Re-imagining the DCEU Part One - Superman: The Man of Tomorrow

Re-imagining the DCEU Part One - Superman: The Man of Tomorrow

Continuing my re-imaginings with the DCEU now and kicking things off with the Man of Steel. This story takes a number of influences from various pieces of classic Superman media. Enjoy!

Editorial Opinion
By GhostDog - Feb 11, 2017 12:02 AM EST
Filed Under: Superman
Thanks for the read!!! Always open to critique!

*This is a fun specualtive pitch. Ideas and concepts that act as a platform. The finer details aren't really present, like they would be in a script, but they can sort of be stripped and/or created from these larger concepts. I don't get to deep into those particulars, but I do know what they are, so feel free to ask me about them if need be.


Yes, it’s one of those. The old fan fiction, re-imaginings. Have you ever had a fantasy about re-imagined versions of your favorite characters or universes? Yes, you have. Don’t lie to yourself, you know it to be true. Search your feelings. This is what I do in my head when I can’t help but visualize the number of different stories, adventures and plotlines characters can become involved in. I've recently been thinking about the DCEU and how it all began.

My re-imagining begins with Superman. It’s important that he is the lynchpin of the universe. My concept is to set him up as a lightning rod of sorts that attracts tons of attention. Seeing Big Blue streaking through the sky, and how one might take comfort in knowing that he’s out there, always out there, watching over us all, ready to leap into the fray at the first sign of trouble, is something that will shake up the entire world. It’s important that the story is still personal and not too grand in scale, but still has a grave threat that's worthy of The Last Son's feats.

The aesthetic of the film is to be one brimming with a sense of wonder, exaltation and romance. It’s a Norman Rockwell painting come to life. This would be Sam Raimi's Superman in terms of tone. This film is heavily inspired by Superman: Birthright, All-Star Superman, Superman: The Animated Series and Superman For All Seasons.
Image result for superman birthright africa


The film will jump between varying time periods. It’s an origin story, but I don’t want it to play out like the usual. I think it’s better to find out hero in a certain place in time and see how their origins inform on them in a trying time.

A CHARGE TO KEEP – ACT 1
The opening of the film would have us meeting Superman trying to save lives during a devastating hurricane in Southeast Asia. Superman has been operating in the world for nearly a year. He successfully stops the environmental disaster. Superman spends days, helping the wounded, finding those trapped under rubble. While there, he’s questioned by the media on his thoughts concerning his divisiveness in the world and primarily verbal attacks from industrialist and astrobiologist Lex Luthor, who questions Superman’s significance to the Earth. He believes Superman makes humanity too reliant and that he’s an insult to the ingenuity, power and evolution of man. Superman makes it clear that there should be no issue when it comes to lives saved. “My primary goal is to save lives. I won’t apologize for doing what’s right.”
Image result for superman hurricane

All of this contention causes Clark to seek solace. After he’s done doing all he can, he soars over to Africa. There, he visits a grave in a sprawling and beautiful field. He pays his respects and thinks back…

1 YEAR AGO
Clark Kent, 25, foreign correspondent for Galaxy Broadcasting System (GBS).  He’s a jack of all trades doing photojournalism, written work and camera work with his team. We find Clark covering civil unrest in Northern Africa in the country of Zambesi. Clark is a recent college graduate who’s been doing foreign correspondence for a few years. This is his first coverage of a conflict. He’s knee deep in this African skirmish, trying to get photos. Clark Kent being an established reporter long before Superman comes into Metropolis and the journalist dons his hat makes more sense of him passing his dual personas off without people catching on, in my opinion.
Image result for foreign correspondent job


During his travels, Clark has conversed with his mother, Martha, having face time conversations and sending her trinkets from his travels. He’s also kept in contact with his high school love, Lana Lang, doing the same. He’s shared his experiences and how he’s been forced to use his abilities under some circumstances. This has caused fear in those he saves as they’re afraid of his power. So, he’s dialed it back recently, out of fear of feeling isolated by his powers. Splice in pieces of Clark’s time as a child and teen here. As Clark and his mother, and Lana, correspond back and forth, we learn of his time helping people in the past in Smallville, parallels with instances where’s he’s helped folks while working abroad.
Image result for jor el lara all star superman


