FEATURE: A Guide To DC's Cinematic Universe

San Diego Comic-Con's highly anticipated DC panel is almost upon us, so before any more big reveals render my thoughts & speculation on the matter obsolete, I thought I'd share an extensive list of things I expect out of the DCCU. Come check it out!

By TucksFrom2015 - Jun 30, 2015 12:06 PM EST

Filed Under: DC Comics

MARVEL v DC: DAWN of the FANBOYS: Justice has nothing to do with what goes on in a courtroom; Justice is about what comes out of a courtroom. Your honor, may I approach the bench? Marvel Studios, the plaintiff, claims the appelant 'DC cinematic universe' poses no real threat to their reign over the filmmaking industry, and says that being a fan of the DCCU is like being a fan of the spacestation on Mars, that it technically doesn't even exist yet beyond a concept. Marvel's co-architect Stan Lee alleges that this rival publisher has been riding his coattails since the late 1960s, whereby imbuing some of their Golden Age heroes from a bygone era with enough nuance and pathos to compete with the surprise success of pop art characters like Spider-Man, DC had infringed upon Marvel's brand and then reaped all the benefits of a resurgence in popularity. The defendant, your honor, WB/DC Entertainment™, stands accused of getting cold feet after greenlighting a brilliant filmmaker's Justice League: Mortal script, and only giving the go-ahead to movies so grim and hopeless that you can't even bring your kids to go see them. But nonetheless, DC Comics is countersuing Marvel for their dishonorable treatment of Jack Kirby, the overuse of giant robot villains in their movies, and for ripping off the Justice Society comics... twice; the defense rests. Ladies and gentlemen of the jury, may I direct your attention to Exhibit A126 - I present to you DC's so called "2016-20 movie slate" - but what we have here is a blatant forgery of the monumentally successful and profitable 'shared universe model' spearheaded by none other than our esteemed Plaintiff, your honor.

THE VERDICT: Sorry to break your bad, Saul Goodman, but in case you couldn't tell from my mocking tone, the DC vs. Marvel thing is neither a real thing, nor is it analogous to a courtroom drama, and while the online debating tends to represent the worst factions of their readership, the companies themselves don't feel much animosity towards one another, especially not in an oversaturated movie market looking to be diversified with a little friendly competition and different brands of filmmaking. The only thing from this list that stands out to me as a 'copycat' move is that Zack Snyder's Justice League is

DC Comics'	Shared Universe
Man of Steel	June 14, 2013
BvS: Dawn of Justice	March 25, 2016
Suicide Squad	August 5, 2016
Wonder Woman	June 23, 2017
Justice League pt 1	November 17, 2017
The Flash	March 23, 2018
Aquaman	July 27, 2018
Shazam!	April 5, 2019
Justice League pt 2	June 14, 2019
Cyborg	April 3, 2020
Green Lantern	June 19, 2020

going to be a two-parter, but while The Russo Brothers' Infinity War saga is being released consecutively in the springs of 2018-19, there's about a two-year gap between League installments. It appears as if DC's slate has strategically avoided being trampled by the imperative Thanos stampede with a Thankgsgiving/Christmas release for Part One, and a midsummer date for Part Two, dividing the League flicks into two parts would almost suggest that Snyder had two ideas for how to do his movie, and decided he'd start filming the first one immediately after promoting Dawn of Justice, while the other part would need more time to bake and is likely going to be a more SFX-driven chapter. The good news is that Zack's cinematographer Larry Fong (300, Super 8, Now You See Me) is now a permenant fixture in DCCU crossover events, and I think he's going to elevate any film with the word Justice in the title beyond the stylistic constraints that weighed down Man of Steel - experimental shakycam, greyscale coloring, zoom-ins zoom-outs, and frenetic camera movements - while those same elements can carry over into DC's solo films to give them a more up-close & personal feel. It looks like Marvel's Designated Competition is set to drop bombs at this year's Comic Con, and that is why I, an amateur screenwriter who's never written anything DC-related for CBM before, decided to conduct a 7-part character guide that includes thoughts & speculation on each film on DC's list (sans Shazam!) before any more big reveals!

"WB let their DC projects die, because they were convinced that we had to wait. That the world wasn't ready for Wonder Woman, Cyborg, and Aquaman solo films, what do you think?"

THE FASTEST MAN ALIVE - THE FLASH: imbued through a lab accident with the ability to move at nearly impossible speeds, far exceeding that of optimal human Usain Bolt-level capacity, 'The Scarlet Speedster' is expected to make his cinematic debut in 2017's Justice League Part 1, before we see 'The Flash' leading his own solo venture on March 23, 2018. Super-speed is all the rage right now! - you'd have thought after Days of Future Past's Peter and Age of Ultron's Pietro, plus two Arrowverse spin-offs, more Quicksilver in X-Apocalypse and Dash in The Incredibles 2, that the concept would've spread itself thin by now. But no, miraculously we still found room to get hyped for a JLA Flash when an actor named Ezra Miller was chosen by Zack Snyder to undertake the character's cinematic duties. Even though Arrow's Stephen Amell thought the timing of Warner Brothers' movie announcements stepped on Grant Gustin's moment in a groundbreaking pilot episode, there could be as much difference between WB's The Flash and CW's The Flash as there was between Marvel's two Quicksilvers ...so the same amount of difference between an American twinkie thieving mutant and a Sokovian euro-trash freedom fighter? Sounds about right.

WHICH FLASH IS EZRA PLAYING? (UPDATE: it's Barry Allen) There's no obvious answer here, he's got the lean build of a trackstar, the lackadaisical attitude of someone who 4:20 blazes on the regular, a non-aerodynamic hair length - not a dead ringer for any one specific Flash. There've been up to four characters throughout comics' history to claim they're the Fastest Man Alive, the Golden Age speedster Jay Garrick, the Silver Age forensics assistant Barry Allen, the reckless youth Wally West, and the relentless annoyance Bart Allen AKA 'Impulse.' They're all unmistakably different individuals, but if needed be, WB could always build a new character from scratch, or amalgamize all four into one version, choosing elements suited to Ezra's acting range. Since Grant Gustin's televised depiction is so quintessentially New 52 Barry, I initially ruled out the possibility of another nerdy, bookish science-detective burning rubber in IMAX, Barry does seem too self-important for the DCCU's own good. I think in a world comprised entirely of dark tones, there's no room for another brooding hero whose prime motivating factor is the loss of a parental unit. (UPDATE: At the time I wrote this, THR's insistance on Ezra playing Barry hadn't yet been double-confirmed by its screenwriter, Phil Lord.) Bart Allen already had a decent portrayal on Smallville, so did Jay Garrick, who might also appear in CW's Legends of Tomorrow. In fact, only one of the four Flashs hasn't had his live-action treatment yet:

'EZRA IS WALLY WEST' THEORY: Next in line to the moniker after Barry Allen, Wallace Rudolph West was the original 'Kid Flash,' and a founding member of the original Teen Titans, and although he could never break the lightspeed barrier like his predecessor, Wally's list of powers grew beyond what was once thought possible. He can transfer 'Speed Force' onto his allies temporarily, or perform a 'speed siphon' robbing objects of their kinetic energy/momentum (i.e. a speeding bullet) and then using that energy to accelerate himself even faster, he can lend speed to small inanimate objects turning anything into a projectile, he also has a hyper-accelerated healing factor that can be transferred onto his teammates, making him a "team medic" of sorts, and he can perform the INIFINITE MASS PUNCH - which is exactly what it sounds like. Wally West is not only the most versatile Flash, he's the most powerful.

THE 'EZRA IS JAY GARRICK' THEORY: Though they don't share as many common personality traits, it's entirely possible Zach Snyder intended to use the prototype Flash, Jason Peter Garrick (above, far left) an aspiring athlete who accidentally inhaled heavy water vapors while taking a smoke break in his unversity's lab (don't ask, it was the 1940s) which activated his DNA's metagenes. And you know what? Considering Ezra's affinity for smoking pot this could be the strongest match yet! They'd have to give Garrick a less retro look though, Jay wore a metal Brodie helmet with wings based on images of the Roman god Mercury, which wouldn't fly with today's crowd, although The Flash's classic look with the winged feet and winged earcups could really hammer-in the whole 'gods among men' point.

PAY HOMAGE TO THE CLASSIC PANTHEON: You know Hermes, right? Jamaican bureaucrat, world-class limbo expert, works at Planet Express. Nope, wrong Hermes. I'm talking 'bout the O.G. speedster of Mt. Olympus, emissary and messenger to the gods, a protector of travelers, a patron of thieves, athletes, sportsmen, traders, and inventors. In case Ben Affleck's comments didn't make it any clearer that the JLA pantheon of "American Myths" have replaced the Greek Gods - Superman is Zeus, god of the skies, Batman is Hades, ruler of the underworld, Aquaman is Poseidon, the almighty water god, Wonder Woman is Athena, the calm and strategic warrior, Green Lantern is Haphaestus, the great forger/weapons creator etc. The original Flash costume was so heavily influenced by the Greek speedster, that even today it still retains the winged feet and ears. Like Mercury, and Hermes before him, the Flash was always prone to a bit of mischief, quick to make a joke as he is at anything else. So if you still can't picture Ezra Miller leading this kind of superhero movie, just think of it as a modern retelling of the Messenger God myth!

