UPDATE: First Impressions Of X-Men: First Class Hit The Web Before Full Reviews!

Although full reviews of X-Men: First Class aren't expected to hit until the 25th of this month, Fox have allowed a couple of sites to share their thoughts on the movie before Wednesday. Below are a few excerpts from those posted at Bleeding Cool and Hey U Guys. Be sure to follow the links below to read them in their entireties.

First Class contains some of the briskest and most efficient storytelling I’ve seen in any recent blockbuster. An awful lot happens, and awfully quickly at times, but it’s all clear and while some nice moments might be over in the blink of an eye, this can only reward repeat viewers.

There’s a sequence later in the film, from which much of the material for the “character trailers” was gathered, that actually uses split screen to crack the pace up one more notch. This film does not hang around – and at over two hours of running time, that’s a virtue, because when nothing drags, and the audience don’t get bored, the minutes just whistle by.

X-Men: First Class takes the series back to its roots, both figuratively, in terms of the character-focused drama, and literally, as we open with an almost shot-for-shot recreation of the beginning of Bryan Singer’s first X-Men film. In doing so, the film makes itself instantly familiar, and also, instantly engaging.

Indeed, it is in the treatment of the characters, and their relationships that the film really triumphs. Wisely Fassbender, McAvoy and Lawrence don’t even attempt to mimic the performances given by Ian McKellen, Patrick Stewart and Rebecca Romijn in the earlier films in the franchise. Instead, Fassbender’s Erik feels almost Bond-like, both in his intelligence, and in his drive to get the job done, while McAvoy plays Xavier as a charming but conceited version of TV illusionist, Derren Brown. This creates a beautiful interplay between them, and their relationship, both the close friendship, and the underlying tension, is believable and immensely enjoyable to watch.

The other key relationship for the film is that between Singer and Vaughn, and frankly it’s seamless. Vaughn’s ability to direct action, and sense of humour run through the film, while the film still feels very much like a part of the world Singer created in his movies.

After an original, two sequels and an offshoot, you’d be forgiven for assuming that you know what to expect when walking into a theatre to see the latest in the X-Men franchise. You’d be wrong. X-Men: First Class does not forget what came before, in fact there are nods to it throughout, both fun and terribly sad, but fresh faces have breathed new life into familiar characters and their battle for acceptance has an added touch of humanity. For the first time, and I realise I may be more immune to superheroes than most, I warmed to the X-Men. James McAvoy (Charles Xavier), Jennifer Lawrence (Raven/Mystique) and director Matthew Vaughn (Kick Ass, Stardust) deserve much credit for bringing X-Men up to date, refreshed, while, ironically, taking it back in time.

There are some characters who get short shrift and aren’t allowed the space, There is all the excitement, pace and spectacle that you would expect and want from an X-Men film, but what makes X-Men: First Class a film that I can’t wait to see again is the people in it.