are capable of achieving. And yet, Aquaman is made with such spirit, with such lofty goals when it comes to world-building, somehow those things get pushed aside, the 12-year-old inside you comes out, and you eat it all up like a kid in a candy store. This is grandiose, big-budget entertainment at its most self-aware, and even when it swings and misses, it’s still a sight to behold.
The glee that director James Wan clearly has playing in the world of Aquaman is infectious. He’s made a movie for both types of 10-year-olds: literal kids and those who are 10 at heart. Aquaman is one hell of a popcorn movie – a fun time and a big bet for the DC movie universe that pays off in creating an exciting new realm for future installments to hopefully explore further. Wan’s geeky epic is chock-full of ridiculous elements and, on paper, it really shouldn’t work as well as it does, but it’s all so inherently weird and brazenly bonkers that the siren call of this giddy, otherworldly romp is hard to resist. [7.5/10]
SOURCE: IGN
Ultimately, Aquaman is a superhero origin story that separates itself from the rest of the Worlds of DC movies as much as possible - but not in a way that disparages the work of the directors who came before Wan. Instead, Aquaman stands on its own feet in a way that reflects Arthur's own journey of coming into his own as a superhero, separate from the other heroes of the land. Further, while the unique personality of Momoa's Arthur and Wan's directing may not win over every viewer, Aquaman is a wild adventure through stunning undersea worlds that's sure to delight fans of this character and his DC Comics legacy. It may not be the movie that completely turns the tide in the public perception of this DC franchise, but Aquaman is a solid standalone effort with plenty of potential for even greater success in a sequel. [3.5/5]
SOURCE: Screen Rant
Bad habits aside, though, Aquaman mostly achieves what many thought unachieveable – turning AC into a credible big-screen hero in his own right, finally unshackled from team-ups and extended universes. It may not be the jewel in the DCEU crown, but it might just give the faltering franchise its sea legs. [3/5]
There was never a question that at this stage in Hollywood’s comic-book economy that every superhero would eventually get his or her own standalone blockbuster. Even Aquaman. But Wan, a director who’s proven himself to be a can’t-miss ace regardless of genre (from the horror formulas of The Conjuring and Insidious to the big-budget tentpole mayhem of Furious 7) seems to finally be out of his depth. He’s conjured an intriguing world, but populated that world with dramatic cotton candy and silly characters, including a hero who’s unsure if he wants to make us laugh or feel — and winds up doing neither. Pass the Dramamine. [C-]
SOURCE: Entertainment Weekly
At the end of the day (or, anytime of the day, really) I think I admire Aquaman more than I like it. It’s certainly ambitious. Remember earlier when I used the cliché about this movie “swinging for the fences.” I do think Wan and company pulled off what they wanted to accomplish. But it’s basically a “swing for the fence” where the ball donks off someone’s head and then goes over the fence, leaving us all standing here not knowing quite what to make of what we just saw. Should I cheer? Should I laugh? Is everyone okay? Aquaman is one strange movie, but certainly a fun one.
SOURCE: Uproxx
With the addition of Aquaman, Warner Bros and DC now have a proven track record that they can make superhero movies that audiences want. Future projects like Wonder Woman 1984, Shazam!, and Birds of Prey can be looked forward to with anticipation. It will interesting to see what Warner Bros rolls out in the next few years.
Warner Bros. has weathered some stormy seas in recent attempts to adapt DC’s iconic characters to the silver screen. Wonder Woman was a ray of hope last year and Aquaman is an emphatic statement that DC Films and Warner Bros. are back and here to stay. Director James Wan has given the studio its best, most complete DC movie of the current era. Time will tell, but Aquaman may one day be in the conversation with the classics of decades past.
SOURCE: Batman-News
And then, of course, there are Kidman, as Aquaman’s Atlantean mother, and Dafoe, as his loyal (if secret) trainer and supporter. There they are, splashing along with the rest of them. When they were first cast I thought, oh, how sad, what a waste. But they clearly knew something I didn’t. Aquaman isn’t a masterpiece, but it has an idea at its heart—or, better yet, a feeling. Wan has taken a seemingly impossible task and imbued it with clarity and personality. Which, for now, will have to be close enough stand-ins for true purpose.
SOURCE: Vanity Fair
“Aquaman” is a sword-and-sorcery sci-fi archaeology horror war superhero epic without shame. But why would it have shame? James Wan dives into the strangest caverns of DC’s vast mythologies and brings it all to the big screen, challenging you to accept just how unusual superhero stories can be.
But Wilson is just, frankly, dull. He is not allowed to develop an interesting character and he suffers from the obvious comparison with Loki, Thor’s adopted brother played with relish by Tom Hiddleston as a velvety-voiced villain. But then Momoa’s good-ol’-boy characterisation of Aquaman itself only goes so far. This is a film that never quite comes up for air. [2/5]
SOURCE: Guardian
Aquaman may not be as accomplished as DC colleague Wonder Woman, but what it occasionally lacks in coherence it makes up for in ambition. This is a film that remembers blockbusters are meant to be fun, and anyone fed up with the seriousness of modern superhero movies will have a blast. [3/5]
SOURCE: Radio Times
For anyone shelling out full price for a movie ticket, this is surely the payoff they’ve been anticipating — all the more spectacular in Imax, for which nearly all the phospholuminescent ocean footage has been custom formatted. It’s an interesting inversion of the usual superhero movie formula to find a director investing most of his creative energy into the ending, rather than the origin-story stretch up front — a luxury afforded by the fact Aquaman was introduced in “Justice League” a year earlier. The way this movie ends, “that fish boy from the TV” (as he’s derisively dismissed early on) can clearly hold his own against any of his super friends.