FLASH's WORLD SET IN ULTRA-REALISM: How do they introduce a speedster into a world where Perry White refused to print an alien story and accused his best reporter of hallucinating an event? First, make Speed Force itself seem somewhat mundane, unremarkable, depict it as a real-world phenomenon that only a few select individuals were able to tap into before. Second, since The Flash moniker went through so many different people, you can reference those past figures, Jesse Quick or even Max Mercury, as extraordinary athletes, heroes of the Olympics who used a fringe science to rig triathalon races. 'The Fastest Man Alive' shouldn't just be a tagline, it should be someone's claim to fame! Explore a rich history of dedicated athletes trying to break previous landspeed records by using this vaguely-defined otherworldly force - then introduce them to Barry (or Wally) as the kid from Central (or Keystone) City who made all those other guys look like amateurs!

HARD SCI-FI ELEMENTS: Impulse (the 4th Flash) had a unique genetic connection to the Speed Force, in that he suffers from a hyper-accelerated metabolism - and if Ezra's Flash is anything like that, there's an opportunity to explore the downside of having the funnest superpower one could have. How does one regulate a diet to keep up with a hypermetabolic lifestyle? How would he maintain his facial hair when it grows at such an abnormally fast rate? This is where Miller's rugged, bohemian looks can add on to the character, because Flash's metahuman status actually speeds up hair growth, giving him a perpetually unkempt look - whats the point of shaving if it's just gonna grow back the next morning? Even if Flash decided to shave his whole head, in a week's notice it's back at shoulder length again. This is where Phil Lord and Chris Miller can have a field day with developing the script, known for their ability to deconstruct clichés with high octane comedic pacing, The Lego Movie, 21 & 22 Jump Street writers shouldn't have any trouble providing Ezra with the right balance of hysterics and dramatics for his first blockbuster starrer.

GIVE SUPER-SPEED A 'POWER FANTASY' EDGE: TV's Flash is too beholden to villain-of-the-week writing tropes for it to really tap into an adolescent escapism, the kind felt in movies like Jumper and Chronicle, and some moments from Man of Steel when Clark is travelling the world, and not really belonging to one place. The Flash can run on any surface, atop buildings and across oceans and go anywhere he wants, why should he be tied to one city? Aquaman is delegated to the oceans, Superman can leave orbit so the prospect of exploring the world doesn't appeal to him, Green Lantern has a sworn duty to vanquish evil in the galaxies' farrest-reaches, Cyborg can't can't leave the ctiy or else his batteries would die - but what reason does The Flash have to stay in one place? He's an all-terrain terrestrial-bound superman! Flash should be a sort of transient laborer, looking to solve problems all across the globe, and when the job is done he can ditch the hero gear and go on his own soul-searching voyages through the exotic places he just saved.

JUMPER (2008): Doug Liman's adventure movie about an underground world of teleporters who can will themselves to other places through power of mind. The protagonist uses 'jumping' to live the most extravagant life possible, raiding bank vaults, seducing girls in London, having lunch atop the Sphynx, and surfing in Fiji. But he soon discovers he's not the only one bestowed with this unique gift, and there are people out there who've made it their life's mission to eliminate all of them, viewing jumpers as a threat to all mankind.

CHRONICLE (2012): Josh Trank's direction steered it more towards a Greek tragedy than a power-fantasy, but it still had those moments of wish-fulfillment you envied - who wouldn't want to become a superhero with your two best friends? Matt, Andrew, and Steve did make plans to travel the world together, and this brief conversation was the height of the movie's escapism, a globe-trotting adventure would've drastically changed the outcomes of their lives, but might have also left the story devoid of conflict.

THE TONE: of The Flash movie should fall somewhere between these two films, if viewed as examples of how to transcend the superhero genre, you don't need to populate your universe with fun villains and plotthreads to make it interesting! By the time 2018 rolls around, the formulaic nature of saving the day, pummelling the bad guys in the face, and getting the girl might be staler than graham crackers, Phil Lord and Chris Miller might have to play the material fast & loose for it to work to the genre's advantage. Combine the scale & ambition of Jumper with the convention-shattering pathos & angst of Chronicle, and you've got one incredibly fresh take on the icon. Plus, it's set to hit theaters in a year dominated by Infinity War, Black Panther, and The New Mutants film, so it'd be a nice change of pace for one of these movies to focus on one character, in one high-octane, hyper-stylized romp through one of the three remaining cinematic comic book universes.

WORLD'S GREATEST DETECTIVE - THE BATMAN: the nocturnal life of multi-billionaire Bruce Wayne who, after seeing his parents gunned down in front of him, trained to the point of physical/intellectual perfection and donned a bat-themed costume in order to fight crime using his intellect, detective skills, science, emerging technologies, immense wealth, physical prowess, and fear-biased intimidation tactics in his war on costumed psychopaths. Batman movies were once the pinnacle of an artform, before the rise of CBMs only one hero had endured all the ups and downs of the film medium, and survived every dark age, revival, and rennaissance of superhero cinema. From the fine-tuned gothika atmospherics of Batman, to the extra Burton-ized melancholia of Batman Returns, the neon bombast of Batman Forever, to the ..... of Batman & Robin. The steampunk thrillride of Batman Begins, to the thematically brilliant, philosophically profound crime drama The Dark Knight, and the bleak, brutal, and epic desparity of The Dark Knight Rises - is there even any new ground to tread with further incarnations of the Caped Crusader? Does Will Arnett's LEGO Batman brood in the woods?

THE DAWN OF GOTHAM: Directors like Tim Burton used miniature models to evoke its gothic architecture, and Nolan used composites of Pittsburgh and New York to great effect, but when you're dealing with Zach Snyder, his overly-ambitious vision for Gotham won't let him rest until its as fully realized as the comics, as the graphic novels, as the Arkham Knight open-world gameplay. So in case you're wondering why Batman v Superman needed 8 months of shooting followed by a whopping 15 months in post, whereas Marvel Studios can usually start filming a year before their release dates; the answer is Gotham isn't fully rendered yet. We've seen Burton's art deco gargoyles and cathedrals, Schumacher's cyberpunk Akira-esque neo-Tokyo, Nolan's CGI augmented version of Chicago with the steam-flooded slums of The Narrows, but what we haven't seen on film yet is a convergence of all of those atmospheres. To give you an idea of why the SFX department needed an additional year of post, not only does every raindrop, every snowflake, every streetlamp, windowpane, neon sign, every crack and crevice of Gotham need to be optimally crisp in its Real-D 3D and IMAX form before 'the big showdown' between DC's two flagship characters, but the digital infrastructure being created now will provide the DC cinematic universe with familiar locations (and character models) for the next Justice League movie that's coming out only a year & a half later.

METROPOLIS vs. GOTHAM: Twin megacities on opposite sides of a bay and opposite sides of the American dream. Metropolis always had a sunnier disposition, and prided themselves on being the shining City of Tomorrow, a global utopia even in the face of wanton destruction. Gotham on the other hand is an open sewer of crime and corruption, a sprawling cesspit of darkness and death, like a modern Babylon of corruptible commissioners and coldblooded mobsters proliferating under the murk of a dark midnight sky. Since the closest these two cities have ever come to coexisiting on film was an off-hand remark in Superman Returns, a large portion of the writing went towards building a tension between Batfans and Superfans, I mean the first footage captured was a football game between the fictional Gotham Rogues and Metropolis Meteors! Attendants described the plays as overly-aggressive, one scene involved them breaking up a fight on the field, so clearly this conflict runs deeper than the quarrel of its mascots.

ENTER THE BATCAVE: The primary headquarters of Batman held within a series of subterranean caves beneath Wayne Manor, The Batcave serves as a command center where he monitors all crisis points in Gotham and around the world. Additionally, the cave contains his vast arsenal of Bat-related gadgets and specialized vehicles, a state-of-the-art crime lab equipped with highly advanced tech and a training facility to improve his skills as a crime fighter. The cave's centerpiece is a supercomputer whose specs are on par with any of those used by leading national security agencies; it permits global surveillance and also connects to a massive information network as well as storing vast amounts of information, both on Batman's foes and his allies. It also houses a collection of ancient armor due to Batman's study of military history, outfits worn by European Knights, Desert nomads, and Samurai warriors, as well as display cases housing 4 versions of the Batman costume.

THE BATMOBILE: Designed and fabricated in near complete seclusion by The Batman, this infamous pursuit and capture vehicle has earned its reputation as the apex predator on the mean streets of Gotham City. Powered by an unmatched hybrid of prototype military and civilian performance technologies - part Lamborghini, part tank - this menacing machine has been estimated to reach speeds of up to 205 MPH. The Batmobile’s imposing defense capabilities are supported by stolen Wayne Industries technologies, and integrated with the latest in covert military grade armaments: twin .50 caliber retractable machine gun turrets mounted on a pivot between the front wheels, as well as rocket launchers, non-lethal riot suppressors, landing hooks, and a vector-controlled jet engine on the back of the car provides quick boosts to perform "rampless" jumps across building tops. Both front wheels can eject when the vehicle is damaged to form the Batpods. There's also a stealth mode, which turns off the car's lights and cuts the engine, plus since the vehicle is powered by an electric motor its very hard to find in dark places, and as demonstrated by the car chase in Batman Begins, it can easily throw off pursuers.

THE DAUGHTER OF ZEUS - WONDER WOMAN: Diana Prince belongs to a race of immortal women, an all-female warrior tribe called Amazons who were tasked by the Gods of Olympus to serve as messengers to the name of peace and justice, and reside on the mythical city-state of Themyskira on Paradise Island. Their city is composed entirely of Greco-Roman architecture from 1200 BCE, they wear only Greek garb, togas, sandals, and period armor. For centuries, the Amazons lived in a perfect state of harmony with their surroundings, on an island blessed by Olympians so that no man is allowed to physically set foot on it. That is, until the day USAF intelligence officer Steve Trevor's invisible jet gets shot down over Amazonian airspace and he's nursed back to health by the demigoddess daughter of the island's Queen, Hippolyta. Both Diana and the island she resides on are making their big screen debut in Dawn of Justice, only to have her entire backstory unfold in the DCCU's 2nd standalone film - Wonder Woman - followed by a swift Justice League role reprisal later that year.

