COMICS: Mutants Battle Mutants in the WARZONES! of X-TINCTION AGENDA #1

COMICS: Mutants Battle Mutants in the WARZONES! of X-TINCTION AGENDA #1

This June, return to the fight against the corrupt, mutant-exploiting government as a classic X-Crossover is reborn in the Warzones! in X-Tinction Agenda #1 from writer Marc Guggenheim (Arrow) and artist Carmine Di Giandomenico (All-New X-Factor). Check it out...

By JoshWilding - Mar 03, 2015 08:03 AM EST
Filed Under: Comics
It has been ten years since the fall of Cameron Hodge and his fascist regime. Ten years that Havok and Wolfsbane have toiled and labored to rebuild Genosha into the proud mutant homeland it once was. But a decade removed from Hodge and his iron rule, their work may all be for naught. A plague has spread across the nation, infecting mutants and threatening their race with extinction. With all of Genosha quarantined and all but abandoned by the rest of the world, including the X-Men, old friends may become new enemies!
 
“A virus is decimating the mutant and mutate population,” says writer Marc Guggenheim in an interview with Marvel.com. “The X-Men have a cure in the form of Triage, but won’t violate the quarantine that Genosha is under, not wanting to risk extinction should the virus spread. Havok and Wolfsbane take it upon themselves to go and get Triage and bring him back to Genosha, by force if necessary.”
 
Ask yourself – what lengths would you go to save your people? Havok and Wolfsbane will stop at nothing to save the people of Genosha – but have they doomed Earth in the process? Find out as the landmark X-Crossover of the 90’s makes it to Battleworld in X-TINCTION AGENDA #1 this June!
 



X-TINCTION AGENDA #1
Written by MARC GUGGENHEIM
Art by CARMINE DIGIANDOMENICO
Cover by DAVID NAKAYAMA
ASTONISHING X-MEN And PLANETARY Artist John Cassaday Has Passed Away Aged 52
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pepe
pepe - 3/3/2015, 8:21 AM
Very original
Pathogen
Pathogen - 3/3/2015, 8:22 AM
wow. they even copied the cover, eh? comics have gone to shite
KrazyForKomix
KrazyForKomix - 3/3/2015, 8:25 AM
I don't care how long it's been in play . . .

Havok'scostume is just one more step in the, "Costumes? We don't need no stinkin' costumes!" Era.

Golden Age lead to Silver Age lead to the Bronze Age lead to an "undefined age" lead to THIS, The Slver-Screen Age of Comics.

Just saying . . .

We are in the Silver-Screen Age of Comics.
KrazyForKomix
KrazyForKomix - 3/3/2015, 8:30 AM
But I DO LOVE the "character-head box" in the upper left corner.

Hope they do that more often.
gambgel
gambgel - 3/3/2015, 8:54 AM
Havok is a badass. Would wish to see more of him on the movies, but not gonna happen, sadly.
Parkerluckpersonified
Parkerluckpersonified - 3/3/2015, 8:55 AM
The worst thing about this event is that it's changing the continuity before Cyclops gets to spank his brother for betraying him and mutantkind. Hopefully the X-verse won't be too effected after we come out of this war world mess and we will still have badass Scot ready to finally deal out justice to Scarlet witch and the other turncoats
NovaCorpsFan
NovaCorpsFan - 3/3/2015, 8:57 AM
@JoshWilding

Parkerluckpersonified
Parkerluckpersonified - 3/3/2015, 9:00 AM
@KrazyForKomix iwas under the impression that the 'era' of comics entered into after Dark Knight rturns and Watchmen was known as the 'Modern Age'.

I like your Silver Screen Age for the current crop though.

Could also be the age of the unnecessary reboots... or Age of Political Correctness... Hmmm i'll think on it
Crawler
Crawler - 3/3/2015, 9:08 AM
The reimagining of covers is a tradition that I love. The X-Men get this treatment quite a bit.
KrazyForKomix
KrazyForKomix - 3/3/2015, 9:14 AM
@Parkerluckpersonified

Yeah but there also seems to be a growing consensus that there's a "Copper Age" between Bronze and Modern. I have the following . . .