SOURCE: Variety
The film’s finale, the undersea war that was promised, is the first time I can ever remember looking forward to a giant CGI battle, and I can’t wait until someone recuts it to the B-52s “Rock Lobster,” Fred Schneider announcing each new fighting sea creature as it zooms through the deep. Aquaman’s as formulaic, excessively thrashy, and mommy-obsessed as any other entry in the DCEU, but its visual imagination is genuinely exciting and transportive, and dare I say, fun. If you came for the Aquaman mythos, you won’t be disappointed, but if you’re just here for the creatures of the deep, you’ll be more than satisfied.
SOURCE: Vulture
I really like Jason Momoa—but Hakuna Matata Aquaman is more shtick, than character, and as such, works better in an ensemble than dolo. Really, I just think making an over-the-top Aquaman that’s silly and goofy and has bad guys dressed like the Power Rangers robot is the easy way out. "It’s Aquaman," they’ll say. "He talks to fish, this could’ve never been The Dark Knight," they’ll argue. Sure. But there was a way to not go full Saturday morning cartoon and somehow still fall short of the Saturday morning cartoon that did it 10x better and more badass (my son lost a hand!). Casting against type with Jason was the first of few truly genius inspired choices.
SOURCE: Complex
In a nutshell, Aquaman is a fun, exciting, imaginative, occasionally silly but undoubtedly epic adventure that establishes an incredibly rich new cinematic world and helps DC and Warner Bros. right their comic-book ship. [3.5/5]
Did I think it was coherent in any way? Certainly not, but there is no denying that this new incarnation of Aquaman will go down in history as the most fun and most anarchic yet, and believe it or not, it works on several levels and shows that DC can do lighthearted as well as epic, just don’t go in expecting it to make much sense. A rollocking aquatic mess, but in a good way. [4/5]
SOURCE: HeyUGuys
Again, this film is far from perfect, but at the very least it doesn't feel like its main reason for existence is to keep pace with Marvel Studios. It's still style over substance a lot of the time, but that style bears a real love for the source material, and that's what should be at the heart of every superhero film. Well, that and Jason Momoa's abs.
SOURCE: CBR
And no, before you ask, Aquaman doesn’t feel like a Marvel movie, either. I’d wager it goes to far weirder places than any MCU movie—besides maybe Thor: Ragnarok—would go. Under the Marvel umbrella, you can probably expect a satisfying origin story or outer space romp. But under DC, it turns out it’s better down where it’s wetter. Take it from me. [B+]
SOURCE: Collider
Wan clearly put sizable effort into mining a few gratifying moments from the bland rubble of “Justice League.” The cynical, hard-drinking muscleman actually seems like a compelling idea for modern times. As a protector of the Earth’s most fragile environment, he’s the ultimate fearsome rejoinder to the characterization of climate change as a puny liberal ideal. In a better world, “Aquaman” would excel at delivering an ecological message to the masses. But all the fish in the sea can’t salvage a movie that refuses to go more than surface deep. [C]
SOURCE: Indie Wire
The best point of comparison for Aquaman is Black Panther, another superhero movie about a king of a forgotten realm reclaiming his throne. But whereas Ryan Coogler’s surprisingly affecting superhero film restored weight to both the choreography and the drama of the genre, Aquaman remains adrift, so much fantasy flotsam and jetsam floating before our eyes.
SOURCE: Slant Magazine
An “Aquaman” sequel is reportedly in the works. The series already has a strong leading man and a feel for an epic. The filmmakers just need to find the heart of their ocean.
There are some legitimate criticisms you can level against Aquaman. You could never say, however, that this movie doesn’t go for it. It goes for everything — maybe too much, when all is said and done. Just because you can turn wine into flying wine knives doesn’t mean you can make actual miracles happen.
SOURCE: Screen Crush
This confidence in tacky wackiness is perhaps what makes “Aquaman” ultimately a success. It’s like the toddler that wants to dress like a princess clown hobo and it’s having such a fun time playing dress up, who are you to shit on its enjoyable parade? This visually clumsy and gauche, but spectacular, movie knows what it wants to be when it grows up for better or worse. [C]
SOURCE: The Playlist
In the end, Aquaman’s greatest strength is its visual style. Even when it borders on bioluminescent whimsy, it’s so distinctly and ceaselessly its own, instead of mimicking its DC/Warner Bros. counterparts. You almost don’t mind that you’re watching comic book cheesiness or such a convoluted plot because, like Momoa’s hair, it’s just so fun to look at.
For all its sporadic wackiness and wonder, on balance Aquaman still comes out a bore. But they’ve given it a heroic shake. [2/5]
SOURCE: The Telegraph
Add in Rupert Gregson-Williams’ score, which swings from Tron-like electro-pop to more traditional full-orchestra arrangements, and were it not for Black Panther and Into the Spider-Verse, Aquaman would easily clinch the title for best superhero movie of the year. Its unapologetic ridiculousness is exactly why it’s so delightful, bucking so many of the rules set for the genre in the last decade. If it finds success, it’s easy to imagine Aquaman ushering in a new wave of these films.
SOURCE: Polygon
Aquaman is a successful movie that defies the odds. A film built on the premise of a character forgotten and ridiculed for decades, it works where other comic book movies fail by embracing the character’s past and doing it with gusto. [7/10]
SOURCE: Coming Soon