GIFTED BY THE GODS: Princess Diana was awarded a series of gifts by the gods of Olympus: along with the beauty of Aphrodite, wisdom of Athena, the swiftness of Hermes, and a strength surpassing that of Hercules, several enchanted artifacts also fell from Mt. Olympus and into her possession; 'the Lasso of Truth' forged from the Golden Girdle of Gaea, an infinitely elastic luminous rope that forces whoever is bound within its grasp to obey the commands of whomever holds the other end, as well as a set of phalanx armor, shield, sword, tiara, and 'bulletproof bracelets' two chrome-plated indestructible steel cuffs forged from the Aegis sheild that can deflect gunfire.
AMAZONIAN AMBASSADOR: Diana is the chosen representative from Paradise island, an emissary to the outside world burdened with having to accompany the chauvinist pilot back to "Man's World." Steve Trevor was the highest-ranking field agent of A.R.G.U.S., a government agency led by Task Force X-benefactor Amanda Waller. The organisation's questionable past of fighting shadow wars, seeding their agents into enemy ranks, and recruiting the most wealthy and powerful to their side has existed as early as the American Revolution when the "Armed Revolutionaries Governing Under Secrecy" were spying on the British forces to aid in our military action. After the US gained independence they changed again to "Anonymous Ranger Group of the United States" and fought in the American Civil War, hunted outlaws and, with some notable failings, defended the lives of the US Presidents. The acronym currently stands for Advanced Research Group Uniting Superhumans, acting as a support and liaison to The Justice League's missions, supplying them with resources and cleaning up the spillover afterwards.

THE PLOT OF WONDER WOMAN: With all of the conflicting reports of what the Gal Gadot-headlined solo film will be about, a lot of fans wondered if Wonder Woman (2017) would mirror the plot of that direct-to-DVD animated Wonder Woman (2009) produced by acclaimed animation veteran Bruce Timm, (Harley Quinn co-creator) and directed by Lauren Montgomery (The Legend of Korra). The plot of the film is loosely based on the "Gods and Mortals" arc where the God of War challenged the Amazonian ruling class and attempted to overthrow the Queen. The prologue ends as the Olympians intervene and render the war-god mortal, locking him beneath doom's doorway and giving Hippolyta the keys to the underworld. The rest of the movie jumps to modern day and follows a time-efficient 3 act structure; there are twists, betrayals, great evils are awakened, and the climax involves Princess Diana fighting off

Ares' mythological beasts in an epic battle for Washington D.C. So depending on whose script was sold, the individual story beats from Gods and Mortals could be faintly echoed by setting the final battle on American soil, but then again, this whole idea clashes with the previous rumors that Wonder Woman would be a period film that happened as early as the 1920s. I mean, seeing Diana aid in the American war efforts of WW1/WW2 would afford the audience some explanation to her broken English, the spangly motif of her classic costume, and it could possibly open the door to a whole trilogy of prequels. But aside from the chronological issues this could inflict upon the DCCU, specifically the age of Steve Trevor, there's another facet to this theory comic fans might take issue with...

DISTANCE THE LORE FROM MARVEL: The problem with the WW2 setting is the backlash it might receive from Marvel fans claiming DC had modeled their Wonder Woman movies after First Avenger & Winter Soldier, and Steve Rogers in general, another superpowered war hero with stars & stripes and a cool shield from a post-industrial era who turned the tides of historic battles. The better option would be to reference her moments of valor from a modern day setting, and in all likelihood, have it take place after the events of Batman v Superman for continuity's sake. What would Marvel fans say then, that DC's use of the Greek gods is just a cheap imitation of Marvel's far superior Norse gods? Don't put it past them! But I think DC's slice of classical mythology can be done so much differently - unlike with Thor where figures of myth take center stage, the lore of Wonder Woman's world doesn't so much rely on the gods to drive its story, and whereas Marvel's Norse gods are actual living deities just as real as anything else, Mt. Olympus is viewed as a childish fable to someone like Steve Trevor. Fantasy storytelling often works best through the lense of a skeptical outsider, so rather than opening the floodgates to this whole other place of myth, the stories of Diana's people work best as an 'inner narrative' to the comics' mythology itself. To an outlander, these fervently religious Adriatic women believe in an antiquated pantheon which religions scholars have likened to ancient gossip magazines.

A MOVIE IS ONLY AS GOOD AS ITS VILLAIN: Wonder Woman's rogues weren't exactly the prima galleria of DC villainy, Cheetah should have been a Ripley's Believe Or Not attraction, Maxwell Lord was just another ammoral businessman, Lex Luthor without the moxxy, and Egg Fu was this bizarre and incredibly racist charicature that rolled straight out of a Cold War-era Sonic the Hedgehog cartoon. And then there's ARES, a name audiences around the world should recognize as an offspring of Zeus, an archrival of Athena, and DC Comics' readers recognize as the most recurring adversary of the Amazons - he was even made playable in Injustice: Gods Among Us for demigods' sake! This fallen deity is evil incarnate, timeless and eternally iconic compared to the majority of Wonder Woman's ephemeral Nazi and Communist villains, Ares is her undisputed archnemesis.

"Ares: a perpetual war machine, a constant, unswayable force that will always seek to incite discord and devastation. For as much as the world evolves and technology advances, war is a constant. For as long as man has walked the Earth, he has warred with his fellow man. And as long as there is war, there will be Ares.." -Plato
The New-52 Ares remains hidden within society under the pseudonym Ari Buchanan, (which is a stage name so unnasuming it should perform stand-up comedy) so WB can theoretically get a human performance out of an actor before he dons the spiked armor plates & Trojan helmet plume. A lot of Ares' earliest plots were similar to Sebastion Shaw's WW3 nuclear war plot from X-Men: First Class, so it's possible he's already working behind the scenes in the US Department of Metahuman Affairs, every once in a while suggesting that we fire nukes at Themyskira, and if I had to hazard a guess on who they've cast, I'd go with ... Spider-Man's Joe Manganiello as Ares. Since Latino-Review seemed to have misattributed certain Suicide Squad cast members to characters who won't even appear in the film, Deathstroke was thought to be Joe's mysterious part to play, in which he was later replaced by Fury's Jim Parrack. But now we know Parrack is actually 'Jonny Frost' and Deathstroke might not appear in the movie at all, so could Mangianello still be onboard after all? Insiders say that David Ayer's project sets up the most 'connective tissues' for DC's other upcoming properties, so let's not rule out the possibility that Joe may be playing another heavily armored, malevolent, unfeeling psychopath in Wonder Woman.

DID AMAZONS DESCEND FROM KRYPTON? Short answer: no. Long answer: this theory is based on a scene in Man of Steel when Clark explores the Kryptonian scoutcraft, and finds one of the caskets appears to be both open and empty. Following the announcement of Diana's film debut, many concluded that the Amazons of this cinematic DCU would be descendants of those ancient Kryptonians who attempted to set up outposts throughout spacedom thousands and thousands of years ago, but throughout centuries of human-Kryptonian reproduction, their heat vision, ice breath, and flying abilities became reccessive in the genome, resulting in demigodhood. Sorry to burst your bubble guys, but if the MoS prequel tie-in comic is considered official canon, then that was Kara Zor-El's open cryo-sleep chamber, not the traditional Supergirl, but a bygone foremother of the House of El. With that being said, the comic didn't explicitly say whether or not she escaped the scoutship's icy prison ...or flew to the Mediterranean to interbreed with sword & sandal types. So in one way this would be a huge disrespect to the source material, making Diana and Clark genetically compatible but also distant relatives, and replacing Wonder Woman's fantasy element with glum science fiction. But in a whole other way, DC comics have always interpreted the New Gods and Old Gods as either extraterrestial or extradimensional, and if you think back to some of the clever rationalizations that made Nolan/Goyer/Snyder's Kal-El so convincing, so lifelike, it was seeing Krypton as a place of myth - everyone had different accents, the Law Council dressed in chicken-wire, they all lived atop Coruscant platforms above a barren landscape where Rondor beasts graze and H'Raka War Kites soar - none of it made much sense, but it makes you think maybe Olympus could be an inhabited planet out there just like any other.

THE KING OF ATLANTIS - AQUAMAN: Given the name 'Arthur Curry' by his human upbringers and 'Orin' through royal heritage, this aquatic warrior is a son of two worlds, born to an Atlantean queen and a New England lighthouse keeper, he fights to protect both domains using his incredible strength and speed, as well as the ability to send telepathic commands to all marine life. Aquaman's unique physiology allows him to thrive among his surface dwellers, and survive at the ocean's greatest depths of pressure and temperature with The Atlanteans, an offshoot of humanity who've adapted to the deepsea environment. Often seen as a walking joke by the masses, dir. Zack Snyder went to great lengths to prove the masses wrong, even calling in a Detroit radio station to defend the hero's potential for badassery, but also by casting a towering action star of Hawaiian and Native American descent in a role typically depicted as an aryan adonis lifeguard. Now decked out in tribal tattoos and golden scalemail armor, Game of Thrones' Dothraki raider Jason Momoa signed a 4-picture contract to provide the DCCU with four consecutive Aquaman performances, including supportive roles in all three Justice-based ensembles, and the leading lord in 2018's Aquaman.