Surprisingly, Clark is aware of his alien origins. He carries a dense crystal with him, shaped in the Superman crest, that houses a hologram that arrived with him when he first came to Earth. The hologram tells him of the storied history of Krypton, informed to him by his mother, Lara and father Jor-El. He studies it day in and day out learning things about Kryptonian science, fashion (the suit that was placed with him in his ship, is customary attire for the head of one's familial house) and much more. His mother was a historian and his father was a scientist. Clark has constantly watched this message for years, over and over. He’s not privy to anything more than this hologram and the info it provides (like the destruction of his homeworld). But seeing the crest of the House of El, emblazoned on his mother and father’s chest, has stuck with him for years.

A special something, we learn about Clark is that as kid he would fly high above in the sky. Near the stratosphere of the world and he would listen. Listen to the world around him. He would hear everything. But the pain he would hear, those in danger, would stick with him. This is where his need to do good originated in a way. As he aged he knew he couldn’t expose himself too much, but he could do things that brought attention to terror, pain, crime etc. So, he decided to be a reporter.

Back to the present...

Back in Africa, Clark has grown especially close to a collective of people fighting for peace in their war-torn village during his time in Africa. He’s reporting on a tribe that is looking for equal representation in the government run by another more radicalized tribe that is exploiting conflict resources including lumber, oil, diamond, gold, cobalt, oil, among others; these are harvested through terror. Clark learns why he must put his all his extraordinary abilities to use, that he can no longer hide, and that a man of his power can make a difference - all this stemming from ordinary people fighting an insuperable and corrupt system.

Image result for superman birthright africa


Clark witnesses the deaths of a few of these individuals. While they were alive and he covered them, he became close with one of their members, who soon discovered Clark’s gifts. Clark heeded the words of one of the members, “The world doesn’t evolve for the timid, the scared, the isolated. If you care about humanity, be a part of it. Good men have a charge to keep. A promise. To make the world better because they were here. I want to be one of those men. You should want that for yourself. The abilities you have, its minutiae Mr. Kent. Some will fear your gifts, question them. But the reflection of a man’s heart is his actions. Never let them question that.”

Its increasingly clear that Clark is a cornfed Kansas farm boy with Midwestern charm. He’s adored by his peers. He brings a piece of himself and his family to some of the people he meets--leaving clothing, cards, pictures. Very down to earth, accessible guy--you feel like he could be your big brother or neighbor. Clark will talk about the impact of doing the stories and the dissonance of going home to a different reality than the stories he’s written about, with his colleagues.

The main purpose of this first act is to show how Clark has been traveling the globe to find out where he belongs in this world. He is well aware of his powers at this point, but he’s discovered that even those people he’s trying to help swiftly, meet any demonstration of these powers with distrust and hostility. People look at him and wonder what else he must be hiding. After ending his work in Africa, Clark makes a choice to return home and embark on a new adventure, one that will mean something for the entire world.

Back to the present…

Clark is standing over the grave of the man who gave him good counsel, Kwame Kenyatta. Clark is reminded of the advice he was given. Times are trying and he needed this. Times will soon become even more trying though.
 
OPENING CREDITS
A montage of Clark’s life will illustrate the opening credits. It will be reminiscent of the Spider-Man 2 opening credit sequence. Recapping the events of the Clark’s journey in an illustrated form inspired by the styles of Norman Rockwell painting. We’ll primarily see Krypton exploding, Jor-El and Lara sending baby Kal-El off at the last second, Clark traveling the cosmos in his ship accompanied by a small meteor shower, The Kents finding him the Kansas cornfields, him using his abilities as a child and a teenager, him flying over his barn kissing Lana Lang, holding Jonathan in his arms as he passes away, traveling the world as a reporter, creating the identity of Superman with his mother, finding the superman suit inside his ship, fine tuning it, donning it, and moving to Metropolis.
Image result for norman rockwell hero


*Krypton is a blend between Donner’s depiction and All Star Superman. The people of Krypton dress like the Kryptonians do in the All-Star comic. Krypton itself, is a cold, sterile world full of crystalline structures. Very retro futuristic in their wardrobes. We will see more of this.
 
