The End? Already?

The End? Already?

Ever felt like a movie had a disappointing ending? Perhaps you wished the movie kept on going because it didn't feel complete. Maybe the final battle between the hero and villain just sucked or ended too fast. Here's why you feel this way.

Editorial Opinion
By Loki - Jul 26, 2011 09:07 PM EST
Filed Under: Fan Fic

Hello fellow CBM fans,
I haven’t written too many articles but I hope that you all will appreciate this one. I felt a need to express an issue I’ve been having with some of the comic book movies (and other action movies for that matter) that have been coming out for the last few years. Do not think I am hating any of these movies that I am about to use as “bad examples.” I enjoy these movies but I want to point out something that has, in my opinion, kept them from being something more.

What is the problem with these? The third act.

For those of you who don’t know, most movies follow a typical structure, a three act structure. It’s simple and it’s a rule you don’t want to break unless you’re making a more intellectual and experimental film. Think Scorsese or Kubrick stuff. But even they still keep the structure more or less intact.
Any given story needs three parts: a beginning, a middle, and an end. Acts one, two, and three.

Christopher Nolan’s The Prestige actually describes these three parts but in terms of a magic trick.
Listen to this and listen as if Michael Cain was talking about a movie, not a magic trick.


So here’s the translation:

Act One



The film makers introduces the audience to the world of the film. It brings the audience into the movie, allowing them to let go of their own and believe for only a couple hours that what they’re seeing is real. The audience gets to know the characters, the setting, the tone, and so on.
Iron Man for example showed Tony Stark as he used to be. Cocky, selfish, completely non-heroic.


The entirety of Batman Begins is essentially the first act of Nolan’s Batman trilogy, similar to A New Hope for the Original Star Wars trilogy.
Without a first act, people may seem lost. People need to adjust their sense of reality to match that of the film.


Without an act one, people will not care about the characters, and hence, the movie. The movie with a weak first act is little more than a light show.


Act Two


The film makers take the status quo and “ruin” it. Something causes the main character (the protagonist or hero) to leave their comfort zone. Then a series of problems occur and pile up, causing the situation to become more and more tense.

Again, Iron Man, Tony gets captured, escapes, builds the suit, and starts to hunt down his weapons, and finds out about Obadiah’s betrayel.


If the movie ended at the end of an act two, it’d be a cliffhanger essentially.
Empire Strikes back would be the second act, along with The Dark Knight. The plot reaches its darkest point, forcing the protagonist to grow. This is why second films in trilogies tend to feel darker.


Without a good second act, the film will feel like a serious of events rather than a movie. Also, if the second act is messy or not tense enough, the third act will feel disappointing or pointless. The characters have nothing really to overcome, so there’s no real excitement.


Act Three


This is the most important part of the film. The third act is from the lowest point of the film, where everything seems like it can't get any worse, to the end credits.

This is the big finale, the final rumble, the “duel of fates” where every plot point, every character, every single thing must come together to reach some sort of closure. The third act contains the climax and resolution. Whatever plots and problems presented in Act Two must be answered and wrapped up somehow. The third act must be the most intense, exciting, and satisfying part of the film, or it runs the risk of being “anti-climatic”

If Act Two outshines Act Three, the film will feel unbalanced.
Iron Man had a fitting third act, the final showdown with Obadiah. Indiana Jones and the Last Crusade had a rather extensive Third Act from the Tank scene all the way to the end.

The third act must be nailed in order to leave a lasting impression on the audience. If it’s a film with a big bad guy and good guy,(like a superhero movie with a superhero and an arch-nemesis), there usually must be a final duel between the two. It’s something that every action film builds up to and must deliver on. When you see Thor and Loki, and they finally stare each other down, you’re expecting something that’ll blow you away. All moments build to this point. If it fails, it misses the whole point of an action film.
Now this is where my issue is. No matter how good the rest of the film might be, if the third act is anti-climatic, too confusing, or too short, then the film just isn’t a true movie.