“The whole mythology of AQUAMAN is pretty amazing. There’s so many things to tell, and the whole backstory is just amazing. There’s a lot of surprises coming… What’s great about this is Zack, man. We don’t want to just reinvent it, but he’s a got a whole idea of what Aquaman should be and I’m really honored to be playing it. I’m excited for the world to see it… There’s definitely a plan in this whole universe that he’s designing, and it’s amazing to be a part of it. I think everything that you see that is building, there’s a purpose behind the whole plan. So I wouldn’t want to take anything away from Zack, he loves revealing all those things.” -Jason Momoa

THE NEW-52 INFLUENCE: Jason isn't willing to spill any plot details or circumvent studio announcements by a few months just to pique our interest, (no, that's Eh Maybe's job) but technically anyone who reads his New-52 comics already has the inside scoop on his origin story, so pick up the first couple issues of those for some insight into his hatred for Black Manta and resentment for Ocean Master. Arthur's story began when his mother, Queen Atlanta, romantically bonded with a human lighthouse keeper from Maine, Thomas Curry, and gave up the throne to raise Arthur on the surface world with his father. She'd soon have no choice but to abandon her son to protect him from the wrath of Atlantis, and upon returning Atlanta was forced into an arranged marriage and bore a second son, Aquaman's half-brother Orm AKA the Ocean Master. When Arthur's powers began to manifest, Thomas sought out the help of a marine biologist named Dr. Stephen Shin with whom he confided the honest truth of how his son came to be, and in return, Shin gave many good years of his life towards helping Arthur control his abilities.

NEW-52 (CONTINUED) As a teenager Arthur outgrew his mentorship, and Doctor Shin had since fallen on hard times after he attempted to go public with Arthur's story. Tom Curry broke into his lab and ransacked years of research linking his son to Atlantis, with all of his credibility lost Shin resorted to hiring treasure hunter David Manta to take a blood sample from Aquaman. Moments later, Arthur had to intervene in a struggle between the mysterious diver and his father, whose failing health prior to this event led to a prolonged cardiac arrest. Tom Curry died three days later, and in a fit of rage, Arthur sought out Manta for bloody revenge but mistook him for his father, drowning David Manta Sr. in his stead. These two have been locked in a blood-fued ever since, going as far as murdering eachother's teammates while competing on the same quest to collect all 7 Relics of the Dead King in order to gain control of The Trench before the other one does.

NEPTUNE's TRIDENT: this five-pronged spear grants the aquatic hero divine right to rule the Seven Seas, its enchantment allows Aquaman to conjure tidal waves, summon tsunamis and to command sea storms. Curry's sidearm of choice was just one of the Relics of the Dead King, and out of the seven available he chose to collect the weapon that

sank Atlantis. This primordial trident was forged in hydrothermal vents using a volcanic alloy of gold, uranium, & copper, making her nigh indestructible, capable of damaging even the toughest of opponents.

POSEIDON's TRIDENT: a Greek leister with three prongs, though it's hardly as useful as an offensive weapon, it can channel a variety of mystical effects, such as cleaving a spatial aperture in the middle of the ocean, creating and controlling water elementals, summoning 20-ft vehicular wave collumns to propel its wielder forward, creating fogs and storms of high intensity, and provoking seabed earthquakes by increasing tectonic water pressure. In tandem with weather manipulation, Poseidon's weapon can unleash blasts of lightning, and disperse concussive energy.

THE TRENCH: a carnivorous undersea race known for massacring the local fishing communities in and around Arthur's hometown. Simply put: there's a heirarchy to Atlantean life - the farther down they live, the harsher the environment, the more savage the lifeforms you'll find. The Trench rises from far beneath the ocean floor, they live at the bottom of the Marianas Trench in absolute darkness, so they've adapted to maximum amounts of water pressure making them impossibly strong, demonstrating a complete lack of empathy, relying only on the primal instinct to feed. Their razor sharp teeth are capable of puncturing Aquaman's skin, and their venomous saliva causes mild paralysis in humans to ease the struggle of transporting cocooned townspeople down to their feeding chamber.

AMNESTY BAY, MAINE: Arthur has his own Fortress of Solitude located atop the hazardous shorelines of the chilling North Atlantic coast, in a humble cottage beside the Curry Lighthouse where his family's namesake provided navigational aid for Maine's inland waterways since the turn of the century. This is where Orin spends his summers, lounges about at the local tavern, plays fetch with Aquadog or accompanies his fisherman buddies on death-defying maritime voyages to ensure their safety in a pinch in case it all goes south, but he always returns to the throne in winter when the deep frost settles in. Amnesty Bay is a place where he's both revered as somewhat of a local legend and treated as an esteemed member of the community, and whenever the media gets wind of his heroic deeds and descend upon him in waves, wanting the scoop, wanting to hear his story, Amnesty's townsfolk are more likely to misdirect those Lois Lane-types away from his dwelling, which is how Orin has remained hidden from the world for so long.

'MAN OF STEEL' HINTS TO AQUAMAN: You might have noticed Clark was sitting in his car reading a book about Plato, the Greek thinker who first wrote on the sunken continent of Atlantis, or the fact that when Zod activated the World Engine's colossal gravity beam over the Indian Ocean, it messed with the world's atmospheric structure, and cracked open the bottom of the Atlantic where Arthur lives - even the appearance of two humpback whales was thought to have hinted at Aquaman's presence. You get the distinct impression that Man of Steel's grim tone might be a cheap suit on Wonder Woman or The Flash, but on Aquaman it's a Ralph Lauren tuxedo - perfect for depicting New England culture with a fisherman's grit, an East Coast grunge aesthetic where Chris Cornell's cold crooning decorates the soundscape of a seasoaked adventurer. The extensive use of flashbacks abridged 30 years of Clark's life, I think this storytelling device could do the same for Aquaman by giving viewers a highlight reel of Arthur's life on the surface; like the first time he heard the voices when he dunked his head underwater, or when he lifted up a capsized boat, the educative moments between him and his mentor Doctor Shin can provide the movie with a more engaging mix of expository and thematically resonant dialogue.

ONE RING TO RULE THEM ALL - GREEN LANTERN: In the Man of Steel universe there exists an intergalactic military unit, a spacefarring police force dedicated to the protection of all sentient life while promoting order and democracy throughout the cosmos. On the Planet Oa situated at the center of the universe lives a race of highly intelligent beings, Guardian Elite Oans who had taken it upon themselves to combat evil throughout all regions of space, no matter how desolate, as the self-appointed Guardians Of The Universe. After the failure to launch their legion of robotic sentinels called Manhunters, the Guardian Elites decided that their newest force would consist of living beings, ones who had free will and strong moral character. To arm this new legion of Celestial Knights, the Guardians forged the Power Rings, tools of inconceivably-advanced technology that allow their wearers to project hard-light energy constructs which replicate the physical and mechanical characteristics of whatever object the ring bearer imagines.

THE POWER RING: Eons ago, the Oans harnessed the most powerful force in existence, Emerald Energy and contained it within pieces of jewellry worn around the finger, they divided the universe into 3,600 sectors and sent a power ring to each sector to select a recruit. Officers are chosen for their ability to overcome fear so that the ring may be fueled by the strength of sheer willpower - to put it in layman's terms: Oan bling converts thought into reality, and though wholly inanimate, their rings are able to understand the thoughts of the wearer. Should a Lantern give their life in the line of duty, the ring will reach out to find him/her a worthy successor, another function of the ring is a universal computer database, language translator and communications device. The mission of the Green Lantern Corps is to protect the universe from interstellar threats of all kinds, ranging from planetary-level threats (problems that could annihilate civilizations) to cosmic-level threats (problems that could annihilate the entire universe). Each member of the Corps has sworn an oath to defend their own sector from any possible threats that enter into their jurisdiction, but in rare cases a squadron of elite space cops is called to patrol the galaxies' farthest reaches at the behest of the Guardians.

Well a Green Lantern reboot is scheduled to hit theatres on the far-flung date of June 19, 2020, and in order to differentiate istelf from 2011's one-and-you're-done standalone film, WB might tack on a subtitle taken from the name of any prominent storyarcs in Green Lantern comics, or just name it The Green Lantern Corps to account for a 'multiple Lanterns' scenario. Since the Justice League movies plan to 'Unite the Seven' long before 2020, we can safely assume the first Lantern would play a substantial role in Part 1 & Part 2, and its strongly believed to be Hal Jordan, a maverick test pilot and the first Earthman to be inducted into the Lantern Corps. WB already erased Ryan Reynolds' film from their timeline, but this way it won't render the whole thing moot, audiences can view it as a sort of 'semi-canon.' WB will eventually cast a new actor to play the DCCU's Hal Jordan, one who requires no formal introduction in the form of an origin story - they can have their cake, eat it too, and then reboot the cake 5 years from now with a grittier, more realistic frosting.

ECHO A 'PASSING OF THE TORCH' THEME: If you're going to keep one aspect of 2011's Lantern (besides keeping Mark Strong as Sinestro) -- keep that revolving door of Lanterns spinning! Don't get me wrong, Hal Jordan is the quintessential Earth Lantern, but Jordan's origin story already exists on celluloid - granted it isn't very good - but it also isn't worth repeating, so at some point the ring needs to find itself another suitor. Some other names to consider: John Stewart, an archtect and former U.S. marine from Detroit, or Kyle Rayner, a freelance graphic artist from Hollywood, Guy Gardner, a Baltimore police officer who-- (yikes! lets just ignore this one for now) or Simon Baz, an Arab-American street racer, also from Detroit. Honestly, we can narrow it down to either John Stewart or Simon Baz, the two successors with the largest fanbases are most likely to inherit the ring, and the fact that Zack Snyder intends to shoot more films in Detroit from here on out, this could save them time on location scouting.