We All Fall Short Beneath Him
The second act introduces us to Lois Lane and Lex Luthor. Lois is doing an interview for the esteemed Daily Planet, top newspaper for Metropolis, and is in walking with Lex as they travel through his companies’ labs. Lex is a self-made businessman who has studied the stars for years. He's always had an affinity for astrology. He looked to the stars to escape the harsh reality he endured in his poverty stricken youth in Metropolis' crime ridden Suicide Slum. Lex made Metropolis a modern scientific/technological center. Think San Francisco and Seattle. Two cities that are prominent tech hubs. Its important to know, Luthor is an opportunist. He's become well known for this and wears it like a badge of honor. Escaping the destitution he endured growing up, he had to have this mindset. Being the self-made, self-reliant man that he is, Lex is all about hard work, human ingenuity and the human race progressing on its own.

Lex believes Superman’s appearance is a call to arms for the human race and a question too. He questions humanity’s resourcefulness, its strength, its evolution. Superman is a call to arms for humans to resist reliance upon an alien and to support dependence upon each other. Save one another, don’t wait to be saved. Lois is a staunch Superman supporter but she finds her faith a bit shaken.

Lois, 29, is the ace of the Daily Planet. She’s spunky, talkative, nosy, bull-headed and determined as hell. This is the persistence and sharp wit of Princess Leia and Ellen Ripley fused together. The spunk of Buffy Summers and Hermione Granger. Think Lois from Superman: The Animated Series and Lois from Smallville.

Image result for lois lane animated gif

She’s a young up and comer and the face of the Daily Planet. An army brat, Lois has a chip on her shoulder and it shows. Her character is peppered with traits that display this. Lex pushes the boundaries of Lois’ support of the Man of Steel by questioning his nigh co-opt as a political and military weapon; a short time ago Superman was involved in a conflict in Syria, asked to take part by the U.S. military, and takes on a dictator named Gustav. Superman becomes the key force in US foreign policy for a short time. I think it's entirely possible that that could happen in real life, although Superman might limit his cooperation to only certain causes that he thought were particularly good. He quickly causes them to surrender, and forces the regime to sign a peace accord with the Syrian National Coalition. Superman attempts to ensure that a democracy is established. The US disavows Superman as an independent actor they have no control over, but secretly cooperate with him.
Image result for lex luthor comic man of steel


Democratic movements are inspired in numerous other countries, causing riots across numerous oppressed countries.  Numerous groups appeal to Superman for help.  Some governments attempt to appease these movements by offering reforms.  These riots possibly lead to civil wars, and Superman might not always be sure which side he should support, or if he should get involved at all.
 
Lex reminds Lois that Superman now carefully tries to avoid political or religious endorsements, only saying that he's willing to stand with any regime or people that allows free and democratic elections and is tolerant of each other. Lex further explains that, “Americans tend to think that American indoctrination is the 'right' kind, so we're happy to see a super-powered being fighting for "The American Way". If that ideology was replaced with something else, how terrifying would it be for some other nation to be championed by an indestructible, super-powered alien?” Lex is saying Superman’s influence on the status of power is too much and will shake humanity to its knees. That’s a problem. Lois tries to counter with the belief that Superman is genuinely good and hasn’t been anything but. Lex responds that any man, godlike or not, can be manipulated.

Lois finishes her interview and is obviously moved by it. As she returns to the Daily Planet, she runs into Clark Kent, one of the Planet’s human interest reporters. They debate the positives and negatives of someone like Superman. It’s a very thorough and intelligent debate that showcases both characters deepest thoughts on the matter. Clark is in awe of Lois and has fallen hard for her. We get a good look into this, by seeing how Clark will get caught glancing Lois’s way, reading her work at his desk and leaving a cup of coffee at her desk every morning. Clark and Lois have a cat and mouse relationship of sorts. There’s a respect and admiration at the heart of it though. Jimmy Olsen, a young photographer, is a close friend of Clark’s who spends a little too much time at Clark’s desk. Clark and Jimmy are actual good friends who have a humorous rapport. The Daily Planet is a place that Superman cherishes. It’s his job but it’s also the central hub of his life as Clark. He immerses himself into the work and social aspects of it all. He loves it.
Related image


