SINNERS: Standout "I Lied To You" Sequence Officially Released As Movie Climbs Domestic Box Office Chart

SINNERS: Standout "I Lied To You" Sequence Officially Released As Movie Climbs Domestic Box Office Chart

Ryan Coogler's Sinners has now become the second highest-grossing original live-action film at the domestic box office in the past 15 years...

By MarkCassidy - Jun 13, 2025 08:06 AM EST
Filed Under: Horror

Ryan Coogler's Sinners arrived on Digital earlier this week, but is still playing in a lot of theaters, and the movie has now become the second highest-grossing original (ie, not a sequel or based on any existing IP) live-action film at the domestic box office since 2010.

Christopher Nolan's Inception, released in 2010, still holds the top spot.

Inception (2010) — $292 million

Sinners (2025) — $275 million

Gravity (2013) — $274 million

Dunkirk (2017) — $189 million

A Quiet Place (2018) — $188 million

Interstellar (2014) — $188 million

Get Out (2017) — $176 million

Us (2019) — $175 million

Bridesmaids (2011) — $169 million

The Heat (2013) — $159 million

La La Land (2016) — $151 million

A recent rumor claimed that Warner Bros. was in the process of developing a Sinner sequel, but Coogler had previously suggested that he would have no interest in taking the helm of a follow-up.

“I’ve been in a space of making franchise films for a bit, so I wanted to get away from that,” the filmmaker told Ebony Magazine. “I was looking forward to working on a film that felt original and personal to me and had an appetite for delivering something to audiences that was original and unique.”

You can check out a new deleted scene featuring a song from Delroy Lindo's Delta Slim below, and the standout sequence with Miles Caton's Sammie singing "I Lied To You" has also been officially released.

Digital, 4K UHD and Blu-ray contain the following special features:

  • Dancing with the Devil: The Making of “Sinners” – featurette (32:35)
    Journey with director Ryan Coogler as he makes his most personal and powerful film yet. Featuring Michael B. Jordan and an all-star cast, filmed on location in IMAX, “Sinners” is an original genre-bending experience unlike any other.
  • Thicker than Blood: Becoming the Smokestack Twins – featurette (10:45)
    Michael B. Jordan and Ryan Coogler take us through the development, creation and portrayal of the Smokestack Twins, revealing how make-up, costumes, and visual effects come together to support these seamless performances.
  • Blues in the Night: The Music of “Sinners” – featurette (13:44)
    Oscar-winning composer Ludwig Göransson explores the musical landscape of Sinners, including the iconic sounds of the Delta Blues, and the creation and recording of the unique and inspired performances written for the film.
  • Spirits in the Deep South – featurette (7:58)
    Prof. Yvonne Chireau explores the backdrop of Hoodoo in the deep south and how its beliefs and traditions in spirituality, ancestors, the hereafter, and defense against evil inform the world and characters of “Sinners.”
  • The Wages of Sin: The Creature FX of “Sinners” – featurette (10:51)
    Creature Makeup FX Designer Mike Fontaine reveals the secrets behind the supernatural horrors that terrorize the Juke, Ryan Coogler’s fresh take on vampires, and the various gore and blood effects used throughout the film.
  • Deleted Scenes (18:41)
    Includes deleted and/or extended scenes for a more immersive experience.

Sinners proved to be a box office juggernaut, taking in another $9.1 million over the Memorial Day weekend to bring its global total to $339 million, making it one of the highest-grossing horror movies of all time.

Coogler shared an emotional letter thanks audiences for showing up for Sinners.

“Eternal Gratitude. My heart is bursting with it. I want to thank each and every one of you who bought a ticket to see SINNERS. Who decided to drive to see the film in different formats. Who bought popcorn and a drink, booked a sitter and carpooled, and stood in the lobby afterwards and talked and made a friend. Who changed their work schedules. Who saw the film in groups. I want to thank you all who watched more than once, who recommended the film to others, both in person and on social media or on your text message chains. I had the gift of the opportunity of making a film inspired by my family and my ancestry but it was always a film that we wanted to make for audiences, in theaters. We always had our minds on you, the audience, and felt a deep responsibility to entertain you, and move you in the way only cinema can.

I believe in cinema. I believe in the theatrical experience. I believe it is a necessary pillar of society. It's why me and so many of my colleagues have dedicated our lives to the craft. We don't get to do what we do if you don't show up. The global theatrical audience has allowed me to dream, find a career and build a more sustainable life for me and my family. And the only way that I know how to thank you for that, is by continuing to mine my personal human experience and my relationships for more stories to bring to you in cinematic language. To see your response to the film has reinvigorated me and many others who believe in this art form.”

Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

“You keep dancing with the devil, one day he’s gonna follow you home.”

Written and directed by Academy Award-nominated filmmaker Coogler, Sinners stars Jordan (the Black Panther and Creed franchises) in a dual role, joined by Oscar nominee Hailee Steinfeld (Bumblebee, True Grit), Jack O’Connell (Ferrari), Wunmi Mosaku (Passenger), Jayme Lawson (The Woman King), Omar Miller (True Lies), Miles Caton, and Delroy Lindo (Da 5 Bloods).

The film is produced by Zinzi Coogler, Sev Ohanian and Ryan Coogler. The executive producers are Ludwig Göransson, Will Greenfield and Rebecca Cho.

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satanicbatman
satanicbatman - 6/13/2025, 8:32 AM
@UnderBelly - I don’t understand your comment.

The author wrote an unbiased article that focused on a ranking of the top-performing original films, calling out that Sinners is #2. It follows up with quotes from the director.

This article actually disproves your statement, so I don’t know why you’re trying to add drama to the situation?
UnderBelly
UnderBelly - 6/13/2025, 8:34 AM
@satanicbatman - User Comment Image
satanicbatman
satanicbatman - 6/13/2025, 8:57 AM
@UnderBelly - Wait, nvm. I reread that and it sounds like you were saying that the proof of people trying to deny Coogler was in the article, but I think you’re saying that the film’s performance solidifies his place at the top, which I 100% agree with.

Enjoy your day!
UnderBelly
UnderBelly - 6/13/2025, 8:59 AM
@satanicbatman - Yeah, i think i misspelt something so i remade my comment maybe two minutes before your response.

You too.
IAmAHoot
IAmAHoot - 6/13/2025, 8:28 AM
Cool darn movie!
UnderBelly
UnderBelly - 6/13/2025, 8:30 AM
Crazy how some folks still refuse to believe that Coogler deserves to be in the same conversations that Nolan's in. The proof is right there ☝🏾
MisterBones
MisterBones - 6/13/2025, 9:04 AM
@UnderBelly - Coogler is a real student and lover of cinema. When you hear him talk on it, its so clear. The fact that he went to Nolan and his wife for advice on shooting in large-format photography speaks volumes.

I think he is a natural successor to a guy like Nolan in that these are POPULIST FILMMAKERS who are so adept at marrying entertainment with big ideas, whilst having a flair for spectacle and technical craft. I think Sinners is Coogler tapping into that wholly for the first time, but his past films have shown flickers. Just like I think Nolan wholly tapped into it with Inception, where his previous films you could see the beginnings of it.

I think Coogler is entering that territory, like Nolan, where (Marvel aside) he is going to always be a guy who demands big budgets to work with when it comes to his original ideas.
UnderBelly
UnderBelly - 6/13/2025, 9:13 AM
@MisterBones - 100%. And you can see the confidence growth aswell from this press tour alone. I think owning the film, writing and directing his own story he felt much more indebted to himself instead of a company like Marvel/Disney, but at the same in a place where he'd be able to accept the failings on him rather than the committee filmmaking we're aware of. And by all mean he's also able to bask in the success of it too.

Can't wait to see what he's got in store for BP 3 and after that, i think it will be quite understandable if we see him follow the same route as Nolan in demanding those big budgets for original ideas staying clear of pre existing IP's like Marvel's stuff or Rocky/Creed. I'd love to see him set up X-Men though before he leaves.
bobevanz
bobevanz - 6/13/2025, 8:33 AM
I love how he's trying to get the younger generations into film, shooting on film, and enjoying them in the biggest format possible. My top 3 of the year would be Friendship, Sinners, and The Life of Chuck. Haven't seen Bring Her Back or The Phonecian Scheme yet
TheLobster
TheLobster - 6/13/2025, 11:48 AM
@bobevanz - loved Bring Her Back but it’s pretty disturbing haha
TheVisionary25
TheVisionary25 - 6/13/2025, 9:06 AM
Damn man , I’m happy for Coogler & co for this movies critical and commercial success…

To join that list is pretty prestigious since those are some top class films in there even if personally I might not like or love them all.

Anyway I’m hoping to see the movie this weekend since I missed it in theatres unfortunately and it’s out on Digital now , been looking forward to it!!.
MisterBones
MisterBones - 6/13/2025, 9:06 AM
The flow of this scene was amazing. I got see it in 70mm IMAX and the theater just levitates the whole time. Coogler is special.
TrentCrimm
TrentCrimm - 6/13/2025, 9:24 AM
I'm in the definite minority here but I found Sinners to be underwhelming as hell.

