What Killed X-Men: Apocalypse's Box Office and Reception?

What Killed X-Men: Apocalypse's Box Office and Reception?

Coming off of X-Men: Days of Future Past and Deadpool, with a review embargo lifting weeks before release - one would expect X-Men: Apocalypse to have been met with thunderous applause and money that brought the series closer to the elusive billion mark. So what went wrong?

Editorial Opinion
By Yaf - Jul 14, 2016 11:07 PM EST
Filed Under: Marvel Comics
I loved X-Men: Apocalypse and I still don't know why it 48% of critics liked it and why it has an average rating of 5.7/10. That being said, the lowest mark I would give this movie is an average rating of 6.5/10 with an expected Tomatometer of 60%. Why? It's not a bad movie, it is certainly better than most comic book films we've gotten in the last few years. But it is what it is, and let me analyze why.

The Marketing:

Does anyone remember how immersive and interactive the marketing for Deadpool was? Well, since that just happened, I won't go in depth so, who remembers the Days of Future Past marketing? It was viral and intense, we had the Trask Industries website, the Bent Bullet website, the 25 moments website. All of these different tools which got us enveloped in the world of the future, how the Sentinels came to be and did Magneto kill the president and did Emma Frost inject Jack Ruby with cancer. I remember people theorizing about all that online. What did the Apocalypse marketing give us, a few tweets that contained pictures of a timeline and some 80s styled videos. No conspiracy theory websites about the mysterious Clan Akkaba, no Illuminati propaganda websites about how Apocalypse will bring the New World Order... just some tweets, like two videos oh, and there was fake sale of the X-Mansion. Had Apocalypse repeated the marketing of Days of Future Past or Deadpool, I bet you the box office would have drastically increased on the domestic front. Instead of struggling to reach that of the original X-Men, it would have probably reached at least $200 million.

The Trailers:

A bit related to marketing, but hear me out? Who remembers the first trailer of X-Men: Days of Future Past. It was emotional and felt like a homecoming. Everything about that trailer was golden, down to the instrumental. You know what? Just watch it right here:

That's a phenomenal first trailer. What an impression! I remember the internet being abuzz about this trailer. I remember Devin Faraci bashing this and getting bashed for praising Josh Trank's (at that point in time) upcoming Fant4stic and not liking this purely because it wasn't Kevin Feige. This trailer had more activity than the all of X-Men: Apocalypse. Well, what about the first trailer of Apocalypse? I liked it, but it wasn't this. It was second-trailer quality and when it gets down to it, the best part about it had to be Oscar Isaac's lines: "You are all my children". Less emphasis was placed on what made us excited for the last entry and things just felt off. Hell, none of the trailers for Apocalypse are bad, but Oscar Isaac is the only memorable thing about them. That's not good. I remember the emotion in the faces of the actors for the first Days of Future Past trailer, the Thin Red Line music, Logan's scream and old Charles meeting young Charles at the end and delivering a phenomenal line that got cut from the film.

The Kinberg:

Man I thought X-Men: Apocalypse would be soo much better than Days of Future Past. Why? Well, for starters, Bryan Singer's X-Men films only progressively got better. His third film better than the first two. Unheard of really. His film ended up being better than Captain America: The Winter Soldier (it was, this is a fact). And he did that using Matthew Vaughn's crew, not even his own.

So for X-Men: Apocalypse Singer is putting John Ottman back on editing duties in addition to composing it and Newton Thomas Sigel is th director of photography again. Oh, and add to that it looked like Michael Dougherty and Dan Harris were writing the screenplay. This was the X2 crew! If Singer did that well with Vaughn's production team, imagine how well he could do on his own?

