GRAVITY And ASSASSIN'S CREED Production Designer Joins CAPTAIN MARVEL

GRAVITY And ASSASSIN'S CREED Production Designer Joins CAPTAIN MARVEL

Captain Marvel assembles her production crew, as Andy Nicholson joins the team to make sure that Carol Denvers' highly-anticipated film debut will look appropriately otherworldly...

By BaltazarOS - Sep 13, 2017 03:09 PM EST
Filed Under: Captain Marvel
Source: Omega Underground
Captain Marvel's film crew just got bigger as Andy Nicholson joined the team to supervise the overall visual look of the movie as a production designer.  He is best known for his work on Alfonso Cuarón's Gravity, thanks to which he received an Oscar nomination. Nicholson is also the production designer of last year's Assassin's Creed and the upcoming Jurassic World: The Fallen Kingdom

The production designer's previous experiences should be very valuable, considering the 90s-set film will surely take us on a trip to space. It won't be Nicholson's first collaboration with Marvel Studios, as he was the art director of Captain America: The First Avenger. Geneva Robertson-Robert is finishing the screenplay and the director duo, Anna Boden and Ryan Fleck are getting ready to start filming the movie in Los Angeles early next year. 

Captain Marvel releases on International Women's Day, March 8th, 2019.
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MUTO123
MUTO123 - 9/13/2017, 4:00 PM
Neat.
MUTO123
MUTO123 - 9/13/2017, 4:04 PM
Also, not sure if anybody cares, but apparently the costume designer on the movie is Sanja Milkovic Hays (Star Trek Beyond, the Fast & Furious movies) and the VFX supervisor is Christopher Townsend (The First Avenger, Iron Man 3, Age of Ultron, Guardians Vol. 2).
ScarletWarlock
ScarletWarlock - 9/13/2017, 5:11 PM
@MUTO123 - I care. That sounds like a great team to assemble, especially the costume designer. I really liked the designs in Beyond. It felt colorful and weird like Guardians but also felt true to Star Trek; it had a nice middle ground.
ELAYEM
ELAYEM - 9/13/2017, 4:53 PM
Assassin's Creed was a visually gorgeous film.
Pretty sure most of that merit goes to director Justin Kurzel, but if this guy brings that to Captain Marvel we are in for a beautiful film.
GhostDog
GhostDog - 9/13/2017, 5:31 PM
Marvel has been hiring some real unique and accomplished talent for their production design lately.

The Production Designer for Moonlight and Creed is doing Black Panther.

The Production Designer for LOTR trilogy is doing Ragnarok.

And now this. Nice!
ScarletWarlock
ScarletWarlock - 9/13/2017, 5:40 PM
@BlackBeltJones - Marvel really is stepping up their game. Something like Ragnarok or Panther feel like top notch productions through and through: Great composers, great costume designers, great production designers, some diverse, unique film-makers with a true identity to their films, and the quality just seems to not only rise, but it feels more consistent than ever. They even brought back Silvestri for Infinity War. They're learning for sure.
GhostDog
GhostDog - 9/13/2017, 5:42 PM
@ScarletWarlock - I think once they axed the Creative Committee and Feige got full control and Perlmutter was ousted, they've really started to up their game.
ScarletWarlock
ScarletWarlock - 9/13/2017, 5:50 PM
@BlackBeltJones - Oh, yes, definitely: No more phoned in third acts; no huge disputes behind the scenes; and just more diverse characters; more female characters; more diverse voices; just an overall less safe atmosphere. And lately, more and more, it really does seem that they're keen on every film bringing something new to the table. It's very evident with Ragnarok, Panther, and even the upcoming Captain Marvel. They may not reach this goal, but it seems their intention is to attempt to make every film they do a game changer. The passion is more palpable than ever, as far as I'm concerned.
Kumkani
Kumkani - 9/14/2017, 1:47 AM
@ScarletWarlock @BlackBeltJones I've always found the "MCU is generic/formulaic" claims quite ridiculous with a few cases being true, but man has Phase 3 been so great.

Honestly those complaints about Marvel doing the same old thing don't really make sense anymore. Each of the movies in Phase so far have had very clear and different tones, visuals, cinematography, production and costume design.

Yes there are certain cues that remind you they're all in the same universe like the use of humour, some design choices and references but other than that pretty much everything else has been different.

The airport scene and the final fight in Civil War, the special effects, Eastern cultural aesthetic and philosophical themes in Doctor Strange, the use of colour in GotG Vol2, the high school backdrop of SM:HC, the Kirby influnce and that Valkyrie vs Hela sequence in Thor Ragnarok, and the Afrofuturistic aesthetic of Black Panther are unlike anything we've ever seen in the MCU and you can feel the style of each of those directors just bleed off your screen.
ScarletWarlock
ScarletWarlock - 9/14/2017, 8:14 AM
@BlindWedjat - Oh, yeah, man, the whole formulaic argument is out of the window at this point. You could maybe argue that for something like Avengers 2, but I think it's different enough from Avengers 1 to be it's own thing. Avengers 2 is on a floating city where the whole time they are saving people, you know, being superheroes, I really loved that. Even so, it's a little similar to Avengers 1, but they really don't have that issue with Phase 3; things like "I've come to bargain" in Doctor Strange, or the heart breaking, brutal, emotional fight in Civil War, or the incredibly strange, odd yet beautiful, creative and emotional fight between Ego and Star Lord. Even the third act of Spidey tests so many boundaries of Peter, and he overcomes them.

And instead of the third act turning into a slugfest, it ends with Peter desperately trying to save the father of his homecoming date. After all that, he's still trying to save this villain who tried to murder him, and I can imagine he's in serious pain. Their third acts are not only more creative and fun, but they're more dramatically wholesome and feed into the story in an organic way.
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