Meanwhile, Lex Luthor has been up to something, as he always is. We discover he’s been sending signals of Superman footage into space, looking to incite some sort of reply. And his messages finally get a response of sorts. Two lost Kryptonians, Pax-Ur and Vala, are stranded in space when they intercept the signals and see a flying man with the House of El symbol on his chest. Intrigued, they make their way to Earth. Its important to note, the signal was intercepted and picked up by their ships thought to be nonfucntioning A.I. construct…Brainiac. Brainiac was an artificial intelligence that was created from the brainwaves of Vril Dox, a rogue Coluan who came to Krypton some time ago, and shrunk & stole Kandor. He was killed by the Kryptonian military but his intelligence was valuable and his brainwaves were copied and used to construct Brainiac, Krypton's primary A.I. that ran the planet.

Image result for brainiac deviantart


Pax-Ur and Vala believe they picked it up the signal though. Brainiac had played dormant once Krypton exploded...because it aided in its destruction. When Brainiac discovered the planet's sun was dying and prime to explode, it usurped all of the knowledge on the planet and escaped by underhandedly installing itself in the ship of Pax-Ur and Vala; far off world as the two were far off on a mission. This A.I. contacts Lex Luthor and infiltrates his systems. He comes under the pretense of a peaceful exchange of knowledge with LexCorp. Lex wrestles with his disdain for anything alien, but notices the advantage foreign alien knowledge could provide him. So, he agrees to let Brainiac transfer information into his systems. Brainiac is secretly hoping to learn more about the flying Kryptonian, Superman. Lex soon discovers that this knowledge he's receiving is tied to Superman and now he has a leg up on the alien.
 
Best of Krypton
Superman is present at his Fortress pf Solitude, a cavernous ice cave deep in the North Pole. It’s been terraformed to parallel the crystalline structures of Krypton. Superman’s ship came with the proper terraforming tech to do so. The fortress is full of inventions by Clark. Its also inhabited by robots Clark has created that watch over the fortress and monitor global activity. Its very All-Star Superman inspired. Superman is a thinker, an inventor and an intellectual of sorts. He’s very interested in all sorts of things. We see him experimenting with space travel as it is he longs to travel the stars. He's managed to make his first recent sojourn to a galaxy not too far away and even encountered some unique alien animals. He's cataloged a number of the alien speices he's captured. 
Image result for all star superman robots

The robots get word that there’s trouble in Metropolis. Two kryptonians are running amok in the city. Superman races there and is startled to see others like him. They’ve been bombarded by yellow sunlight for the first time and can’t control their abilities. Their heat vision is running rampant and their senses are being overloaded. Superman aids them and begins to acclimate them to Earth. He takes them to the quiet fields of Smallville, somewhere tranquil. The two assumed the signal came from Superman and came to look for him. Superman doesn't know anything about any signal. He's always had to struggle with his yearning to search for Krypton and his duties on Earth. He does wonders who sent it though.
 
The rest of this act would deal with Superman learning that these two are law enforcement officers charged with trapping rogue Kryptonians and jailing them in the Phantom Zone. They even show Superman the small Phantom Zone projector, a crystal they carry with them. They’re ship had been damaged on a distant mission and they couldn’t make contact with Krypton. Superman would then connect with his people. Pax-Ur and Vala would sympathize with Clark's struggles growing up without his people; being a god among men.

Brainiac then makes himself known. He plans to miniaturize the planet's foremost cities and collect them. Lex learns of this double cross and attempts to destroy the ship, source of Brainiac, that brought him here. The ship is indestructible under our sun. Lex then reveals that his investigation into Superman allowed him to discover kryptonite, small meteor fragments all over the world with a connection to Supes biology. A few of these meteorites fell to earth 27 years ago along with Superman. These fragments weaken the Man of Steel. Luthor kept this as a last resort type of thing, but reveals it must be used to destroy the ship and Brainiac. Superman, Pax-Ur and Vala all unite to stop Brainiac who’s commandeered all sorts of military tech to stop them. Also, Superman and the Kryptonian duo learn from Lex that Krypton perished. Lex revels in the pain he causes Superman. Lex has developed a kryptonite warhead, comprised of all the kryptonite he has, to take out the ship. Superman, Vala and Pax-Ur take the warhead up to detonate after dismantling Brainiac’s defenses. The world watches and waits.