Then it turns out that Michael Dougherty and Dan Harris only aided Singer in developing the story. The screenplay was developed by Simon Kinberg. Don't get me wrong, there was nothing inherently wrong with the screenplay... but that's it. There was nothing that made it stand out like it did for Days of Future Past. Hell, in hindsight, Jane Goldman is the reason Kinberg was able to write a good screenplay for that. Kinberg's screenplay isn't good, it isn't bad, it's just... well, tired but I guess not true. If Dougherty and Harris weren't going to write the screenplay, Kinberg shouldn't have been the one to adapt their story. On paper, the X-Men: Apocalypse story is wonderfully done but under Kinberg's pen, it isn't executed well enough to be paired up with the names of Dougherty and Harris.

Summary:

So in conclusion? Why did the box office end up being at least $100 million less than it should have been despite the reception the film had? They didn't market the film as well as they did their last two releases and released a pale trailer. Why was critical reception lukewarm, in spite of Fox expecting otherwise? Kinberg.
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BlackStar25
BlackStar25 - 7/15/2016, 12:31 AM
What killed X-Men: Apocalypse can be summed up in one gif...



And one picture...

SwiggitySw00ty
SwiggitySw00ty - 7/17/2016, 9:25 PM
@BlackStar25 - Audiences gave it an -A.
BlackStar25
BlackStar25 - 7/17/2016, 10:48 PM
@Mutherphucker - Good for the audience???
Kyos
Kyos - 7/15/2016, 1:59 AM
His film ended up being better than Captain America: The Winter Soldier (it was, this is a fact).

Urm... nope. But it's a legit opinion. :)
kinghulk
kinghulk - 7/15/2016, 8:24 AM
@Kyos - loved DOFP but i love TWS just a little bit more, i wasent to fond on apocalypse it was good but not great so much wasted potential in my opinion.
Yaf
Yaf - 7/15/2016, 11:04 AM
@Kyos - Maybe, but wouldn't an overall opinion be considered a fact? I mean, Days of Future Past general Rotten Tomatoes is 91% compared to The Winter Soldier's 89%. Top Critics aren't opening for me right now but I'm sure that's higher as well. The Metacritic is higher as well. Critically, the opinionated census which is fact is that Days of Future Past is better. That's what I meant, I would have elaborated but I didn't want this to be an X-Men vs Captain America article.
TomSolo
TomSolo - 7/15/2016, 11:18 PM
@Yaf... These are still opinions, and with the score being so close, well, in an election, there would be a recount... hanging chads and everything. Both great films.
Utopian8418
Utopian8418 - 7/15/2016, 3:57 AM
Am I the only one who didnt love DOFP? I liked AoA more.
Yaf
Yaf - 7/15/2016, 11:04 AM
@ManMan - Yes.
Utopian8418
Utopian8418 - 7/15/2016, 4:16 PM
@Yaf - My problem were the not-Sentinels and the no-final battle (I expected a x-men vs sentinels battle but we just got Wolverine and Beast just walking around doing nothing). And AoA nailed the classic characters.
somethingfunny
somethingfunny - 7/15/2016, 11:33 PM
@ManMan - AoA must be one of the worst blockbusters ever made in hollywood, the mcu at his worst and a demostration of the flaws that it haves, is a complete mess of a film, you can tell they cut a lot of stuff, but they also putted stuff that was unnecessary, the trailer flat out LIED about the tone of the movie making it look serious, mature, and with consequences, just like they did with the trailers IM3 and TDW which were also lies, also, Whedon clearly made it in auto pilot and on contract, but the worst part is all the jokes and out of place humour, which was seriously overkill to the point of making Ultron a sh!t villain, and so many problems and error that i swear to you i could be hours describing, i will just stop because it is getting off the rails lol i dont wanna write that much, while in the other hand DOFP is fantastic as a movie, as a blockbuster, and as a comic book movie
Utopian8418
Utopian8418 - 7/16/2016, 9:56 AM
@somethingfunny - Haha this is hilarious, I don't know if you did on purpose but you are talking about AoU! Age of Ultron! AoA is Age of Apocalypse.

