Daniel Simon, vehicle designer on Tron: Legacy recently spoke with Geoff Boucher of Hero Complex. Here are some interesting excerpts.
Daniel on receiving the email offering him the job on Tron: Legacy:
“I left everything behind in Berlin that I had built up, my own car-design studio and everything, and packed a suitcase,” Simon said. “I haven’t been back. It sounds crazy, I know. But to work on ‘Tron’ is a once-in-a-lifetime opportunity.”
He also spoke about some of his key creations for the movie:
The Light-Cycles: “There are different versions of the cycles for good guys and bad guys,” Simon said. “The cycles are hybrids of person and machine. That’s the challenge. We had to put so much effort into it. It’s a personal weapon of the people living on the grid. It has a face, the front of the bike, and the lights are shaped to show that. The good-guy and neutral bikes have vertical lights, and the evil bikes have V-shaped lights to represent eyes and expression."
The Recognizer: “The Recognizer was one of the first vehicles designed for the new film,” Simon explained. “Our visual effects supervisor Ben Procter gave that a shot and finished it before I even joined the show. We didn’t do much to it. It was a very subtle rework. With the Light-Cycles there were ideas that designers had during the original ‘Tron,’ but they didn’t have the technology to achieve it. They wanted to make the rider and bike a hybrid, but they couldn’t do it. So the bikes have changed more than something like the Recognizer. What is new is that you see jet-propulsion systems, and you see the real-world simulation of how does this thing move. You see exhaust gas and jet-like reactions on the bottom.”
The Solar Sailer: “Darren Gilford, our production designer, set the tone with a philosophy. We went way more sleek than the first film. Surfaces are much more organic because computers are much more powerful now and can render all of those curved shapes. We get beautiful reflections. Most of the surfaces in ‘Tron’ are glossy and shiny, and that requires so much rendering power. That’s the statement of what is different than the first one. The Solar Sailer was a good example of teamwork on a movie, because it’s not just a vehicle. It’s a set piece. There were four or five people working on that thing. It’s almost architecture. It’s taken over from the first film and totally redesigned. It’s a huge transporter for programs [which are the people living in 'Tron' world], and it travels along a compressed beam of light that is pretty unique to ‘Tron’ world. That was one of the tougher assignments on that film. It had to do so much. It was a nightmare, really.”
There was a lot more to read about on the Hero Complex website, if you are interested then please go to
http://herocomplex.latimes.com/2010/10/29/tron-designer-we-tried-to-write-a-new-chapter-of-beauty/
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