Golden Age - Late '30s to the early '50s
Silver Ager - Mid '50s (Showcase #4) to 1970 (O'Neil & Adams Green A&L)
Bronze Age – 1970 to 1985 (Crisis on Infinite Earths)
Copper Age – 1985 to 1992 (formation of Image Comics)
Modern Age – 1992 to 2008 (Iron Man movie)
Silver-Screen Age – 2008 to TBD
Parkerluckpersonified
Parkerluckpersonified - 3/3/2015, 9:53 AM
@KrazyForKomix I like it :-)

Silver screen Age may stop when Doctor strange comes out and no one goes to see it ;-)
Pathogen
Pathogen - 3/3/2015, 10:17 AM
@Melkaticox That's right, I no longer collect. Since the new 52, the ultimates...the constant splitting of teams and bullcrap reinventing...its just tired
diagnostic
diagnostic - 3/3/2015, 11:11 AM
@KrazyForKomix

1990 - 2000 is the Chrome Age!
KrazyForKomix
KrazyForKomix - 3/3/2015, 1:05 PM
@diagnostic

Yup, it seems like it hasn't shaken out yet. Chrome and Modern look like they have similar (NOT EXACTLY) the same time spans.

What's your reason for the 1990 and 2000 bookends?
KrazyForKomix
KrazyForKomix - 3/3/2015, 1:06 PM
@Parkerluckpersonified

Oh I think it'll go on past that. As long as the movies so heavily influence the comic content as it has begun to now.
Pathogen
Pathogen - 3/3/2015, 1:12 PM
@Melkaticox Funny how you are trying to sound superior :) Its cute. You must be young. To answer you, I enjoy keeping up with not so much the trends, since they've gotten pretty bad, but with the story lines so that I have some background as the new movies come out. Why are you trying so hard to look cool?
marvel72
marvel72 - 3/3/2015, 2:47 PM
Enjoyed the original X-Tinction Agenda,So I'll definitely be checking this out.
MrCummings
MrCummings - 3/3/2015, 8:15 PM
@KrazyForKomix


Yeah but there also seems to be a growing consensus that there's a "Copper Age" between Bronze and Modern. I have the following . . .

Golden Age - Late '30s to the early '50s
Silver Ager - Mid '50s (Showcase #4) to 1970 (O'Neil & Adams Green A&L)
Bronze Age – 1970 to 1985 (Crisis on Infinite Earths)
Copper Age – 1985 to 1992 (formation of Image Comics)
Modern Age – 1992 to 2008 (Iron Man movie)
Silver-Screen Age – 2008 to TBD

----------
Never thought of that - don't forget to include Platinum Age (almost everything before 1939 and Superman).

If I may add to the discussion, your Copper Age idea seems interesting. I know that most people put 1985 as the end of Bronze Age because of COIE - makes sense, but your Copper Age shouldn't just be about Image Comics - although they are included, there are a few other items that would help define this age to a greater extent. Each age as has symbolic events that define it; creators, content, tonal quality,and events tend to define the Ages. It’s not so much about where an age ends, but event occurs that shifts the genre in a new direction; Superman in 1939, CCA in 54 or Showcase#4 in 56, Stan Lee and Spider-Man 98 in 71.

The event that helps shape and change comics for the Copper Age, I believe, is 1986 Frank Miller The Dark Knight Returns - really sets an artistic tone of what will come from Miller in the 1990s, but starts to show the darkness of life that can exist in comics, a trend that continues into the 1990’s. Now, you put Image comics - 86-92 as the defining element and I cannot totally get behind that being the only identifier - not trying to say it in a mean spirited way either, so please don’t flame. The site “http://www.copperagecomics.com/” also begs to differ with me, but I disagree with them and have for some time. Here is why:

For me, the Copper Age would be defined within 1986 to 2000 because of the events of 2001 (Marvel creating their own ratings system). Think about books that worked/what sold/are remembered from this period: Frank Miller, Rob Liefeld, Jim Lee, Todd McFarlane - all of these guys are involved with some of the top selling books/most popular characters/art style of the period. Image Comics and Valiant Comics - Independents show up with substantial distribution numbers and art from the period’s best. The graphic novels that come out during this period, Maus, 300, Sin City to name a few - items that people are still looking back at today, throw the Watchmen into this category if you wish. These are the trends, people, and actions that, I believe, would define the Copper Age, in terms of just comics. But, I don’t believe that the Copper Age is merely defined by the comics that are offered during this span of time; we also have to factor in the Mel Brooks effect.

Merchandising, merchandising, merchandising… and the licensing of products.