Image result for brainiac fan art


Lex booby-traps the timebomb by not lining the warhead's hull with lead to supress the kryptonite radiation from weakening the Kryptonians.  As Clark, Pax-Ur and Vala have been taking the warhead into space, they've slowly been growing weaker and weaker. Lex tracks their progress and when they reach the ship, he uses a a local satellite he owns to open fire on the trio, hoping to keep them hindered until the bomb detonates and he rids himself of the alien scumb. Vala and Pax-Ur make a sacrifice of sorts by using their remaining strength to shield Clark from the rapid fire from the weaponized satellite and push him back into the Earth's orbit as the warhead detonates. As they shield him, they let Superman know he’s the best of Krypton and what he’s doing for the humans is admirable. He’s truly needed on this world. Superman makes his way back into space after the explosion and finds Pax and Vala alive...for now. They have kryptonite poisoning and don't have much time. However, Superman ends up finding a way to save the two by sending them into the Phantom Zone, using the projector they introduced him to from their ship earlier on, where they won't succumb to the poisoning since time does not pass in the zone.
 
The film ends with Superman visiting his mother in Smallville and going to his father’s grave. They have a picnic at the gravesite and talk with Jonathan, reciting another tale of the Adventures of Superman. Meanwhile, Lex begins constructing a war suit, based off of the information he got from Brainiac’s download. Its also revealed that a small part of Brainiac survived in Lex's system and that it hid a small structure on the moon on its way to Earth, that houses dozens of small glass encased miniaturized cities. Brainiac then begins the slow process of rebuilding his Coluan body though bio-engineering. Lois receives a tip that Lex was in contact with Brainiac. Superman visits Lex, hovering outside of his building's top floor window. He says he knows Lex booby-trapped the warhead. Lex simply spits at the window.

Image result for all star superman lex spit


Post Credits Scene

We discover that Lex still has some left-over kryptonite; a sliver. Its locked away deep in one of his labs. A dark shadowy figure breaks in, takes out multiple guards with precision, and takes the kryptonite, all depicted in silhouette. The figure makes it to the roof as the alarms ring. Asleek but large bat shaped aircraft appears and the figure grapples up to it. In the cockpit, a video screen lights up and an older man appears on it. He asks if everything went well. The figure responds, “Yes, Alfred. I've got my insurance.”

SUPERMAN: First Trailer For James Gunn's Reboot Could Release Online Sooner Than Expected
Related:

SUPERMAN: First Trailer For James Gunn's Reboot Could Release Online Sooner Than Expected

SUPERMAN Actor Frank Grillo Teases First Trailer: My Skin Was Hot And I Had Goosebumps
Recommended For You:

SUPERMAN Actor Frank Grillo Teases First Trailer: "My Skin Was Hot And I Had Goosebumps"

DISCLAIMER: As a user generated site and platform, ComicBookMovie.com is protected under the DMCA (Digital Millenium Copyright Act) and "Safe Harbor" provisions.

This post was submitted by a user who has agreed to our Terms of Service and Community Guidelines. ComicBookMovie.com will disable users who knowingly commit plagiarism, piracy, trademark or copyright infringement. Please CONTACT US for expeditious removal of copyrighted/trademarked content. CLICK HERE to learn more about our copyright and trademark policies.

Note that ComicBookMovie.com, and/or the user who contributed this post, may earn commissions or revenue through clicks or purchases made through any third-party links contained within the content above.

PrinceAwesome
PrinceAwesome - 2/11/2017, 1:02 AM
Good job with the story man, the detail is really impressing.