The first hour felt ridiculously dull and drawn out, and anything vampire related feels rushed and like it's coming from the back seat.

To me it felt like Coogler wasn't really out to make a vampire movie.
UnderBelly
UnderBelly - 6/13/2025, 9:28 AM
@TrentCrimm - Out of interest, did you watch in the cinema with full on Dolby surround?

I feel like if you watch it on digital/streamer for the first time, it won't have the same impact, but then if not, that's also fine. It's not for everyone and it's not really comparable to other movies in recent movies of that genre.
TrentCrimm
TrentCrimm - 6/13/2025, 12:20 PM
@UnderBelly -

I watched it at home on streaming, mind you I have a decent stereo set up at home, but overall most my issues (if you can call them that) with the movie didn't have much to do with the sound as much as it did the story and directing choices.

I think this one just wasn't for me.
UnderBelly
UnderBelly - 6/13/2025, 12:53 PM
@TrentCrimm - Fair enough.

I've also since watched it at home but didn't have the same impact. At home there's many other distractions within reach to take me out of it, but also knowing what was going to happen.

chumpchampion
chumpchampion - 6/13/2025, 5:03 PM
@TrentCrimm - Ah that's a bummer, since I would think you'd be into it based on your past critiques of other films. Could it be since you saw it later on streaming it didn't quite live up to all the hype it had already received & was built up too much by the time you saw it?

I know me & many who saw it opening weekend/early on were unexpectedly blown away - I knew Coogler was gonna crush it cinematically, but I was not prepared for a horror film that had a real point of view/something to say culturally/societally along w some historical context to boot (Delta blues music, hoodoo spirituality, even how the Irish can relate to the oppression of the black man in the south).

It was almost like the vampire element was just the Trojan Horse of entertainment for Coogler so he could get his personal messages across.

I really can't think of another vampire movie that had that much to say culturally/societally, let alone a horror movie (the OG Invasion of the Body Snatchers is the closest I can think of).

For me it def also helped that the music/score was mesmerizing, as well as seeing it in both true 70mm IMAX as well as the ultra rare Ultra Panavision 70mm film print at Quentin's Vista Theater in LA.
TrentCrimm
TrentCrimm - 6/13/2025, 6:08 PM
@chumpchampion -
"it didn't quite live up to all the hype it had already received & was built up too much by the time you saw it?"

That's probably a good way to put it, because it felt like I watched it expecting one thing and got something completely different. I expected more of a southern period vampire tale, and Sinners really puts the character development ahead of everything else, it's first and foremost a story about the two brothers. Which for me I guess came as a detriment to the story . I really wanted to sink my teeth into some fun vampire lore, I think in that sense I just had different expectations for the movie.

theFUZZ008
theFUZZ008 - 6/13/2025, 10:00 AM
That scene took me out of the movie a little, to be honest. Loved the movie, though.
AllsGood
AllsGood - 6/13/2025, 10:08 AM
Ryan Coogler's Sinners was Great. Life is great here at CBM with the missing Troll.

User Comment Image
kg8817
kg8817 - 6/13/2025, 11:59 AM
@AllsGood - Wait did that Make America troll finally get banned? About time.
DocSpock
DocSpock - 6/13/2025, 11:14 AM

I thought it was a very enjoyable good movie. Not the masterpiece so many people claim, but then I don't grade on the Hollywood curve.

BlackStar25
BlackStar25 - 6/13/2025, 11:31 AM
LOVED THIS SCENE! EVEN THE TWERKING!...Was also nice to see some Chinese influences in there.
TheLobster
TheLobster - 6/13/2025, 11:49 AM
My favorite film of the year so far. Seeing it in IMAX is the only way!
chumpchampion
chumpchampion - 6/13/2025, 5:19 PM
@TheLobster - I was so impressed when I saw that glorious 70mm IMAX presentation for the 1st time (also the 1st 70mm IMAX film shot by a female cinematographer - Autumn Durald, DP of BP2 & Loki S1), but somehow I was more engulfed in the story when I saw it the 2nd time w the rare Ultra Panavision 70mm film print at Quentin's Vista Theater in LA - probably because it didn't jump format sizes while playing from IMAX to Panavision. Either way tho, visually stunning & will prob (deservedly) win a bunch of cinematography awards this year.

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