I’ve noticed this in several films. Thor had this problem. Captain America had this problem. Iron Man 2 had this problem. Even the Dark Knight suffered a bit from this. The third acts were essentially messy.

This confuses me because when you’re making an action film, the third act should be priority. Old action films did everything possible to make the finale “epic.” As terrible as the prequel Star Wars films were, this was one thing they got right every time, thus people still liked those films.

In Iron Man 2, Iron Man and War Machine team up to face the Hammeroids. Then Stark uses his laser thing and they all die…. Okay, that was short. But wait, Whiplash just showed up. You’re going down now Iron Man… and… Iron Man and War Machine shoot their hands at each other and Whiplash is down… damnit! It’s over in like three minutes.


Then in Thor, Thor finally stares down Loki and beats him in three or four moves essentially. I was thinking “Yeah! Thor has finally met his match, his own brother. Can his brute force really match Loki’s shiftiness-“ and he puts his hammer on Loki’s chest. The end. WTF. Come on. That’s just a cock tease. Don’t do that to us. Huge disappointment to what could have been a near flawless movie.


Again, in Captain America (SPOILERS), Cap and Red Skull are finally in the same room. The world is at stake! Red Skull ran out of bullets. “Alright! Duel time. Mono y mono. Cap vs Red Skull and-“ Red Skull gets sucked up to Valhalla or something… WTF? Come on! Again. What’s with Marvel and their cock tease endings? Give us a duel worth talking about.


Anyways, I know that they are all building up for the Avengers. But other films have done this too. Transformers Revenge of the Fallen had a messy and disappointing finish. Harry Potter 4 was the first time I noticed this problem. It’s been happening over and over in films now, and I simply don’t get it. Joker just kind of wails on batman like a five year old in The Dark Knight…
As good as some of these films are, they all could use a better third act essentially, or in some cases, a better second act to have that built up intensity.

Anyways, I thought I’d share that with you all.
I know, however, that the Avengers will have a terrific third act and build up because Joss does it very well. Serenity had one of the best finales I have seen in recent years. Nolan also knows how to do it pretty well. And Bane can actually face Batman physically, so expect The Dark Knight Rises to be epic.
And I don’t know about Webb to guarantee a good ending. But it has to be better than that clusterf*** ending in Spider-Man 3.

I’m sorry it’s a bit long. But I hope for those of you who care about good film will be able to understand and get something out of this.

Added:
Good examples of films with solid third acts:
A New Hope (Battle of Yavin IV)
Empire Strikes Back (Luke arrives at Bespin until the end)
The Return of the Jedi (Practically the whole movie after Yoda dies)
Indiana Jones and the Last Crusade (Desert Attack against tanks until the end)
Inception (About when they reach the Snow Level until the end)
The Rocketeer
Serenity (When they crash land on the Mr. Universe's homeworld to the end)
Count of Monte Cristo
The Mask of Zorro (the showdown at the gold mine)

and pretty much any other movie that you thought had a good ending.
About The Author:
Loki
Member Since 11/5/2010
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wadepool
wadepool - 7/26/2011, 9:33 PM
very nice article man very thought out I completely agree

hey guys and BTW check out my new fan poster at http://comicbookmovie.com/fansites/Wadepool/news/?a=42995
golden123
golden123 - 7/26/2011, 9:36 PM
So when you say ACT Three, do you mean the fianl battle or the climax and end of the movie as a whole? you weren't exactly clear.
MoonDoggyX
MoonDoggyX - 7/26/2011, 9:51 PM
All I can say is wow. Great read! All very good points. I totally agree. I woud have just added a few more example of films that got the formula correct. This is something everyone needs to read and definitely deserves to be on the main, my friend.

Orphix
Orphix - 7/27/2011, 3:11 AM
Cool article. :o)

Act III is often described as the moment at which the 'hero' has reach their lowest ebb and that everything seems hopeless. And yet they still manage to pull it from the brink and win the day.

The usual time structure for an average (120min long) film is Act I 30 mins - Act II 60 Mins - Act III 30 Mins. But with action flicks this can shrink right down to 10 mins. Filmakers want their blockbusters to end with a nice, neat bang (so to speak)!