DAN AMBOYER as ..DRONE PILOT? What do you make of this: a stage actor from Detroit joined the cast of Batman v Superman as an unnamed 'Drone Pilot' late last year, he uploaded an on-set photo of himself wearing a brown pilot's jacket, his normally blonde hair dyed a whole shade darker and stylishly quiffed into a leading man's supercut - sounds a bit like Hal Jordan to me. Of course WB won't acknowledge this as a possibility or give it any authenticity so far from a release date - BUT - if he isn't the new Hal Jordan, then that means WarnerBros. cast a classically trained actor in a minor role, which required that he dye his hair brown and lift weights every week to get into shape for all of that 'piloting a drone' business in one of the biggest movies of 2016, the international subtitle of which literally translates to "An Origin of the Justice League." Seems like an odd series of co-winkydinks, donch'a think? It's also worth noting that Hal's been demoted to lowlier ranks of piloting before, for all kinds of reckless aerial maneuvers.

Dan Amboyer is known for playing the Duke of Cambridge in a TV movie, he did voicework in Grand Theft Auto V, and appeared on an episode of Inside Amy Schumer. Based on the few credits to his name, does this actor have what it takes to singlehandedly revitalize interest in the character and star in its 2020 solo outing? Now that's a bit of a stretch - BUT - does he have what it takes to be an ensemble player and join the big leagues as the re-cast addition of a familiar green character (a la Mark Ruffalo?) now that I believe! The solo Lantern film set the bar so low that any range of actor could replace Reynolds in the mantle, even a world class thespian, so it makes plenty of sense that Snyder would begin his search for 'Hal Jordan 2.0' in the local talent of Detroit's theatre company - similar to what they'd done by casting a complete unknown as Cyborg.

HAL JORDAN as the JLA LANTERN: This should have been obvious right from the get-go, they can't introduce John Stewart first because people unfamiliar with the lore (Michelle Rodriguez) would accuse Hollywood of racebending, and as interesting as this might sound, you can't start off with an Alan Scott, or even an Abin Sur as a substitute Martian Manhunter - no, in order to herald in the GLC as soon as Justice League Part One you gotta give people the proverbial archetype, in a way that honours the attempt to build a cinematic world around the character in 2011, by bringing Hal back into the fold just as things start to get interesting again. Hal Jordan tends to shine the brightest when he's among the League, he has some of the best banter dynamics with Flash, or Wonder Woman (Shallow Hal wants a Gal) and he especially doesn't put up with Batman's crap. As someone who's been to the dark side and back, Hal's cinematic potential is literally unending as his comic arcs have taken him from a presumptious ladykiller to a grief-stricken Lantern killer, then back to martyrdom again, and granted, compared to a Kyle Rayner his solid light constructs were never the most imaginative sort, but the simplest 3D objects are often the most stable. Hal's humanness can be the character's biggest selling point - Green Lanterns aren't invulnerable - if he breaks his arm his best bet is to encase the broken limb in a green light cast. And because he doesn't tend to think outside the box too well under pressure, he'd turn the cast into a giant buzzsaw as an homage to Ash vs. Evil Dead. That being said, I do feel as if most of Jordan's heroic qualities can be explored in full within the 4-5 hour runtime of Zack Snyder's epic two-parter, so when it comes time to pass the baton...

SIMON BAZ as the 2020 LANTERN: Sorry John Stewart fans, but knowing that Geoff Johns is mapping out the DCCU alongside Snyder and Goyer, and knowing the latter isn't a stickler for comic book minutia, the decision to adapt the origin story of DC's most recent Emerald Knight would essentially boil down to every other Lantern being obsolete. The characterisations of Stewart, Gardner, and Rayner were patterned after the cultural norms of the 70s, 80s, and 90s respectively, but Simon Baz is a product of the early 2010s, so it only makes sense that Geoff Johns' premiere Islamic antihero should usher in the next decade of DC's cinematic world, and by 2020 there'll no doubt be another Lantern there to replace him in the comic book world. While there's room to incorporate other Earth Lanterns in supportive roles, what sets Baz apart as a protagonist is that he's an extremely flawed type of character, an Arab lawbreaker who actively disobeys State, Federal, and Sharia Law all at once. Simon never ceased to disappoint his devout Muslim family, both by turning to a life of crime and by getting a forearm tattoo that reads "courage" in Arabic, which is religiously forbidden according to most orthodox Muslim scholars. Some of the speculation emerging from Comic Con seems to indicate a 'buddy cops in space' dynamic between John Stewart and Guy Gardner, my thoughts on that? It's not easy to picture an odd couple like that leading an entire film, but their storylines can intertwine with another Lanterns' journey in an episodic 'vignette' sort of deal, John and Guy could definitely fit the cinematic trope of a detective duo surrounding the events of an uninitiated central character being labeled a fugitive.

(YOU KNOW I'M) ALL ABOUT THAT BAZ: Dearborn, Michigan is known as the capital of Arab America, home to the largest and oldest Muslim communities in the US, the headquarters of Ford Motors, and an out-of-work automotive engineer who steals cars to help assist with his family's finances. Simon’s affection for high-performance vehicles led him to participate in Detroit's illegal street racing circuit, that much like the Fast & Furious franchise, quickly spun out into a series of dangerous heist missions. One night, after stealing a weapons dealers' van, Baz discovered there were explosives planted in the back of it by the arms traffickers themselves, set to go off at any second, and in a moment of desperation he steered the van into an abandoned car factory, knowing the unoccupied space would put no one in harm's way. The resulting explosion in his former place of employment was seen as an act of vengeful terror by the authorities, mostly due to

his ethnic and religious background, he was arrested and persecuted for domestic terrorism. After several days of pleading his innocence, the federal agents detaining him decided to amplify their interrogation methods. Simon gets black bagged, guided into a new room, and bonded to a table for even stricter interrogation tactics - but he gets loose, fights off wave after wave of FBI agents until one of them pulls out a firearm, and while fearlessly staring down the barrel of the gun, the Power Ring of Hal Jordan crashes through the building and places itself upon Simon’s finger. Disoriented by the green orb encircling him, Simon is whisked away to Planet Oa - until an anti-aircraft missile shoots him down and he falls back to Earth. Now that sounds like a movie! His whole backstory plays like an awesome trailer.

WHO SHOULD DIRECT GREEN LANTERN? Kevin Smith was the first filmmaker WB approached in the late 90s, but he turned it down because he felt unworthy. Robert Smigel (Triumph, the Insult Comic Dog puppeteer) wrote an 'action comedy' Green Lantern script starring Jack Black of all people, but when the internet said "Do not want." the studio echoed. Red Tails' Corey Reynolds proposed to write and star in a John Stewart trilogy called Green Lantern: Birth of a Hero, the studio really really liked what he was going for, but later abandoned the pitch in 2007 to give the team of comic writers behind CW's The Flash free reign over a Hal Jordan origin story starring another Reynolds (and we all know how that went. *pained expression*) However, the most recent rumor patrols have scooped up the singlemost intriguing directorial candidate one could ask for - I mean could you imagine Darren Aranofsky's Green Lantern? The acclaimed film surrealist behind cult hits like Requiem For A Dream, The Wrestler, and Black Swan who's remarkably turned down two of the biggest superhero gigs ever offered to someone - who else can say they're famous for not directing Batman Begins or Man of Steel? His heavy use of Biblical symbolism in The Fountain and Noah alone make him a shoe-in for shaping Simon Baz into an authentic Muslim character, someone who can recite stories from The Qur'an to his fellow Lanterns, and them being aliens they'd take his parables completely literally, so the audience can learn some cool stuff about Islamic mysticism while its translated onto the screen visually.

THE TITANS AMONG US - CYBORG: an upward bound high school athlete, always at odds with his scientist parents, who nearly had his promising football career cut short when a tragic accident cost him an arm and a leg. Thankfully, the good people at S.T.A.R. Labs, in partnership with LexCorp, secured his future with the NCAA by replacing his amputated limbs with cybernetic parts, allowing him to return to the field with his reprinted no.17 jersey which now read Vic "The Cyborg" Stone, referring to his new nickname. Through a loophole in the rulebook, Stone played for three seasons as an unstoppable powerhouse, his machine parts provided a boost in strength, speed, and endurance, but that same technology would also doom his chances as a professional athlete. The Daily Planet's Lois Lane brought attention to his story in an uplifting exposé on how the attack on Metropolis hasn't affected his athletic aspirations, ironically this media exposure lead to the creation of a new ammendment that barred him from competing and cost him his entire sports scholarship. The bionic brooder soon turned to crimefighting on the streets of Los Estrelles (Star City) to vent his teenage frustrations, with nothing more than a few overpowered prosthetics and reinforced football pads, he suffered even graver injuries as a vigilante, except this time over half his body parts were replaced with machinery and automated life support systems, turning Vic Stone into the Cyborg he is today.

