INVISIBLE MEN: THE TRAILBLAZING BLACK ARTISTS OF COMIC BOOKS Interview With Comics Historian Ken Quattro

INVISIBLE MEN: THE TRAILBLAZING BLACK ARTISTS OF COMIC BOOKS Interview With Comics Historian Ken Quattro

IDW Publishing recently released Invisible Men: The Trailblazing Black Artists of Comic Books during Black History Month, and they set us up with an exclusive interview with comics historian Ken Quattro!

By LiteraryJoe - Mar 02, 2021 11:03 AM EST
Filed Under: Comics

Comics Historian Ken Quattro has been researching for fifteen years to create his new book, Invisible Men: The Trailblazing Black Artists of Comic Books. The collection features eighteen prominent black comic book creators from the earliest era of the medium.

Quattro interviewed many golden-age comic creators as part of his fifteen-year research in preparation of the book, and has now finally released it with IDW Publishing. The project joins hundreds of other written works by the comics historian, who also consults on superhero films.

When chatting exclusively with Quattro, we learned why black artists were more prominent in the '40s than people realize, and why many of the era's white creators were unaware. Surprisingly, it has a lot to do with World War II!

"It fulfills that first-generation of a lap time with book artists, and it was a unique situation because they benefited in some ways from World War II, just like a lot of women did with Rosie the Riveter and stuff like that. When the men went to war in the early years of WWII, blacks were being drafted by local draft boards, which even though they were eligible to be drafted, white draft boards would generally skip over blacks because they didn't know if they would be loyal enough to serve in the military.

So until about 1943 or 44, blacks really weren't even being drafted. So in a sense, it opened up some opportunity for them to work in the comic industry because so many of the artists and writers were being drafted and going off to war, but it also created a situation where a lot of the white artists never even realized that black artists were working as their replacements. And so, in a sense, they were invisible to the white artists who worked during that time.

I interviewed many golden-age comic book artists, and most of them said they have never known any black artists. Other than, maybe, Matt Baker, who physically worked with the studio. But other than that, most black artists worked out of their own homes, and they would turn in work to their studios and stuff like that. So again, they physically didn't interact with their white peers."

You can hear all of this and more in the interview with Quattro below. Be sure to share your thoughts in the usual spot!

*This interview has been edited for clarity.*

Invisible Men: The Trailblazing Black Artists Of Comic Books is now available from IDW Publishing.

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The72nd
The72nd - 3/2/2021, 11:20 AM
This sounds like a really fascinating read. The idea of a comics historian is very cool, there's a lot to dig into in the history of the industry. I'm glad that this is illuminating some of those unsung creators, so much cultural history is white-washed
Spock0Clock
Spock0Clock - 3/2/2021, 11:54 AM
And we still have to suffer through racists (on this site even) who try to claim that comic books are "White Culture" or somehow the sole possession of white people... While the medium may not have been a bastion of equality, it's worth remembering that people of all stripes helped create this deeply American pop-art form, and all of us have a claim to its legacy.
dracula
dracula - 3/2/2021, 11:56 AM
On Another Topic

https://comicbook.com/tv-shows/news/superman-and-lois-renewed-season-2-the-cw/

Superman and Lois is confirmed for Season 2

Bryanferryfan
Bryanferryfan - 3/2/2021, 12:07 PM
@dracula - On another topic ? You could've posted your comment on another story... I noticed a lot of fanboys always like to deflect...when subjects like this spring up... Why did this story pop up now...Why not last week ? Anyways there are a few golden age comics written and drawn by Black folks and I've been trying to secure them for a while..kinda hard given that there were low print runs and not widely available.
dracula
dracula - 3/2/2021, 12:26 PM
@Bryanferryfan - I just posted it here because it was the newest article. Do that whenever I post something like this.
Reeds2Much
Reeds2Much - 3/2/2021, 12:20 PM
I hate reminders that most of my hobbies were really shady during the '40s. Need to find a copy next time I'm getting my pull list.
Reeds2Much
Reeds2Much - 3/2/2021, 12:22 PM
Though in immediate retrospect, I guess my hobbies tend to have shady corners in most every era.
kirbyfan
kirbyfan - 3/2/2021, 12:45 PM
As a black comic book artist myself, I have already ordered this fascinating book!
GeneralZod
GeneralZod - 3/2/2021, 2:04 PM



Bryanferryfan
Bryanferryfan - 3/2/2021, 3:01 PM
@GeneralZod - I remember Phantom Lady btw....Yeah another heroine that's hard to get...Matt Baker should be a household name right up their with Kirby, Kane and others...we have to do something to get this man and others the exposure and appreciation they deserve.
GeneralZod
GeneralZod - 3/2/2021, 4:01 PM
@Bryanferryfan - Matt Baker gets tons of appreciation from vintage comic book collectors. Any book with his art fetches big premiums. The Phantom Lady 17 I posted above/below is, far and away, the most expensive Good Girl Art (GGA) cover of the era. It's a true grail.

Had he drawn super-heroes for DC or Timely (Marvel), i think his name would have been on a Kirby-Ditko-Adams level. But he drew almost all romance comics + GGA.
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