The main problem all these superhero films have (especially with your examples) is that ALL the problems, issues and themes of the film have to be solved with one fight at the end; the epic battle we have all been waiting for. It isn't easy and not always satisfying cos it is such a quick finish. One moment the villain is there - the next he is defeated. So it can seem anticlimatic.

The only alternative seems to be to extend the fight but this can get pretty dull and unimaginative very quickly unless you are very clever and imaginative about how you go about it.

One answer is to view the fight itself as a story which ebbs and flows with its own three act structure. Also your hero should always be the underdog (which can be tricky when your hero is The Hulk or the god-like Thor). And winning the battle should show some element of intellilgence, learning and humility from the hero. They should have learnt something from somewhere earlier in the story about themselves which helps them defeat the baddie.

Out of all the Marvel Studios flims so far I felt that IM1 was the most successful at this. Especially when Stark asked Stane "how did you solve the freezing problem?". In fact you could argue they should have ended the fight at that scene cos Stark would have outsmarted the bigger, meaner, stronger Ironmonger.

Orphix
Orphix - 7/27/2011, 3:12 AM
They always say that the screenwriters mantra is 'Know your ending'. And that you should write this and work backwards.
95
95 - 7/27/2011, 5:18 AM
Great article. I agree with you completely that third acts have been extremely weak lately.
kong
kong - 7/27/2011, 5:41 AM
Great Article. I only disagree when you say that The Dark Knight was kinda messy at the end. It was anti-climatic but you have to remember that the Joker isn't a fighter.
kong
kong - 7/27/2011, 5:41 AM
Either way great article. You also made me want to see Prestige
AmonWarmann
AmonWarmann - 7/27/2011, 5:50 AM
Good article - I agree with you on many points. Another great final act that needs to get on that list is Batman Begins. One of the best final scenes in CBM history right there...
Orphix
Orphix - 7/28/2011, 4:21 AM
@Suspensesmith

I get what you're saying about TDK - I had a few problems with it myself. Interestingly we do differ on what spoilt the ending.

You seemed to prefer the ferry scene over the joker end fight. I'm the other way around. I found the whole ferry sequence pretty superfluous. It just seemed to be a big metaphor for the themes of the film without actually adding anything to the main plot or characters. Whereas I found the climatic fight with the joker was both dramatic and summed up what the whole film was about. To encapsulate what the whole film is about (themes, plot, character) in a fight is a pretty impressive thing to do and, I feel, Nolan did that.
Orphix
Orphix - 7/28/2011, 4:27 AM
And you're right about Thor. The story was about him getting his godhood back again and becoming worthy of his incredible power.

The trouble is once he has got that power he becomes practically invincible which is a massive problem to overcome if you're the writer and want to give him something to face up against.

They tried to do the 'superman trick' in which his main enemy was time. Loki attempting to destroy Jotenheim kind of solved the issue but we never felt that Thor would ever be too late. Scenes of Jotenheim being destroyed would have helped as would having some 'good' frost giants we could have felt were in peril.
Unfortunately none of that was there - possibly for budget reasons.
RobGrizzly
RobGrizzly - 7/28/2011, 6:02 PM
A fine article. I love the picture of the transformer balls!

But I do have to respectfully disagree on some points:

"..if the third act is anti-climatic, too confusing, or too short, then the film just isn’t a true movie."-

Um. They are still movies. They just let you down, is all.

My issue with this article is that your beef doesn't seem to be about STORY STRUCTURE. It seems more about FINAL BATTLES. You can't imply that TDK or Spider-Man 3 isn't a "true movie" simply because you didn't like the last confrontation. Yes, this is important from a narrative standpoint, but how big or small a final fight is doesn't completely encompass how effective a film is overall.

Richard Donner's Superman climax, with Kal-El reversing the Earth's rotation, is absolutely ludicrous. But that misstep doesn't, like, completely ruin the movie. The film is still revered as one of the finest CBM ever made.

Not everything HAS to END BIG.