This is the other thread that holds the Copper Age together. Comic producers are trying new things (marketing strategies) to get their ideas out there to profit from comics and licensed merchandise anyway they can. Comics are making money, but what is driving those people to purchase those comics? Uncanny-X-Men #1 sells an insane amount of copies, thanks Fox Kids! Batman the Animated series breathes life into Kenner toys and Batman books - thanks Fox! Comic book trading cards, Spawn turns into a major motion picture, Toybiz releases wave upon wave of Marvel Action figures, only to fold at the end of the 1990’s - Blade comes out in 1998, X-Men in 2000… all of these things are happening, along with so many comic inspired video games, and guess what… they are pushing people towards the materials in comic books. Merchandising and licensing sets another real tone of the Copper Age. They are expanding the market for what might be the future of the industry, and they are correct… X-Men the movie… it makes near 300 million worldwide in theaters.

The Copper Age was just as much about merchandising and product licensing as it was about the comic books. Movies. Movies about comic book characters, if successful, can make a company just about a year’s worth of comic sales revenue, or more, in a short period of time. ...But, movies must appeal to fans… we have seen this before with books coming to life in film, and sometimes the books change to make the movie viewer more interested in the film. I think Marvel knew this going into 2001 and learned their lesson from Blade and X-Men, and didn’t want any chance of someone ruining an opportunity for them to alter a product so it would work in a movie, or alter a product because of how well a movie did. So, in 2001, Marvel Comics tells the CCA to suck it - a thorn in their side for decades who prevented their creative growth time and time again. They form their own comic book authority to regulate themselves and determine their future on their own terms.

… And, I believe it is there where we then enter the Modern Age - 2000/2001 to YTBD - Marvel, free to do as they please with their comics will go on to create some of the highest grossing movies of all time.

You put 2008 as the start of the silver screen age and I have to disagree. I feel that we are still in the Modern Age - an age that includes motion pictures, digital comics, and independent comics - perhaps in another ten years we can figure out what to call the period we are in now (I am leaning towards the Multimedia Age, as we get to satisfy our comic urges from film, television, digital content, and print sources). But that’s another post for another day.

Just my stance - hope it makes some sense. Sorry for the typos.

C
KrazyForKomix
KrazyForKomix - 3/4/2015, 11:49 AM
@MrCummings

No flammability here.

"Platinum Age?" Never heard of it. But sure, all those newspaper compilations did exist. So I guess THAT'S the Platinum Age, yes? Then, I think we can both agree that Action Comics #1 begins the new Golden Age. It's almost as if Jerry and Joe invented the wheel.

As far as the start of Copper Age goes I can't REALLY argue. You'll notice that the Golden Age ends in the early 50s yet the Silver Age doesn't really begin until Showcase rolls around in late '56 (October to be precise). This is recognized primarily because between 1948 and 1954, the majority of "super hero" comics had not sold very well after the war ends. So there's not a hard and fast, mutually pin-pointed date where the Golden ends and the Silver begins.

I think this is also true for Bronze into Copper. I think that same lack of a pin-pointible date is in play for the start of the Copper Era.

1985-1986 – Starting in mid '85 the writing is on the wall for Charlton Comics as most titles have been cancelled and the company folds by early '86

April 1985 – Crisis on Infinite Earths

August 1985 – The first of two Alan Moore Superman tales "For the Man Who Has Everything." These serve as book ends to the end of Silver/Bronze Age Superman.

February 1986 – Miller's The Dark Knight Returns

September 1986 – Moore & Gibbon's Watchmen

September 1986 – The second of two Moore Superman tales "Whatever Happened to the Man of Tomorrow?"

I think you, I and others could EASILY argue any of this events (yes, less so for Charlton) as THE event that STARTED the Copper Age. I appreciate your argument for the Miller's Dark Knight, but that trend to dark-grittiness (that I know we're all sick and tired of hearing about) had already been established with the death of Elektra in '82. Throw Moore's Miracleman and to a lesser extant V for Vendetta, both from 1982, into the cauldron that established this new and dawning dark age. I agree with you that Dark Knight is one of THOSE seminal events, but THAT particular dark & gritty boat had already sailed.