THE MAN OF BOO-YAH! Don't take that character bio too literally since I made up most of it, but Cyborg's near-fatal accident and the 'destruction of Metropolis' event are almost certain to be linked somehow, anyone following the rumor mill closely enough would've guessed at that by now, and what better way to transplant his comics' origin into a post-Man of Steel world than to use the 2013 alien inquisition as a Justice League-domino effect? Cyborg's comics' origin story isn't all that compelling for what it is, but spread out across two or more movies they could actually lend the tale of Victory Vic some of that big screen gravitas, portraying him like a tragic hero of Shakespeare's tragedies - something stage actor Ray Fisher knows all too well about. In every version of Cy's origin story he ends up getting dismembered by aliens, so for the DCCU this could mean the events of Man of Steel sidelined his football career temporarily, and during the events of Batman v Superman he gets completely immobilized by a 2nd alien onslaught. You know they say lightning doesn't strike the same man twice, unless you're a storm chaser with a metal rod, well Victor is that guy who chases storms, someone who becomes a crimefighter out of his own volition not only fits the hero archetype better than an innocent bystander, but he's easier to empathize with. So if Cyborg's metamorphosis were to happen incrementally, it'd be less like the RoboCop remake and more like the double-amputated Darth Vader, they can characterise him as the sort of guy who gets featured on the 'Wheaties' cereal box, a handicapable athlete kids can look up to and a driven competitor adults can identify with. The real moment of catharsis that sets him on a path to heroism could be when he takes up the gauntlet with Doomsday, and then it isn't until Justice League that he gets suited up with WayneTech upgrades.

REMEMBER THE TITANS: Cyborg's 2020 movie could be a transcendent masterpiece about an inner city kid learning to cope with his disfigurement - OR - it could just be a backdoor pilot to Teen Titans movies. In all honesty I can say that I'd much prefer the latter, it seems that for every big name property being adapted into DC's multiverse of television worlds, there might already be a big-screen counterpart headed straight for DCCU glory. TNT's Titans is approaching the material from a 'supernatural police drama' angle with live-action iterations of Dick Grayson (Nightwing) Barbara Gordon (Oracle) Rachel Roth (Raven) and Koriond'r (Starfire). Since the DCCU is moving forward without a traditional Robin to become the Titans' leader figure, this means a Cyborg-lead team would take on its own identity, and introduce some of the other characters of Titans' lore who didn't appear until much later on; I'm thinking characters like Eddie Bloomberg (Kid Devil) M'ggan M'orzz (Miss Martian) and Jaime Reyes (Blue Beetle). And granted that there isn't enough cash in TNT's budget to digitally render a bunch of green 'Animorphs' animations, there might even be an opening here for Gar Logan (Beast Boy) wherein WB can capitalize on his munchies & video games-fueled bromance with Cyborg, as made popular by the hit animated program Teen Titans Go!, or as Cartoon Network calls it: "You're welcome, stoners." Again, this is mostly speculation and wishful thinking, for all we know that April 3, 2020 slot could simply be a placeholder for a new Superman or Batman film, Ray Fisher is supposedly a really talented stage actor, he played Muhammad Ali so no one can doubt his capabilities in portraying a superhuman athlete, but I think the best case scenario is that he could someday lead his own silver screen Titans.

LAST SON OF KRYPTON - SUPERMAN: An extraordinarily powerful being, potentially one of the strongest beings in the known universe due to our Sun's radiation having a dramatic effect on his alien physiology, Kal-El is the last surviving member of an interstellar race from the distant planet of Krypton. His biological father was a military scientist who foresaw Krypton's imminent destruction, and in an effort to preserve their kind, Jor-El and his wife Lara placed their newborn child in a small, self-programmed starcraft and set the coordinates to 'Earth' where an ancient scoutship had previously settled in the polar icecaps. Krypton's core colapsed just as Jor-El had predicted, but their son's pod crashlanded safely in the rural town of Smallville, Kansas in the 1980's. Kal-El was adopted by the loving Kent family and raised in America's heartland as Clark Kent, using his immense solar-fueled powers, he became Superman to defend mankind against all manner of threats while championing truth, justice and the American way!

THE FORTRESS OF SOLITUDE: a secret citadel hidden deep in the polar wastes, the last stronghold of Justice was forged in an isolated region of the Arctic, as it houses an immense compound carved into the interior of a mountain range. Over the years, Superman has used the fortress as a repository for various powerful artifacts discovered in his adventures, keeping them in the fortress as a means of containing them or keeping them safe from greedy hands. He's also stockpiled the various hi-tech weapons dismantled from his homeworld's dyad scoutcraft, and although he never resorts to using weaponry himself, he often studies their technology in the hopes of finding something of societal value. The sweeping crystalline architecture jutting out over the scoutcraft in a criss-crossed pattern had to be grown from a single, semi-conductive polycrystalline bar of a substance unique to his homeplanet, as seen in Superman: The Movie and Returns.

THE ALIEN SCOUTSHIP: an anomalous object recovered from Ellesmere Island, this scoutship was meant to stand-in for Superman's Fortress of Solitude. A lot of viewers thought this plot device was pulled into the singularity that destroyed Zod's ship Black Zero, but it's clearly visible behind the General during his final monologue, and in all likelihood the damaged vessel fell back into possession of the one person capable of piloting it. Did I mention the scoutcraft is self-repairing and filled to the brim with ancient-yet-advanced Kryptonian tech, including: Stasis, (suspended animation) Robotics, (service droids) Artificial Intelligence, Genetic engineering, (the Genesis Chamber) Holography, (metallic liquid interface) and Plasma cannons. The Man of Tomorrow's arsenal is far more advanced than Batman's batcave, but if they were to put their rivalry aside and combine their armaments they'd be an unstoppable force for good, imagine the scoutcraft becoming an orbital or lunar Fortress of Solitude, or a new foundation for the JLA Watchtower! A big thank you to ManOfSteelAnswers' channel on Youtube for all the scoutship info.

THE JUSTICE LEAGUE MOVIE VILLAINS: DC's all-star players often united to face supervillains who pose catastrophic threats to humankind, these enemies could range from Earthbound evildoers such as Lex Luthor or the Joker, to intergalactic marauders like Mongul, Imperiex, Brainiac, heck even Starro. With so many options to choose from and so little time to choose, could Marvel Studios' approach to 'getting the gang back together' lead by example? The Avengers made everything simple with the Chitauri invasion, a strength-by-numbers alien effort being lead into glorious battle against the meager might of Earth. Chitauri are a caste society consisting of grey-skinned warriors with bio-mechanical physiologies, Tesseract rifles and hovercrafts, Necrocrafts and living airborne carriers called Leviathans, all acting in unison to overwhelm even the toughest heroes. A similar scenario united the team owned by Marvel's lifelong competitors in Justice League: WAR, an animated version of Geoff Johns' Justice League: Origin, which is the story that kicked off DC comics' big relaunch in 2011. The film depicted an alien invasion of Earth and the subsequent formation of the titular super hero team to counteract the forces of Darkseid (a towering tyrant of similar stature to Thanos or Apocalypse) who decides to wage interplanetary warfare by sending in his personal shock troops: the Parademons. The history of these winged warriors can be traced as far back as a Super Friends episode, to as recently as The Flashpoint Paradox, but if I were to explain exactly what Parademons are, you'd realize they're too identical in nature to the Chitauri, so let's go ahead and evaluate every possible opponent before concluding there's only one way to properly execute a team-up movie.

DOOMSDAY - THE DEATH OF SUPERMAN: Heralded by red skies over Metropolis, the arrival of Doomsday on Earth is met with panic and the abandonment of all hope as this apocalyptic beast lays waste to our metahuman resistance, all culminating in an event where he actually kills Superman. Born at the start of Krypton's last historical epoch, Doomsday is what became of a centuries-long genetics' engineering enterprise gone awry, the clone of a clone of a clone of clone was programmed to evolve past the last thing that killed him, every time the subject died it would automatically respawn in the harshest of radioactive wastelands on Krypton. This lengthy process of environmental acclimation had infused his DNA with an innate hatred for all living things, but the final clone withstood this abusive treatment and matured into an unimaginably powerful monstrosity with regenerative abilities, grey skin and serrated boney protrusions. Doomsday has been heavily, heavily rumored to show up in the 3rd act of Batman v Superman as a 'common enemy' deterrent to unite DC's Trinity, a theory championed by both Badass Digest and Heroic Hollywood suggested that LexCorp would use General Zod's remains (and the shattered Genesis Chamber) as a shortcut to generating new Doomsdays. This would essentially make him an extension of Michael Shannon's Zod stuck in the mindset of his final moments - a rampaging, merciless, murdering monster, bred to be the ultimate killing machine, seemingly unstoppable in carrying out his archaic ideals. This rumour first struck me as a meta-commentary on the redundancy of city-leveling punchfests between invincible participants, but perhaps seeing a reanimated relic of prehistoric Krypton would give Clark that extra push in the right direction, it could be a cataclysm for characters like Cyborg and Flash to come out of the woodwork as well, or this could be another one of those 'fakeout' rumours. We'll see.

DARKSEID - THE FOURTH WORLD: Jack Kirby's other galactic tyrant, a megalomaniac and warmonger whose goal was to eliminate all free will from the universe and reshape it into his own image. To this end, he sought to unravel the mysterious Anti-Life Equation, which gives its user complete control over the thoughts and emotions of all living beings. Jack Kirby's Fourth World realm is populated by New Gods, natives of the twin planets of New Genesis and Apokolips, one being an idyllic planet filled with unspoiled forests, mountains, and rivers ruled by the benevolent Highfather, the other being a nightmarish, ruined dystopia filled with machinery and fire pits ruled by the tyrannical Darkseid. This stonefaced Apokoliptian monarch and his stronghold of evil might require a grander introduction to the world & lore of 'New Gods' then what Snyder and his team can afford him, and besides, wouldn't you be ten times more psyched if WB announced a film slated for a 2021 release called New Gods: The Fourth World? I'm not alone in thinking this vast & sprawling, Star Wars-inspiring (that's right, George Lucas subliminally borrowed some of its elements) Fourth World saga really deserves it's own VIP section of this shared universe, it should be DC's equivelent of the Guardians of the Galaxy movie series, a cinematic island sectioned off from tales on Earth.