Other than that, the only trouble that I had understanding about the story is the execution of Superman's origin. It's all over the place and unnecessarily complicated. There is some connection established, but it does not solidify if we just see him go all around the world doing the same things. Which is what makes Superman a hard character to base a movie off of.

Characters are established so there can be some connection to it. They are supposed to go through hardships that makes the character grow. These hardships usually involve placing them under dire situations where the character is under pressure to identify what is right. I don't get this pressure from your story since there is no situation or context where Superman is really pushed into the corner. There's the Syrian conflict...but then that leads to nowhere since Superman begins to become "politically neutral" (which is another complaint I have from the story).

The second act becomes way too political. There is nothing wrong in delivering a message, but these messages are delivered through your main character's experiences and hardships he's undergoing as he's venturing into this exploration you (as a writer), have thrusted himself into. Throwing news debates as exposition for this neo-political wordplay won't exactly pan out as well. Also, people come to the movies to escape from reality. Make sure you deliver the message...but dont be too on-the-nose about it.

Also, why would Luthor distrust Superman, but place his complete faith on Brainiac? It seems really illogical and highly fragmanted of him to do.

I really like your handling of the Brainiac villain though. The third act is really great in scope. I like how your Superman and Luthor kinda collaborate by the end, but necessarily double crosses Superman.

Other than that keep up the work man, im really digging your stuff. Just make sure to plan out the first and second acts so you can really make the third act worth it.
GhostDog
GhostDog - 2/11/2017, 7:22 AM
@PrinceAwesome - Remember, this isn't a script. Its just a fun pitch.

Well I don't really want to go into the finer details like a script. This is just an outline, a platform of sorts.

Superman's dilemma is how he informs on the planet in a number of ways. When it comes to the political aspect, its meant to paint Superman's influence on the status if power in this world. That Middle East conflict leads him to become politically neutral because he sees that he's maybe shouldn't involve himself in political endeavors of that magnitude.

The finer details of this story point, would dig into how a figure like him would be a LIGHTNING ROD of grand proportions and the U.S would definitely try and take advantage of him politically if he was willing. What's the consequences of that? Like I said, this is just a platform, a compilation of story ideas. I'd definitely want to deliver any commentary in way thats nuanced and not SO dense that the audience wouldn't fell invested. I have a film degree, I get it haha.

Luthor is an opportunist. He only trusts Brainiac because it results in him receiving alien knowledge. That's something he can't pass up. It gives him a supposed leg up on Superman too.

If I had more time on my hands, I'd try and get deeper with the finer details, but I don't. These re-imaginings are just meant to be speculative pitches, platforms where the ultra-fine details can be stripped out of these ideas. I just hope to sprinkle in some character here and there and overall, give an idea of the world I've illustrated.
GhostDog
GhostDog - 2/11/2017, 8:01 AM
@PrinceAwesome - These are the finer details I hoped people would inquire about.

when it comes to his origin, I treated him like SPIDER-MAN. We all know how Superman came to be really. And I never wanted to question whether he was good or not. He's Superman, he was raised to be good and he is good.

I wanted his origin here to really come from a defining moment, time, period event etc. His time in Africa, covering this conflict is important. Africa is meant to be the first time he covers a conflict of this magnitude. He's been helping people here and there, but remember he's since dialed it back due to encountering fear and hostility those other times. But Africa is sort of the kick in the pants, the defining point.

Clark encounters a cabal of people fighting for freedom and justice in an insurmountable govt. This is a parallel of sorts with Superman fighting for freedom and justice in an overwhelming world. Kenyatta, the man he became close with and discovered his abilities (in some circumstance where he HAD TO use them; this is a finer detail I don't go into but would have given more time, but its assumed that Clark had no choice but to use his abilities in an instance), told him that, “The world doesn’t evolve for the timid, the scared, the isolated. If you care about humanity, be a part of it. Good men have a charge to keep. A promise. To make the world better because they were here. I want to be one of those men. You should want that for yourself. The abilities you have, its minutiae Mr. Kent. Some will fear your gifts, question them. But the reflection of a man’s heart is his actions. Never let them question that.”