Coincidentally, AoU might be my favourite comicbook movie of all time so I am happy to argue with you about it.

The only part that felt like 'a mess' to me was the Thor cave scene, but it was minor and every movie has its plotholes.

I'm pretty sure that the trailers showed the party scene with everybody trying to lift the hammer. The humour was pretty much the same than in the first Avengers and I feel this tone fits the Avengers, unlike other movies for example Thor, which should be much more serious. I do admit that the humour seemed like too much in some parts specially with Ultron but that didn't bother me. The thing about Ultron is that if he wasn't funny or if he didn't move his mouth, people would have called him a terrible villain either way. At this point, the 'evil robot AI who wants to destroy humanity because humanity s*cks' type of villain has been done a thousand times (Skynet, Matrix, I Robot, etc) so Whedon tried something different to make him more interesting. The first scenes with Ultron like his discussion with Jarvis, his speech at the Avengers party and his discussion with Vision in the end were awesome on my book and he was terribly underrated. Again, I do agree that the humour felt like too much at some points but I don't care.

The thing that bothers me the most about this movie's rating though is the criticism to Joss Whedon. You just can't say he did it in autopilot. He wrote it AND directed it and you can tell he put his love and soul into it. I remember reading his interviews when he was producing it and him saying how exhausting it was. He worked every single day and he quit the MCU because of how exhausting it was.

The action was great, the character relationships were great and the character development was great. There were badass moments, there were heart-felt moments and everybody got to shine. It felt big, it felt fun and most importantly, it felt like a comic-book (the villain's plot was to turn a city into a meteor, how awesome is that??).

I think that your problem with the movie was just that you don't like light tones/ humour, which I understand, but you just can't compare this movie with Fant4stic or Green Lantern or Thor DKW.
RobGrizzly
RobGrizzly - 7/21/2016, 7:38 PM
@ManMan - I liked Apocalypse better too. Both are flawed, but at least AoA didn't promise to be something it wasn't.
kong
kong - 7/15/2016, 10:07 AM
No. People fail to realize that the reason X-Men Apocalypse didn't do well was because Wolverine wasn't on the poster.

Now it could be argued that Wolverines absence isn't reason, as the Wolverine is the lowest performing domestic X-Men movie, but X-Men Origins: Wolverine is only behind the original trilogy and Deadpool. Audiences still had the bad taste of Origins in their mouths, and didn't see First Class to give that good taste back.

I think Hugh Jackman's last Wolverine film will do well in theaters, if the marketing is on point and they play up this being his last performance, and after that the only profitable X films from Fox will have to have Deadpool.
kinghulk
kinghulk - 7/15/2016, 10:34 AM
@kong - i think including wolverine in the film was a mistake and didnt need to be in the film.
Yaf
Yaf - 7/15/2016, 10:59 AM
@kong - Maybe, but that relates to marketing again as well.
kong
kong - 7/15/2016, 8:44 PM
@kinghulk - Okay...
JDL
JDL - 7/15/2016, 8:39 PM
There are basically two points here to discuss;

1) The script was mediocre to fair.

I agree. Imo it highlights a basic Fox problem. If they do hit a single its going to be years before they come up to bat again. Its not good that they only have a main storyline* X-Men film every 2-3 years with nothing in between. They need something in between that is NOT X-Men related so as to not incur mutant fatigue.

*not Wolverine 1,2 or Deadpool.

2) The Marketing was not stellar and there was less of it than for previous efforts.

a) You can't expect a Ryan Reynolds level of commitment to a film all the time. I am still in awe of what he did.

b) There is a point of diminishing returns on promotions especially overseas (except for China, which is worse). For example with the 40-60 split of the Box Office the studio/distributor has to see $25 in ticket sales for every $10 they spend on promotions just to break even. It's easily possible to spend a lot of money for a relatively small return at best and an incremental loss at worst. It looks to me that Fox is developing some risk aversion on this sort of thing.
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