- HERE'S WHO I THINK THE JUSTICE LEAGUE VILLAINS SHOULD BE -

JUSTICE LEAGUE PART ONE - SUICIDE SQUAD: Last February David Ayer tweeted out a photo of comic books stacked on his desk, at the top of his deck was SS #13: Justice League vs. Suicide Squad - the slightest suggestion of such an event happening in the cinemas sent shockwaves throughout our collectively blown minds! So how about instead of an alien army or a singular 'Big Bad' threatening the entire world, what if The Joker, Harley, Deadshot and the rest of Suicide Squad returns to the big screen as soon as 2017, except not as a G.I. black ops team, but as the antagonists of the Justice League? When taken at face value, DC's upcoming slate doesn't have any other available slots for a Squad sequel, although there's supposed to be a Batman film somewhere down the line, even that won't come around until 2021 at the latest. So this theory hinges on how open-ended Squad's cliffhanger is, and if Task Force X ultimately escapes from government custody under command of Joker and Harley, then what are the odds they'll be wreaking havoc on the streets of Gotham City to coincide with the formation of the Justice League? I'd say it's entirely possible, as all other alternatives point towards an invading alien army uniting the heroes as they effortlessly tear through thousands of faceless, emotionless drones. You know, that was still a cutting-edge concept when Avengers Assemble did it that first time, but the novelty factor wears off quickly when a rival company attempts the same song & dance in an effort to adapt the New-52 JLA origin. In case you haven't read it, here's what happens in Geoff Johns' Justice League #1, [SPOILERS!] a mysterious alien box is tinkered with when suddenly it activates causing hordes of homogeneous alien invaders to arrive in droves, the heroes join forces, save the day, and the public becomes enamored with them - sound incredibly familiar? How so? Yes, it's painfully obvious that WarnerBros. needs to try something a little different than the Disney/Marvel branding if they're looking to succeed on the 'originality' front, so a 'battle royale' featuring all of their best characters just seems like the smartest direction to go in.

ONE COLD NIGHT IN GOTHAM CITY: Batman's neck of the woods would make the perfect backdrop for an all-star DC action ensemble, and sure the Suicide Squad are more of a street-level threat than the devastating alien invaders showcased in Avengers, but that doesn't mean these guys lack the 'devastation factor' to carry out an event-film of this size. As a unit they're too much for the Bat to handle alone, so when the ultimate loner has to recruit a team of unimaginably powerful individuals to save Gotham from its own villains, you know the stakes are high enough! A simpler plot centered around Joker's hostile takeover of Gotham is counterweighted by the truly massive amount of characters they have to work with, sure they'd need to reduce some of David Ayer's finetuned and developed characters into glorified henchmen, but if that means the roster could expand beyond his original 9 members then it's totally worth it. The one thing you'll notice watching any Zack Snyder film is that nearly all of them contain themes of 'men fighting gods' so this movie would feel like the ultimate culmination of his body of work, and after having gotten to know both sides equally well under two of the biggest names in action movies, it would reach Civil War-levels of pathos to the point where you're almost rooting for Ayer's men to defeat Snyder's gods. The Joker alone is such a magnetic presence up on the big screen, that everytime he blows up a building it's a crowd-pleasing moment, then it feels that much more satisfying when Superman swoops in and minimizes casualties like he's supposed to do. Maybe you weren't on board with a heavily tattoo'd Arkham-incarcerated Clown Prince, but I think that while one specific look may fit the 'Ayer aesthetic' like a glove, the visionary director behind Watchmen might have a more classical approach in mind for Jared Leto's character. Then again, Snyder might spur the costume designs in an even zanier - dare I say it - George Miller-esque direction, and push their bad guy motifs as far as they can go - Joker gas and Scarecrow toxins flood Gotham's main street, Christmas ornaments are rigged with nitroglycerin, steroid-fed packs of hyenas with foaming red chops and green mohawks roam the streets at night, DC's power couple plunges the world into anarchy while the Super Friends protect the innocent.

A 'VERSUS MOVIE' IN THE BROADEST SENSE: There's a reason this is a far more thematically interesting story outline than seeing the strongest people on the planet effortlessly tear through hordes of nameless alien grunts, I mean it made sense for The Avengers to do so, Iron Man even gave a rousing speech to explain why they're called that. But in order for the namesake of a team who call themselves The Justice League of America to make sense in a realistic setting, it needs to be purposeful and not at all tacky, so the theme of 'bringing justice to the world of criminals' just seemed to make the most sense as a means of introducing them to the world. After Dawn of Justice will have effectively put a man and a god on the same playing field, how else does WB intend to move forward and 'up the ante' in a world where the mortal and the divine aren't so far apart? While Belle Reve's inmates aren't a true-to-form Injustice League, you'd be surprised to find that for every hero the League has, the Squad has the perfect complementary baddie to match their strengths. So you'd see battles like Wonder Woman vs. Katana! - Katana's SoulTaker sword could easily clash against Diana's antique Mycenean war blade. Aquaman vs. King Shark! - Nanaue isn't just a humanoid hammerhead, he's a literal beast and one of Arthur Curry's most savage foes. The Flash vs. Captain Boomerang! - This recurring enemy of The Flash is also his perfect foil: Harkness can acquire limited amounts of Speed Force by slamming Velocity-9 energy drinks. Cyborg vs. Deadshot! - Floyd Lawton doesn't have a real cybernetic eye implant or robot parts, but these two share a similar form of reckless abandon. Green Lantern vs. El Diablo! - a pyrokinetic outlaw versus a space cop, need I say more?

WHICH TEAM HAS THE ADVANTAGE? Now would all of those fights be squarely matched? Certainly not all of them, but instead of thinking in terms of 'who would win?' the 1v1 battles, consider all the environmental factors that'd give the 'Super Seven' a run for their money when trifling with these wicked mortals. First of all, most of the Leaguers are completely out of their element in Gotham, in a place where Batman's brawler tactics feel right at home, Aquaman is a literal fish out of water, Wonder Woman is prone to future shock, Superman isn't overly fond of the place where he got his ass kicked, Flash and Cyborg are both novice crimefighters, etc. Second point to consider: Task Force X is a much more pragmatic team than the proto JLA, because they'll have already spent an entire movie learning how to work together and cooperate as a team, meanwhile the would-be Justice League will have just spent an entire movie breaking up a fight between Bats and Supes, it'd be the League's first day on the job but the sixth or seventh high-risk field mission for Squadees. Third point to consider? Clark, Diana and Arthur might be outliers on the power gauge, but TFX has a few of those, too: DC's Enchantress could singlehandedly turn the tides of each battle, Deadshot can scope them out from afar with a Kryptonite bullet in his chamber, their code of ethics is so diametrically opposed to the Justice Society that the odds would almost always sway in their favor. Inversely, Henry Cavill's 3rd Superman performance should harken back to the bright, blue optimist your parents grew up with - after all his character is a pacifist who waited until his 30s to throw his first punch - Clark was brought up with the philosophy that restraint is the most impressive display of power, so he'll definitely keep that in mind when going up against a team of assassins, killers, and maniacs. No prison on earth could've held Zod, but each of these extraordinary mortals has a cellblock with their name on it (literally) so he'd be more concerned with saving the people Joker puts in harms way than throwing a few punches and ending the battle in seconds. The bottom line is: we already know just how powerful the Justice League can be, so by starting out small and throwing some moral obstacles in their way, it would just go to show that restraint is a far more impressive feat to witness than the strongest people on Earth ripping apart the alien legions that are at their doorstep. Save that bit for Part Two...

JUSTICE LEAGUE PART TWO - BRAINIAC: One of Superman's gravest threats, the alien genius Brainiac has faced the League on several occasions, on Earth he's feared for his 12th-level intelligence and extreme Machiavellian ethics, but as a citizen of the Planet Colu he was known as Vril Dox. Coluans were pioneers of interstellar travel and have exceptionally long lifespans lasting for centuries, due in part to their advancements in genetic manipulation. Its populace hungered for knowledge as they engineered cures for most diseases and medical afflictions, and the coalescence of organics and technology became commonplace, on our planet this is called trans-humanism. The Coluan race sought to leave their organic bodies to reside in immortal cybernetic forms, nanotech robotics would replace their planetary security forces, and so a combination of immortality and non-existent crime rates caused an overpopulation crisis - their solution?

Miniaturisation, the ruling class took control of Colu's infrastructure and shrunk down their greatest cities, but this caused a schism between rural folk and urban residents as Colu's global intelligence stagnated over a period of a thousand years. Corresponding with the dawn of Man, a brilliant, but fully biological Coluan scientist named Vril began cloning himself to create a hive-minded, genetically-singular community consisting only of himself so that his supreme intelligence would never die out. He acquired a spaceship and went on a journey throughout deep space, obtaining knowledge and using a nanotechnological cyber-cloud to capture living organisms of various alien species. It was through this solitary campaign that he became known as the Collector of Worlds, an archivist of destroyed planets, some of which he himself had a personal hand in destroying.

