AHSOKA Season 2 Gets Major Shooting Update As All Signs Point To Real Sets Finally Replacing The Volume

AHSOKA Season 2 Gets Major Shooting Update As All Signs Point To Real Sets Finally Replacing The Volume

We have some news on when cameras will begin rolling on Ahsoka season 2, with production set to move from Los Angeles to the United Kingdom. That means more real locations and less reliance on The Volume.

By JoshWilding - Dec 09, 2024 08:12 AM EST
Filed Under: Star Wars
Source: IndieWire (via SFFGazette.com)

IndieWire (via SFFGazette.com) reveals that Ahsoka season 2 is moving production from Los Angeles to the United Kingdom, meaning Lucasfilm currently has no film or TV projects scheduled to shoot in LA.

Many believe the move overseas could be permanent, though "a studio insider disputed the idea that all film and TV production for Lucasfilm would relocate to the UK." Lucasfilm has a storied history with the country after George Lucas shot the original Star Wars trilogy there. 

Beyond that, why should you care? Well, the site has learned that as well as locking in an April 2025 shooting start date, Ahsoka season 2 "will utilize multiple different film techniques." It's noted that, "The first was shot entirely on Volume stages."

This will come as music to the ears of fans who have grown tired of The Volume; if you need a reminder, it's a massive wraparound LED screen that creates hyper-realistic visuals displayed in real time. That largely saves VFX artists from having to add them later and reduces the need for green screen work. 

Many feel it creates lifeless "sets," something that was a big issue with 2023's Ant-Man and The Wasp: Quantumania. However, it's been utilised to greater effect in The Mandalorian, for example. 

The Mandalorian & Grogu became the first Star Wars project to shoot entirely in California, so chances are The Volume came into play a lot with the 2026 movie. For comparison's sake, Obi-Wan Kenobi and Skeleton Crew used it after shooting primarily in Los Angeles, while Andor and The Acolyte were shot in the UK and typically on location.

Talking at the Star Wars: Skeleton Crew premiere at Disneyland earlier this month, showrunner Dave Filoni shared an exciting update on where things stand with Ahsoka season 2.

"I'm so well into that as well. I've been writing it, and I'm still the single writer on it, and so I've been enjoying doing that, but it's a challenge, of course, and working some of these arcs through has been a challenge and making sure it's all going to come out in a way that I think is exciting for fans," he teased.

"I know that they're interested in where some of the things I developed in Season 1," Filoni continued. "I'm pretty happy with it. Love working with Rosario [Dawson], so I can’t wait to get back to that."

Star Wars Celebration takes place in Japan next April and we'd expect new details about both Ahsoka season 2 and The Mandalorian & Grogu to be released during the event. 

Stay tuned for updates as we have them.

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DarthOmega
DarthOmega - 12/9/2024, 8:22 AM
The volume was actually great tech. From Mando season 1 to The Batman. The problem is using it for almost everything and not staging it correctly. It looks more like a commercial, music video or photo shoot than a film/show.
JstaKIDfrmBKLYN
JstaKIDfrmBKLYN - 12/9/2024, 9:08 AM
@DarthOmega - I had no idea the used the Volume for The Batman. Now that's how you properly use it. Seamless.
DarthOmega
DarthOmega - 12/9/2024, 9:20 AM
@JstaKIDfrmBKLYN - Exactly. I didn't know until I watched some behind the scenes videos. I was kinda shocked. Lighting is everything in cinematography, and the DP on that film Greig Fraser has mastered lighting. He's up there with Roger Deakins in my opinion.
JstaKIDfrmBKLYN
JstaKIDfrmBKLYN - 12/9/2024, 10:05 AM
@DarthOmega - I mean, it's one of the most beautifully shot movies out there. The fact he didn't get a Cinematography Oscar nod is criminal.
TheVisionary25
TheVisionary25 - 12/9/2024, 8:25 AM
Don’t they have another Volume setup over there aswell since Quantumania shot in London aswell?.

If so then while they might use more practical sets , it doesn’t mean they’ll be ditching that entirely which I’m cool with…

The Volume has its limitations but it doesn’t mean it’s all bad , it just should used in unison with real locations & sets rather then solely.

Anyway , looking forward to S2 especially since I just rewatched S1 on a whim and enjoyed it a bit more then before.

User Comment Image
Vigor
Vigor - 12/9/2024, 8:45 AM
@TheVisionary25 - yes it needs to be in unison
BassMan
BassMan - 12/9/2024, 9:20 AM
@TheVisionary25 - I’ve found all the Disney Plus shows better on a rewatch when you can sit through the whole series.
slickrickdesigns
slickrickdesigns - 12/9/2024, 9:03 AM
I would love practical set and effects. But I will say that Volume Room/CGI background screens look pretty friggin good sometimes. Better than using a blue/green screen.
ElectricRetard
ElectricRetard - 12/9/2024, 9:44 AM
I don't know what's the fuss about. I think that the volume fits perfectly with stylised world like star wars, it gave me that special vibe like a blend between anime and live-action. I don't want star wars to be gritty and realistic like Nolan movies
BB8ANG
BB8ANG - 12/9/2024, 11:41 AM
@ElectricRetard - People don't dislike the Volume because of it's CGI backgrounds, they dislike it because it constricts the sets to these small circles that you can't unsee once you notice it. It makes the worlds feel small.
harryba11zack
harryba11zack - 12/9/2024, 10:07 AM
Unpopular opinion here but The Volume was a mistake. Great for one or two shots yes but disney has now milked the sh1t outta it.
DTor91
DTor91 - 12/9/2024, 10:40 AM
@harryba11zack - It’s not a mistake, it’s just the growing pains of new technology in filmmaking. It was revolutionary in season 1 of The Mandalorian, used to amazing effect in The Batman, and there’s other examples of it being used well. But like anything else, it’s easy to get carried away with it and overuse it to the point where it’s rendered moot and moves away from why it was used in the first place.

Look at the earlier uses of more prominent cgi in films, especially in the late 90s/ early 2000s. A lot of it hasn’t aged well and many stuck out like a sore thumb even then. Ironically, so many people have criticized and made fun of the use of cgi in the prequels, but it’s arguable that George Lucas helped pioneer it and championed it in ways no one else was really doing at the time, paving the way for its place today. There may have been an over reliance on it, but it helped filmmakers understand the limits and what works and what doesn’t. Two years after Episode 1, we get The Fellowship of the Ring, which has a good number of cg shots in there that still hold up today and blend seamlessly with the practical sets and effects. Just four years after Episode 3, Avatar set a whole new standard.
Things like dialogue and color being introduced to film, cgi, moving from actual film to digital cameras, and now with The Volume…they all had gone through growing pains before solidifying its place in standard filmmaking. Filmmaking cannot learn and improve with new tech without the mistakes and understanding the whys of said mistakes.
harryba11zack
harryba11zack - 12/9/2024, 10:43 AM
@DTor91 - no.
Dunejedi
Dunejedi - 12/9/2024, 12:53 PM
@DTor91 - very well said. It’s a very welcome tool to have in their kit, but they need to get back to blending it with everything else. All things in moderation.
Patient2670
Patient2670 - 12/9/2024, 10:34 AM
The Volume tends to work well, when you can use plate shots of real locations or architecture that is prohibitive to bring a full cast and crew. But soomething like Ant man (Mentioned in the article above) where the environments already look less realistic, it doesn't work as well. you're better off using a green screen and unreal engine.
cacarr
cacarr - 12/9/2024, 4:26 PM
The Volume certainly *can* be used effectively, but Andor should looked better than any other Disney+ Star Wars thing.

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