Another point I respectfully disagree on is your overly generous inclusion of Marvel's evasion of the Comics Code Authority. While it is a fact they they bucked the code in '71 and stepped away from it altogether in 2001, I don't believe that either was a watershed moment. Marvel (and the other's watching Marvel) continued producing their comic-products as they had been. To suddenly alter their editorial output or philosophy (in both cases) would have drawn unwanted and more vigilant attention form the press and parents groups. Besides, both Marvel and DC had been printing without the seal when their respective comics came back from the CCA with a big fat, red, "NO"s stamp on it.
The CCA abandonment, even MORE SO than the "dark & gritty" trends discussed earlier, was a slow developing, glacially paced series of changes to the industry as to be almost imperceptible. You can't necessarily see where it began, but you sure as hell can recognize it when it pokes it's ugly, irresponsible head where it doesn't belong (I'm looking at you Identity Crisis).

Onto the highly debatable Modern Age.
Comicvine.com defines it as 1985/6 to present. Clearly they're clumping it together with the Copper (sometimes referred to as Dark) age and your Modern Age. comicbookresources.com gives us the Iron/Dark Age 1986-92 with Image Comics marking the beginning of the Baroque/Image Age, 1992-1998. I know ridiculously short. They say 1998-2004 is the Dynamic Age, and 2004-Present is the Modern Age. While I (of course love their Image Comics acknowledgement, they invalidate themselves with the VERY short following Ages. More than a few websites and blogs just stop thinking about it with 1986 and referring to that as the beginning of the Modern Age which continues today.

I like your point about the Copper Age being just as much about merchandising and product licensing as it was about the comic books. And it's largely BECAUSE of that marketing and merchandising that leads to the watershed moment of Erik Larsen, Jim Lee, Rob Liefeld, Todd McFarlane, Whilce Portacio, Marc Silvestri, and Jim Valentino taking off to get some of their own. Now with Image's creation the whole game has changed when it comes to writers or artists deciding whether to bring their creativity to Marvel/DC, or to buck the big two and keep the proceeds AND licensing AND merchandising for themselves. And part of the problem that your Copper Age to Modern Age transition faces . . . is that it hasn't changed. In fact, the marketing, merchandising, and licensing only marches on with greater and greater ferocity.

I believe that no matter how we get from the end of the Bronze to the end (and I DO believe it has ended) the end of the Modern Age is shut down and transformed by a new age that begins with 2008/9.

Iron Man's success has created a an unstoppable monster. The phrase that anyone over 45 plays over and over in their head . . . "Be careful what you wish for . . ."

I stand by my belief that the Iron Man movie marks the pin-pointible beginning to this new age we are in. With A) Iron Man's success, B) the purchasing by Disney in '89, C) the realization that a connected cinematic universe is feasible, marketable and profitable, D) the waking up of the slow-to-wake slumbering giant – Warner Brothers/DC and E) the NOW voracious appetite of Hollywood in general for not only superheroes, but ANYTHING that used to be merely a comic book.
When you combine ALL of that (starting with the success Iron Man and subsequent Disney purchase), combine ALL of that with the very slow, but very REAL transformation that the printed comics are going through . . . you have an extremely definable new age. I couldn't possibly tell you what it will come to be know as. Perhaps, The Corporate Age; as suggested before Silver Screen Age; how about The Sulfur Age (ooops, my bias is showing).

Never before has the production of movies so complete altered the trajectory of the comic plots, characters, and costumes. It may in fact be that the industry will rebound, and once again, one day, have the content it produces driven from within as apposed to being "inspired" by another medium on the out side. Comics now have begun skewing their plots, characters, and even changing costumes in the hopes of inspiring general audience, family friendly silver screen appearances. Costumes have already begun to move away from the fantastic, seeking out instead more utilitarian, practical uniforms or outfits that when translated to the movies, won't be such a dramatic change from the comic. Anyway . . .

So there you have it! With your help, my revised timeline is as follows . . .

Platinum Age – Dawn of the printing press to mid 1938
Golden Age - 1938 to the early '50s
Silver Ager - Mid '50s (Showcase #4) to 1971 Speedy and Harry on drugs
Bronze Age – 1971 to 1985/6 (Crisis on Infinite Earths/Dark Knight)
Copper Age – 1985 to 1992 (formation of Image Comics)
Modern Age – 1992 to 2008 (Iron Man movie)
Corporate Age – 2008 to TBD
Pathogen
Pathogen - 3/5/2015, 1:33 PM
@Melkaticox Yes. Its called logic. If they had retained their previous quality, I would still read them. Would you like me to type larger, or spell it out for you?
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