A legitimate complaint would be something like I AM LEGEND. The bleak dystopia works for 2/3rds of the movie. But once the "vampires" show up, (and the lady and kid) the remainder of the film loses it's punch, and moves towards a finish that doesn't seem to fit in tonally or thematically with everything else established up to that point.

The issue here is really comic book movie climaxes.

Here is where I am in full agreement with you.
I would argue that both Batman Begins and The Dark Knight suffer from climax problems. (But your issues might be more with choppy editing and how Nolan shoots the action) Other CBM climax problems include Daredevil, Rise of the Silver Surfer, Punisher, and Watchmen. Even Kick-Ass went from psudo-realistic look at superheroes to a full-on comic-booky fantasy by the end.

In some cases the problem is really nothing more than creativity. In others, being anti-climatic actually serves the story better (Road to Perdition). I can't give you a definitive answer on how to fix this because it all depends.

I will say that the movies who's endings work best, including the ones you've mentioned, are ones where the hero has to make a choice.

Good work.
JackDexx
JackDexx - 7/28/2011, 9:08 PM
Great article smith! i think the cap skull fight should of been longer. only down side to the movie.
Minato
Minato - 7/29/2011, 10:06 AM
@suspencesmith
Great well thought out article but I must disagree with you on the most part.

With your diagnosis of these movies your opinion fits to a degree that I understand but you have to think of when the climax actually begins in these movies.

MAY CONTAIN SPOILERS BEYOND THIS POINT

Ironman 2
When you think of the climax of this movie it really doesnt begin with the Whiplash battle or when Tony and Rhodey land in the garden as youve pointed out. To me the beginning of the climax was when Hammer intoduced his drones at the expo and Stark first showed up. Ironman actually defeated 32 Drones, and got control of the Warmachine armor before fighting Whiplash. All of that action sequence counts instead of just the 2 on 1 between the armors.

Captian America
When in the woods traveling to the final Hydra base is the beginning of this climax. He defeated somewhere around 20 Hydra goons before his standoff with the Skull. On top of getting on the bomber and flying the mini aircraft back onto the bomber. All of that counts as the so-called 3rd act.

Thor
I can agree with you most on this movie seeing as though there where no "goons" to fight in this climax. With this considered the actual climax begins when the Destroyer arrives on Midgard and the warriors three start to fight it. He defeats the armor and then proceeds to Loki with a short anti climatic fight scene.

On the most part a can agree that the solo fights between the main Hero and Villian in these movies where short. With that said you cant claim the 3rd act lacks action or integrity because of it. Im with you that the main fight could've and should've been longer but the movie doesnt suffer because of it (with the exception of Thor).

Ive seen these movie each over 10 times including Captian America thanks to Watchthisfree.com and buying a 1st weekend ticket to show support.

If you still have a differing opinion please convince me.
Minato
Minato - 7/29/2011, 11:55 AM
@Suspensesmith
Understood But in the marvel studio movies thus far with exception of TIH and IM1 there was some plot devise that the villian cooked up that keeps the hero from draggin on the final battle too long.

With Captian America he had to stop the bomber from reaching the states. With your case in mind it doest take 1/2 hour to reach the states from europe.

With Thor he had to stop Loki from destroying Jotenheim (cant spell) from being destroyed by the Bifrost.

There is no excuse for IM2 because he already destroyed the threats (drones) before his battle with Whiplash. My only service to my arguement is that those three armors could battle too long without the things would actually be destroyed.

None of the actual supervillians were beaten faster than any one goon because they all took more than 1 punch and gave out decent damage before their fights were over.

Im not trying to argue and I totally understand your point. The final action scenes all should have dwarfed the other battles in the movies but there are excuses why they didnt.
Minato
Minato - 7/29/2011, 12:44 PM
Yea the score to those movies wasnt that epic to me either but that alone (unless its horrible) doesnt make or break a movie to me.
Im a "nolanite" so I think TDK and Inceptions scores were the best as of late.

That Return of the Jedi ending was epic and the score memorable.
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