WHY IS BRAINIAC SO AWESOME? Of all the 'Big Bads' you could throw at DC's greatest champions, audiences would never confuse this brainy maniac with another franchise's brand recognition - unlike Darkseid (Star Wars) or Doomsday (Fantastic Four) - but something about the name BRAINIAC still carries the same kind of weight and menace, like someone who could send Adrian Veidt back to kindergarden. From a filmmaker standpoint, translating the most intelligent lifeform in existence onto the big screen might be an arduous task to say the least, but I can only imagine them capturing the most compelling & believable performance out of whichever actor dons the green skin paint and pink cranial diodes, because this character can be brought to life practically with limited CG interference on the armor design. For years, decades in fact, Warner Bros has tried to do something cinematic with this character only to pull the plug on each operation, a rejected cosmic treatment for Superman III had Brainiac in it, as did Greg Poirier's Superman Reborn script, Kevin Smith's Superman Lives script, and Bryan Singer's cancelled Superman Returns sequel. So why wait until Man of Steel 2? Just DO IT!

You know that city where Jor-El was riding around on a dragonfly - that was Kandor, the capital city of Krypton, and in the comics Brainiac has that city inside a bottle on his dashboard! Well, you all saw the movie, and Kandor was clearly decimated by lava and didn't appear to be shrinking, BUT there was a shattered moon visible in the background - could that have been Brainiac's doing? He may have bottled a lunar colony for all we know, Brainiac could be the explanation for why all their old outposts whithered and died. He also has a cybernetic swarm called EXOBYTES, which are microscopic nanomachines undetectable by the Human eye, these flea-sized nanites were introduced in the MMORPG DC Universe Online to record and duplicate Earth's metagenes, then to be dispersed into the air in the thousands allowing an entire planetary populace to gain superpowers. Brainiac, like he's always done, forged an alliance with Lex Luthor and intended to use the pirated data to create an army of metahumans under his control, facilitating his conquest of Earth. Now, is this a likely scenario for the DCCU? Hell no, but if Lex Luthor isn't an antagonist in Part Uno, then he could at least be a behind-the-scenes string-puller in Part Dos, and being the power mad megalomaniac that he is, Lex can only entrust an alien with a similar psychological complex to his.

INTERPLANETARY ZOO: Brainiac's 'Skull Ship' is sort of like Noah's Ark for the most dangerous and exotic alien predators in existence that he's collected from all throughout the galaxy; the Metal Boar, the Black Mercy, the Duplorian Hawk, the Thought-Beast. And yes, Vril Dox intends to unleash those upon the world as well, so just picture something like those epic arena scenes from Attack of the Clones or John Carter of Mars but on a larger, worldwide scale, so you got your praying mantis-lookin' thing, your 3-horned Mongwersts, your 4-armed white martian apes, except they're all Kaiju-sized and then you got your eight or nine Justice League characters ready to fight them off one by one! Things can get really weird on the sci-fi front as soon as you introduce multiple alien species, Man of Steel kept it simple with English-speaking humanoids and two Avatar-inspired air & land fauna, so by waiting until 2019 to introduce new extraterrestrials, they can transition more easily into the Green Lantern's world of weirdness the following year. Expanding the JLA's roster beyond the original 'Super Seven' seems like the right thing to do at this point, and there's plenty of room to migrate into Black Adam/Shazam territory, as well as more Green Lanterns, the Thanagarian Wingmen, and "the swiss army knife of superheroes" himself - Martian Manhunter - suck it, Goyer!

THANKS FOR READING! Or skimming, or looking at the pictures, or whatever it was that lead you to this point in the article. But hey, did you know the guy who wrote this has also been working on a feature-length screenplay called Fantastic Four in the Negative Zone? The inspiration behind writing, casting, and storyboarding an alternative Fantastic Four movie was partially based on hearing AMC Movie Talk's Jon Schnepp mention that Annihilus might be the primary villain in a reboot instead of Doom, and this was said as far back as January of 2014, so that's exactly how long I've been ecking out a science-fantasy creature feature version of Marvel's first family. While 20th Century Fox's Fant4stic frames its characters as the first explorers to crack interdimensional travel, in my story the Negative Zone was colonized about 10 years ago, and since then an indigenous race of man-sized insects (the Annihilation Wave) have posed an insurmountable obstacle to those of us looking to establish a transdimensional superhighway between Earth's cities. Star Trek's Anton Yelchin is Reed, UFC legend Forrest Griffin is Ben, aussie Callan McAuliffe is Johnny, musician/actress Taylor Momsen is Sue, Jack Huston is Doom, and Aragorn himself Viggo Mortensen is Dr. Storm. The actors I've chosen are equal parts Ultimates and 616-inspired, the plot is highly elaborate but easy to follow, the tone is closer to a Marvel Studios effort but it mantains a self-contained universe. Sorry to have to plug-in my fan fiction at the end of a very long DC article, but I wanted you guys to know what I'm gonna upload next, so until then check out some of my other articles, and as always, stay classy CBM!

TUCKS™ INDEX

CBM Articles	CBM Tunes
Schnepp Says 'Annihilus' A Guide To Sony's Sinister Six John Byrne On The New F4 A Guide To X-Men Apocalypse	Age of Ultron Suicide Squad Justice League

MCU Concept Artist Adi Granov Calls Out DC And Francesco Mattina For AI-Generated SUPERMAN Comic Cover

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111 Comments

1 2 3

Pasto - 6/30/2015, 1:03 PM

Dear god man....

Pasto - 6/30/2015, 1:13 PM

"Of course WB won't acknowledge this as a possibility or give it any authenticity so far from a release date - BUT - if he isn't the new Hal Jordan, then that means WarnerBros. cast a classically trained actor in a minor role, which required that he dye his hair brown and lift weights every week to get into shape for all of that 'piloting a drone' business in one of the biggest movies of 2016, the international subtitle of which literally translates to "An Origin of the Justice League." Seems like an odd series of co-winkydinks, donch'a think?"

CapedBaldy - 6/30/2015, 1:18 PM

Holy Grodd!!!Nice write up dude.

Wannabe - 6/30/2015, 1:22 PM

Chris Pine isn't Hal Jordan? T_T

Pasto - 6/30/2015, 1:24 PM

Gusto means you had potential with making a great article, but instead [frick]ed it up royally.

Pasto - 6/30/2015, 1:27 PM

Much like his comment.

blackandyellow - 6/30/2015, 1:29 PM

Thumbed but not read.

This looks like it took a lot of work. Well done.

blackandyellow - 6/30/2015, 1:34 PM

You made a mistake. It's referred to as the "Momoa Cinematic Universe" or "MCU" for short.

Pasto - 6/30/2015, 1:39 PM

@Gusto
I've been across an ocean of stars.

McGee - 6/30/2015, 1:39 PM

Jesus!!! You wrote all this!!!?!?? This is significantly longer than my Flash review!

...Thumbed!!!

MrJillyMcBeam - 6/30/2015, 1:43 PM

Still reading this, but holy shit man. Some goof stuff.

TronVin - 6/30/2015, 1:44 PM

Its a Tucks editorial!

TheRockmore - 6/30/2015, 1:46 PM

"UPDATE: it's Barry Allen"

Just a quick heads up Phil Lord didn't seem to sure either so I won't (nor will others) be calling it confirmation until the WB confirms it..he said "I think we may be doing the Barry Allen story"

Pasto - 6/30/2015, 1:46 PM

@Gusto
No I got a job.

blackandyellow - 6/30/2015, 1:46 PM

LMAO Gus.

MrBlackJack - 6/30/2015, 1:48 PM

Tucks: Master of HTML Porn

McGee - 6/30/2015, 1:48 PM

Pasto...did your mom catch you "massaging" yourself to hentai?

McGee - 6/30/2015, 1:50 PM

It's okay man. You can tell us. It's why MrBlackjack isn't here as often.

blackandyellow - 6/30/2015, 1:50 PM

Speaking of HTML porn, Gus did you ever see the messages from yesterday?

TucksFrom2015 - 6/30/2015, 1:50 PM

@Gusto I've been writing, and working my ass off! And gosh you guys these comments are so flattering, this is what you're doing to my ego right now:

"I'm so [frick]ing badass. My technical skills are unparalleled in the industry."

Pasto - 6/30/2015, 1:51 PM

@KingPatel
This article legitimately deserves to be on the main-page.

Pasto - 6/30/2015, 1:55 PM

@DCMarvelFreshman
You seriously need to put this article on the main-page.

WYLEEJAY - 6/30/2015, 1:59 PM

Lol. Nice write up! I have to be honest though, before I clicked the article I couldn't help but think the guide to the DCCC would be written as this...

Man of Steel

See, much shorter...

Desr0w - 6/30/2015, 2:00 PM

This is real guys??

McGee - 6/30/2015, 2:01 PM

B...Gusto is currently doing this right now to a Bud Light bottle.

McGee - 6/30/2015, 2:02 PM

.....

*makes out with Desr0w*

blackandyellow - 6/30/2015, 2:02 PM

@Desr0w

It's fake.

MrJillyMcBeam - 6/30/2015, 2:03 PM

Jason isn't willing to spill any plot details or circumvent studio announcements by a few months just to pique our interest, (no, that's Eh Maybe's job)

blackandyellow - 6/30/2015, 2:03 PM

Fake as balls.

http://www.batman-on-film.com/Batman-Rebooted_call-sheet-debunked_6-30-15.html

Emblemmaniac - 6/30/2015, 2:03 PM

Damm, kudos for all the work. Great job @Tucks

WYLEEJAY - 6/30/2015, 2:04 PM

And the real reason @Pasto was gone, is cause he hurt himself and was embarrassed.

Told you too much masterbation could be harmful.....

slickrickdesigns - 6/30/2015, 2:05 PM

hers the short version of the DCU…

1. Man of Steel (2013)

and Im done, I'm going on break..

McGee - 6/30/2015, 2:05 PM

*pushes Desr0w off him and slaps his face*

WYLEEJAY - 6/30/2015, 2:05 PM

Jeebus....this article crashed my damn phone...

1 2 3

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