He wanted Clark to know that he can't let his fear and isolation deter him from doing what is right. What he's meant to do. He owes it to the world to not waver from helping others, despite the presumed ire, fear and hostility he may incur. Good men have a charge to keep. The world can never question his heart if his actions are pure and good.
PrinceAwesome
PrinceAwesome - 2/11/2017, 8:51 AM
@ComicsBornAndBred - Well, if he becomes politically neutral then his stance on what is right and what is wrong kind of crosses the patches of him simply telling the people to deal with it themselves. Superman does not do this at all, if he feels that rights are being violated, then he will stand up for the little guy regardless. Remember, he fights for truth and justice, not just the American way. I believe Grant Morrison's and Jerry Siegel's Action Comics' run emphasizes this. As for him becoming politically neutral, his character does not grow at all; if any and all, it sort of comes off as degrading. I understand that you are trying to tell us that not everyone should rely on Superman, but there are different ways to do this.

Read Action Comics #900, this is a fine example of how this method can be executed. I get what you are trying to do, I just think the execution of it can be thought out a bit more better.

Good point, but what's the purpose of him going out of his way to distrust Superman since he's alien if Brainiac is the same thing. His character comes off as hypocritical to say the least. Grant Morrison's Action Comics run kinda takes the concept you are saying, but it still keeps Luthor's plan in tact when he has the Steel Soldier program ready to be utilized to go up against the likes of Brainiac highlighting his intellect of realizing the possibility of Brainiac's distrust.

I really like where his introduction starts in Africa, to be honest, my Superman pitch involves the same thing. But it drops us right into the action where Clark saves the civil rights' leader's life amidst a gun shooting. But in your pitch, does Clark work for a rivalling newspaper of sorts that ends up putting him on the map, capturing Perry's curiosity? Would Clark reject Perry's offer because of the Daily Planet's allegations where the Planet is bought out by some big business/secret gang mogul? How would he end up in the Planet?

Yeah, I read that issue from Birthright. It's a great start to a Superman story. But here's the thing, going back to your "politically neutral" Superman, what you just said kind of reverts and goes against everything Clark has learned during his time in Africa. Kenyatta was a civil rights leader who stood up against the poltical divisions his own country has upended against his people. He stood up for what's right and had the courage to plant his feet besides the river of truth, and tell all the corrupt politicians and businessmen that his people won't stand for it any longer. This is the courage Clark learns from Kenyatta; as you have said, Clark is under the radar, so Superman isn't born yet. Maybe this courage gives Clark inspiration to come out of the shadows and debut as Superman. But along the way, he would be facing the same situations Kenyatta his faced during the Civil War. The only question is would Clark do what Kenyatta taught him, or will he merely sit back and watch everyone get their wails kicked out because neutrality is best for everybody.

Our characters have to learn as they go and it seems as if Superman doesn't learn or grow at all from the story because of the points you have illustrated in the second act. It's really creative and heartful...it just does not complete or transcend Superman's characterization, which is the hardest thing to do in a Superman movie.
GhostDog
GhostDog - 2/11/2017, 9:10 AM
@PrinceAwesome - The reason he goes neutral is because he's unsure about how to handle the situation.

I've read Acton Comics #900. “I’m tired of having my actions construed as instruments of U.S. policy,” Superman says.

When Superman drops in on an Iranian protest to stand with demonstrators in an act of nonviolent civil disobedience, the U.S. government takes him to task for acting as an instrument of national policy. Superman responds by renouncing his American citizenship and proclaiming himself a citizen of the universe.

It’s a sobering moment, as obvious as it is revolutionary. But this is just the first step of this dilemma for him. I plan to attack it in the second part of my re-imagining. I leave Superman at a point between indecision and neutrality. This will come up again in my second part as he wasn't meant to solve this problem here. He's a bit taken aback and unprepared when faced with these monumental political circumstances. He's left questioning his American ideals and his greater worldliness.

This particular issue, he's not done growing from it yet. In my second part, I advance the issue and have him move towards being an alien refugee that tells the United States that it’s as important to him as any other country on Earth — which in turn is as important to Superman as any other planet in the multiverse. We explore his american ideals a bit more in the sequel in the aftermath of his becoming neutral. The U.S. reacts to this in a big way.

