Hello Everyone I am a fan of Uwe Boll films to start off with. He is truly one of the most magnificent directors that has ever graced the screen. Which is why I come to you all today with this article. He inspired me greatly to write this and direct it towards future film advocates. Whether you want to become a director or part of something greater within the industry. I have some key thoughts and advice which may solve your own worries. As I have greatly studied film and especially the works of Uwe Boll, a true master as we know him today. Many of you wonder where have I been since my last article? I have been slowly compiling an entire book based around Uwe Boll and this subject matter. I one day dream of getting my book published when I finished it. Possibly even a major Hollywood adaptation of my book directed by Uwe Boll himself! Only I can dream that far ahead, but the future can sometimes be deceiving. As today I want to share a delicate sample of my own book. In true editorialized form and writing. This is an important chapter within my own current pace I have conducted. Whether or not you like the works of Uwe Boll, I hope this truly inspires you somewhere deep down in your heart and your dreams.
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CHAPTER ONE
THE SPIRIT OF THE FILM - SAMPLE PIECE
The camera is the essential tool and it is also the essential need for every brilliant director. The camera is also known in terms as your own spiritual guide when it comes to making a film if you are a director. A spiritual guide that slowly guides you along a path wherever you choose to take. Along the journey, it will take you through characters, scenes, and many important elements further more created by what is known as a script. For a brilliant director such as Uwe Boll in example, he views the film cautiously in his own light. Whatever is going on in the background doesn't matter, it is what is being displayed forth is what truly matters. Uwe Boll makes the films he wants to make as any other director should. You have the camera and that is your spiritual guide. You have actors and you have a script.
Imagination comes from deep inside the will of what you want. Sometimes imagination could be interfered with a further more distribution. As I have mentioned sometimes a part of scenery could be a distraction. Anything you find truly annoying could be a distraction. Most of all, what I find is past traumas and the past in greater terms could be a true distraction. Uwe Boll has constantly been torn apart by critics. Does he follow the hatred of the critics? No, he did what he had to do to regain his true imagination, he ignored the critics. They are a trauma that could potentially hurt a directors vision. If you choose to become one you will be faced with them and the dilemma as he has faced. Take it from his own words, ignore the critics. Make your vision. Make what your imagination is roaring in your senses. You have to defy what people say is wrong and say what you truly think is right. There is such thing as right to wrong, but we as our own have to truly find what that is.
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I have been working on this book for months. This is just a piece I have placed out which I find is truly one of the most important elements, I wanted to share with you all today. Uwe Boll has greatly inspired me. I understand Uwe Boll's own messages he as constantly conveyed through his own films. Uwe Boll's own stance is a pride greater than any other director today. Please take this into further consideration.