Superman's very creative purpose is questioned, hm being positioned as deathless American heartland warrior battling tyranny and evil back when Shuster and Siegel created him.

The genius of Superman is that he belongs to everyone, for the dual purposes of peace and protection. He’s above ephemeral geopolitics and nationalist concerns, a universal agent unlike any other found in pop culture. Superman is inherently good. There's no question there, but what I'm peering into is when that goodness is poked and prodded and met with political intrigue and allegiance. This is his first year as a hero and the flexibility of his goodwill will be tested.

He grows in that second act by realizing that what Kenyatta told him, its going to be trying. He jumped at the chance to be Superman when he heard those words, and when the reality of being Superman set in steadily, it hit him hard.

I'm just playing around with ideas.
GhostDog
GhostDog - 2/11/2017, 9:53 AM
@PrinceAwesome - Please believe I know I've got some holes in this. I appreciate your critique for real. Superman is hard to crack. This just me putting my slightly best and creativr foot forward and playing with some concepts. You're giving me ideas in the process.

This kind of discussion we're having, I think that's where the best superhero films come from. Multiple and varying perspectives clashing and being brought together.
SimplyAz
SimplyAz - 2/11/2017, 2:15 AM
A fantastic editorial that captures the Spirit of Superman and makes him more hopeful, would love to see this interpretation on screen one day. Also love the fact he was in Africa being a reporter prior to working at the Planet, a great nod to Birthright.
Keep up the good work.
GhostDog
GhostDog - 2/11/2017, 7:23 AM
@SimplyAz - Much thanks!
Brainiac13
Brainiac13 - 2/11/2017, 4:43 AM
Pretty good!!!

Glad you had me as the Villain! ;)
TheDayman
TheDayman - 2/11/2017, 5:46 AM
Those are some very interesting ideas. Nice article.
ossie85
ossie85 - 2/11/2017, 6:22 PM
That's a fun read
minusman
minusman - 2/12/2017, 6:07 AM
Awesome write up. So wish this would get made.
GhostDog
GhostDog - 2/12/2017, 2:02 PM
@minusman - thanks man!
ReddHotPoker
ReddHotPoker - 2/12/2017, 8:35 AM
Really great write-up! I love the use of Norman Rockwell as a reference point. I think that's something that has been lost in the recent iterations of the mythos- the innocence and idealism.
GhostDog
GhostDog - 2/12/2017, 2:02 PM
@ReddHotPoker - yea I feel like Superman's adaptations should always have a strong air of idealism and virtue.

Norman Rockwell's works are very idyllic and a nice reflection of the simplest of moments in American culture. Everything he did has a calmness to it. I think Superman has been missing that a bit in his more recent film adaptations.
Forthas
Forthas - 2/12/2017, 6:54 PM


That is very inspired writing. I think that connecting early moments in Clark's life with decsions he makes in the future is a very efficient way to give an audience a sense of Superman's character while simultaneously revisiting his origin. While people may know his origin, doing it that way gives it meaning which makes it feel fresh. I also like connecting earlier parts of Clark's life to show a logical evolution. It was a bit jarring in Man of Steel that he went from fisherman, bartender, goverment hired hand, and finally to newspaper reporter...almost at will. Showing him have an interest in reporting early shows a natural progression of his civilian life.

The end is also good as I think having Kryptonians affirm Supermam's role on earth through an inspirational act of sacrifice creates a subtle standard he would want to live up to as a de-facto representative of Krypton.

The only thing I think should be avoided is going full on fantasy. I think there is a stretching point - at least for movies -when it comes to that...a bridge too far so to speak. I think Braniac's miniature cities is one such bridge.

Excellent work!
GhostDog
GhostDog - 2/16/2017, 8:22 PM
@Forthas - I wanted to insert a little outlandish fantasy. That sort of outlandish sci fi we got in All Star Superman. Superman goes up against an interdimensional god in the Ultra Sphinx,uses a gravity gun, flies into the sun to "fix it"

I thought Superman needed a little bit of that weird fantasy. I wanted to differentiate from what we've seen on film too.
View Recorder